For one of this year’s Variety Global Conversations Summit at Cannes, a group of leading women actors and filmmakers from around the world joined Variety’s Nick Vivarelli to discuss how they got into the business, what motivates them and some of the groundbreaking roles they’ve played.
Egyptian actor Salma Abu-Deif (“El-Asliyyin”) discussed her recent turn in the series “Highest Viewing Rate,” which tells the true story of a girl from a poor family who becomes obsessed with TikTok and uses the platform to escape her daily life.
According to Abu-Deif, the show has impacted some traditionally strict Arab parents who have watched it and gained a better understanding of some issues their children face. “I love that I saw Arab parents saying, ‘Oh, maybe we need to listen to our kids, even if it’s against how we were raised or how we think culture should be.
Egyptian actor Salma Abu-Deif (“El-Asliyyin”) discussed her recent turn in the series “Highest Viewing Rate,” which tells the true story of a girl from a poor family who becomes obsessed with TikTok and uses the platform to escape her daily life.
According to Abu-Deif, the show has impacted some traditionally strict Arab parents who have watched it and gained a better understanding of some issues their children face. “I love that I saw Arab parents saying, ‘Oh, maybe we need to listen to our kids, even if it’s against how we were raised or how we think culture should be.
- 5/21/2024
- by Jamie Lang
- Variety Film + TV
The Red Sea International Film Festival will present the Women In Cinema panel at the Variety Global Conversations event at the Cannes Film Festival.
The panel will take place at La Plage Des Palmes on Saturday, May 18, at 12pm Cet.
Below is a complete list of the panelists:
Salma Abu Deif is an Egyptian actress and model who both produced and played the lead role in “A Nose and Three Eyes” that screened at the 2023 Red Sea International Film Festival.
Kiara Advani has starred in seven global blockbusters, including critically acclaimed “Shershaah.” She is set to appear in “Game Changer,” directed by S. Shankar, and “War 2” alongside Hrithik Roshan and in “Don 3” alongside Ranveer Singh.
Sarocha Chankimha (Aka Freen) is a Thai actress, model and singer, who in 2022 appeared in “Secret Crush” on “You and Gap: The Series,” which gained her international notice and multiple awards.
Adhwa Fahad...
The panel will take place at La Plage Des Palmes on Saturday, May 18, at 12pm Cet.
Below is a complete list of the panelists:
Salma Abu Deif is an Egyptian actress and model who both produced and played the lead role in “A Nose and Three Eyes” that screened at the 2023 Red Sea International Film Festival.
Kiara Advani has starred in seven global blockbusters, including critically acclaimed “Shershaah.” She is set to appear in “Game Changer,” directed by S. Shankar, and “War 2” alongside Hrithik Roshan and in “Don 3” alongside Ranveer Singh.
Sarocha Chankimha (Aka Freen) is a Thai actress, model and singer, who in 2022 appeared in “Secret Crush” on “You and Gap: The Series,” which gained her international notice and multiple awards.
Adhwa Fahad...
- 5/17/2024
- by Nick Vivarelli
- Variety Film + TV
Brussels-based company Best Friend Forever has acquired international rights of Alireza Khatami’s “The Things You Kill.” The film is in post-production.
Khatami is already known for Cannes 2023 Un Certain Regard title “Terrestrial Verses” and “Oblivion Verses,” which was awarded best screenplay in Venice Horizons competition 2017 and won the Fipresci Prize.
Le Pacte will release “The Things You Kill” in France.
In the film, Ali, a university professor, is haunted by the suspicious death of his ailing mother, and coerces his enigmatic gardener to execute a cold-blooded act of vengeance. As long-buried family secrets resurface, the police tighten their noose, and doubts begin eroding his conscience, Ali has no choice but to look into the abyss of his own soul.
The star-studded Turkish cast includes Ekin Koç (“Burning Days”), Erkan Kolçakköstendil, Hazar Ergüçlü (“The Wild Pear Tree”) and Ercan Kesal (“Once Upon a Time in Anatolia”).
Khatami said: “‘The Things...
Khatami is already known for Cannes 2023 Un Certain Regard title “Terrestrial Verses” and “Oblivion Verses,” which was awarded best screenplay in Venice Horizons competition 2017 and won the Fipresci Prize.
Le Pacte will release “The Things You Kill” in France.
In the film, Ali, a university professor, is haunted by the suspicious death of his ailing mother, and coerces his enigmatic gardener to execute a cold-blooded act of vengeance. As long-buried family secrets resurface, the police tighten their noose, and doubts begin eroding his conscience, Ali has no choice but to look into the abyss of his own soul.
