It is novel that this documentary follows a few men in the incel subculture over a period of a few years, but the film is mostly lacking narrative or statement.
Instead, we are presented with a collage of clips platforming the subjects' ideas. They do offer some insightful thoughts about consumer culture and the way young men are expected to behave in our society, but the men also spread some blatantly misogynistic or racist ideology, the latter presented caged in a flimsy veneer of "satire" (a term which those in the subculture misinterpret to mean transgressing for the sake of transgressing, rather than using irony to make a larger point).
Personally, I felt that the misogyny and racism were brushed off too easily in favour of humanising the subjects. That may be the best approach for reconciling these sorts of men with society, but it means that we end up with a fairly shallow look into the subculture that only briefly references the hate and extremism it has generated. You get the impression that the incel community is mostly a place for commiseration and that those within it eventually graduate to more typical lives. This is probably true of many, maybe even most, but it still misses an important fact.
At one point, we see a brief clip from the Toronto Van Attack (an act of misogynist terrorism that took place in Canada's largest city in 2018), but its roots in incel fora are not explained at all. The perpetrator was a member of the incel community, and he and other domestic terrorists like him have been idolized in some incel circles since. One could argue that this film is about the less extreme members of the community, and that the hateful acts of extreme factions are for another movie. Frankly though, to me it feels irresponsible to spend so much time in the subculture without directly addressing the fact that it has spawned domestic terrorism.
My advice: give this one a miss. If you want to know more about the incel subculture, listen to the CBC podcast about the Toronto Van Attack, I found it much more enlightening.
Instead, we are presented with a collage of clips platforming the subjects' ideas. They do offer some insightful thoughts about consumer culture and the way young men are expected to behave in our society, but the men also spread some blatantly misogynistic or racist ideology, the latter presented caged in a flimsy veneer of "satire" (a term which those in the subculture misinterpret to mean transgressing for the sake of transgressing, rather than using irony to make a larger point).
Personally, I felt that the misogyny and racism were brushed off too easily in favour of humanising the subjects. That may be the best approach for reconciling these sorts of men with society, but it means that we end up with a fairly shallow look into the subculture that only briefly references the hate and extremism it has generated. You get the impression that the incel community is mostly a place for commiseration and that those within it eventually graduate to more typical lives. This is probably true of many, maybe even most, but it still misses an important fact.
At one point, we see a brief clip from the Toronto Van Attack (an act of misogynist terrorism that took place in Canada's largest city in 2018), but its roots in incel fora are not explained at all. The perpetrator was a member of the incel community, and he and other domestic terrorists like him have been idolized in some incel circles since. One could argue that this film is about the less extreme members of the community, and that the hateful acts of extreme factions are for another movie. Frankly though, to me it feels irresponsible to spend so much time in the subculture without directly addressing the fact that it has spawned domestic terrorism.
My advice: give this one a miss. If you want to know more about the incel subculture, listen to the CBC podcast about the Toronto Van Attack, I found it much more enlightening.