The star-studded Turkish cast includes Ekin Koç (“Burning Days”), Erkan Kolçakköstendil, Hazar Ergüçlü (“The Wild Pear Tree”) and Ercan Kesal (“Once Upon a Time in Anatolia”).
Khatami said: “‘The Things...
- 5/14/2024
- by Leo Barraclough and Elsa Keslassy
- Variety Film + TV
Banel & Adama is a 2023 Senegalese romantic drama film directed by Ramata-Toulaye Sy. It premiered at the Cannes Film Festival in 2023 and has been getting international recognition since then.
The film is a scorching romance between two young lovers, Banel and Adama, who live in a remote Senegalese village. They fight for their love and independence in the face of imperious traditions. The film also showcases the beauty of the Sahel region and the environmental challenges the area faces.
The post The movie Banel & Adama will be released on June 7. Trailer appeared first on Martin Cid Magazine.
The film is a scorching romance between two young lovers, Banel and Adama, who live in a remote Senegalese village. They fight for their love and independence in the face of imperious traditions. The film also showcases the beauty of the Sahel region and the environmental challenges the area faces.
The post The movie Banel & Adama will be released on June 7. Trailer appeared first on Martin Cid Magazine.
- 4/18/2024
- by Movies MCM
- Martin Cid Magazine - Movies
"Back when we were kings, masters of ourselves, masters of the world, free. Today, who are we?" Kino Lorber has revealed an official US trailer for Banel & Adama, a visually magical African love story movie from French filmmaker Ramata-Toulaye Sy. This premiered at the 2023 Cannes Film Festival in the Main Competition, and went on to play at the Toronto, London, Chicago, and Denver Film Festivals in 2023. It's now set for a US release starting in June this summer. Kino Lorber is pleased to present Banel & Adama, a haunting, visually stunning West African love story and the directorial debut of Ramata-Toulaye Sy. A young couple in Senegal must contend with the disapproval of their remote village. This stars Khady Mane as Banel and Mamadou Diallo as Adama. It received mostly positive reviews out of last year's film festivals, praising both the gorgeous cinematography and passionate performances from the two leads,...
- 4/18/2024
- by Alex Billington
- firstshowing.net
The only debut feature to premiere in competition at Cannes Film Festival last year, Ramata-Toulaye Sy’s West African love story Banel & Adama is now set for a a release this summer. I had the opportunity to catch up with Senegal’s Oscar entry and Rendez-Vous with Frenchi Cinema earlier this year and it’s quite a visual feast. Now, ahead of Kino Lorber’s release in New York on June 7 at Film Forum and in Los Angeles on June 14 at the Laemmle Royal, with more to follow, the first U.S. trailer has arrived.
Here’s the synopsis: “Banel and Adama are fiercely in love. The young married couple lives in a remote village in northern Senegal. For them, nothing else exists except each other. But for the rest of their tight-knit village, duty dictates that Adama soon accept the role of chief. The two lovers have their own plans…...
Here’s the synopsis: “Banel and Adama are fiercely in love. The young married couple lives in a remote village in northern Senegal. For them, nothing else exists except each other. But for the rest of their tight-knit village, duty dictates that Adama soon accept the role of chief. The two lovers have their own plans…...
- 4/18/2024
- by Jordan Raup
- The Film Stage
Ethan Coen’s action-comedy Drive-Away Dolls leads a quiet weekend at the UK and Ireland box office, opening in 533 cinemas for Universal, as Warner Bros’ Dune: Part Two continues to dominate with over £20m taken after two weeks on release.
The first solo narrative feature from one half of the Coen Brothers follows two lesbian roommates whose road trip quickly escalates to a crime caper when they find a valuable suitcase in the trunk. A notable ensemble cast, led by Margaret Qualley and Geraldine Viswanathan, features appearances from Colman Domingo, Pedro Pascal and Matt Damon.
The last time Ethan Coen...
The first solo narrative feature from one half of the Coen Brothers follows two lesbian roommates whose road trip quickly escalates to a crime caper when they find a valuable suitcase in the trunk. A notable ensemble cast, led by Margaret Qualley and Geraldine Viswanathan, features appearances from Colman Domingo, Pedro Pascal and Matt Damon.
The last time Ethan Coen...
- 3/15/2024
- ScreenDaily
Warner Bros.’ “Dune: Part II” continued its reign at the U.K. and Ireland box office for the second weekend in a row with £5.9 million ($7.5 million), according to numbers released by Comscore.
Denis Villeneuve’s anticipated sequel has an all-star cast including Timothée Chalamet, Rebecca Ferguson, Josh Brolin, Stellan Skarsgård, Dave Bautista, Zendaya, Charlotte Rampling and Javier Bardem reprising their roles from the first film, with Austin Butler, Florence Pugh, Christopher Walken and Léa Seydoux joining them. After two weekends, the film’s total stands at £19.4 million in the territory.
In second place, Studiocanal’s “Wicked Little Letters” collected £898,390 in its third weekend for a total of £6 million. In its fourth weekend, Paramount’s “Bob Marley: One Love” earned £830,382 in third position for a total of £15.1 million. In fourth place, Universal’s “Migration” took in £671,666 in its sixth weekend for a total of £18.3 million.
Lionsgate’s “Imaginary” debuted in fifth...
Denis Villeneuve’s anticipated sequel has an all-star cast including Timothée Chalamet, Rebecca Ferguson, Josh Brolin, Stellan Skarsgård, Dave Bautista, Zendaya, Charlotte Rampling and Javier Bardem reprising their roles from the first film, with Austin Butler, Florence Pugh, Christopher Walken and Léa Seydoux joining them. After two weekends, the film’s total stands at £19.4 million in the territory.
In second place, Studiocanal’s “Wicked Little Letters” collected £898,390 in its third weekend for a total of £6 million. In its fourth weekend, Paramount’s “Bob Marley: One Love” earned £830,382 in third position for a total of £15.1 million. In fourth place, Universal’s “Migration” took in £671,666 in its sixth weekend for a total of £18.3 million.
Lionsgate’s “Imaginary” debuted in fifth...
- 3/13/2024
- by Naman Ramachandran
- Variety Film + TV
The Senegalese director’s debut movie, Banel & Adama, propelled her to the red carpet. She explains why she wanted to show the world its flawed lead character
Nearly a decade ago, when Ramata-Toulaye Sy sat down to write her graduation script at the end of a screenwriting degree, her goal was simple. “I wanted to tell the most beautiful and greatest African love story,” says the 37-year-old French Senegalese film-maker with a smile. “When I was growing up a lot of African stories were about misery, poverty, war. I wanted to say: we can have African stories about people falling in love.”
She pauses, her grin widening. “Most importantly, I wanted to write the story of how Juliet became Lady Macbeth.” It’s a description that nails the film she’s now directed, based on that script, Banel & Adama. A subversive feminist romance set in Senegal, it was the...
Nearly a decade ago, when Ramata-Toulaye Sy sat down to write her graduation script at the end of a screenwriting degree, her goal was simple. “I wanted to tell the most beautiful and greatest African love story,” says the 37-year-old French Senegalese film-maker with a smile. “When I was growing up a lot of African stories were about misery, poverty, war. I wanted to say: we can have African stories about people falling in love.”
She pauses, her grin widening. “Most importantly, I wanted to write the story of how Juliet became Lady Macbeth.” It’s a description that nails the film she’s now directed, based on that script, Banel & Adama. A subversive feminist romance set in Senegal, it was the...
- 3/7/2024
- by Cath Clarke
- The Guardian - Film News
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best International Feature Wim Wenders’ ‘Perfect Days’
Weekly Commentary: The United Kingdom is poised to win its first Academy Award with Jonathan Glazer’s “The Zone of Interest” and what a deserved win it will be.
But while I have the floor: it’s time for the...
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best International Feature Wim Wenders’ ‘Perfect Days’
Weekly Commentary: The United Kingdom is poised to win its first Academy Award with Jonathan Glazer’s “The Zone of Interest” and what a deserved win it will be.
But while I have the floor: it’s time for the...
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
One year after launching with an ambitious aim to become the premier industry confab for dealmakers on the African continent, the Jbx Content Market returns to Johannesburg with an expanded, three-day event that will touch on some of the key trends in the fast-growing African market.
Running parallel to the Joburg Film Festival, whose sixth edition takes place Feb. 27 – March 3, the Jbx will bring together producers, financiers, broadcasters, streaming platforms and other industry professionals to take stock of what many believe to be a pivotal moment in the African screen industries.
“Everyone says Africa is the future. Are we ready for this content demand that the world is looking for?” says Joburg Film Festival executive director Timothy Mangwedi. “Being ready is not just about talent. It’s about talent, it’s about infrastructure, it’s about technology. And it’s also about funding.”
The pressing question of how to pay...
Running parallel to the Joburg Film Festival, whose sixth edition takes place Feb. 27 – March 3, the Jbx will bring together producers, financiers, broadcasters, streaming platforms and other industry professionals to take stock of what many believe to be a pivotal moment in the African screen industries.
“Everyone says Africa is the future. Are we ready for this content demand that the world is looking for?” says Joburg Film Festival executive director Timothy Mangwedi. “Being ready is not just about talent. It’s about talent, it’s about infrastructure, it’s about technology. And it’s also about funding.”
The pressing question of how to pay...
- 2/26/2024
- by Christopher Vourlias
- Variety Film + TV
Following on the heels of a successful post-pandemic reboot one year ago, the Joburg Film Festival kicks off its sixth edition on Feb. 27, with the glitzy capital of South Africa’s media and entertainment industry showcasing a selection of top talents from the host country and across the African continent.
The event opens with the world premiere of Gordon Main’s apartheid-era documentary “London Recruits,” a film that sheds light on a pivotal moment in the South African liberation struggle, and wraps March 3 with the premiere of “Snake,” a psychological thriller from veteran filmmaker Meg Rickards.
After returning to Johannesburg cinemas last year for the first time since the outbreak of the coronavirus pandemic in 2020, this year’s edition looks to grow the event’s footprint, increasing the number of festival venues as well as the amount of films on offer, with a program that includes more than 60 titles from 30-plus countries.
The event opens with the world premiere of Gordon Main’s apartheid-era documentary “London Recruits,” a film that sheds light on a pivotal moment in the South African liberation struggle, and wraps March 3 with the premiere of “Snake,” a psychological thriller from veteran filmmaker Meg Rickards.
After returning to Johannesburg cinemas last year for the first time since the outbreak of the coronavirus pandemic in 2020, this year’s edition looks to grow the event’s footprint, increasing the number of festival venues as well as the amount of films on offer, with a program that includes more than 60 titles from 30-plus countries.
- 2/26/2024
- by Christopher Vourlias
- Variety Film + TV
Brussels-based company Best Friend Forever (“Banel & Adama”) has acquired international rights to “Shambhala,” the first Nepalese film to premiere in competition at the Berlinale or any other top film festival.
Directed by Min Bahadur Bham, “Shambhala” is also the first South Asian film to be selected in Berlinale’s competition lineup after three decades. Bham is best known for his feature debut, “Kalo Pothi,” which won a prize at Venice Critics’ Week in 2015. The helmer previously directed “Bansulli,” which was Nepal’s first selection at the Venice Film Festival in 2012.
“Shambhala” is set in a Himalayan polyandrous village in Nepal, where a newly married and pregnant woman, Pema, tries to make the best of her new life. But soon, her husband Tashi vanishes, prompting her to embark on a journey into the wilderness to find him, accompanied by her monk.
The film shot in the world’s highest settlement, located...
Directed by Min Bahadur Bham, “Shambhala” is also the first South Asian film to be selected in Berlinale’s competition lineup after three decades. Bham is best known for his feature debut, “Kalo Pothi,” which won a prize at Venice Critics’ Week in 2015. The helmer previously directed “Bansulli,” which was Nepal’s first selection at the Venice Film Festival in 2012.
“Shambhala” is set in a Himalayan polyandrous village in Nepal, where a newly married and pregnant woman, Pema, tries to make the best of her new life. But soon, her husband Tashi vanishes, prompting her to embark on a journey into the wilderness to find him, accompanied by her monk.
The film shot in the world’s highest settlement, located...
- 1/24/2024
- by Elsa Keslassy
- Variety Film + TV
Dublin International Film Festival has unveiled its full programme for the upcoming edition, opening with the world premiere of Irish filmmaker Marian Quinn’s anti-war epic Twig.
This re-telling of Greek tragedy Antigone stars Sade Malone in the titular role and Brían F. O’Byrne, and is set in Dublin’s inner city, where an ancient city wall cordons off a neighbourhood which is rife with drugs. It is produced by Ireland’s Ruth Carter of Blue Ink Films and Tommy Weir for Janey Pictures.
Further Irish filmmaking talent showcased includes the previously announced closing night film, Pat Collins’ adaptation of...
This re-telling of Greek tragedy Antigone stars Sade Malone in the titular role and Brían F. O’Byrne, and is set in Dublin’s inner city, where an ancient city wall cordons off a neighbourhood which is rife with drugs. It is produced by Ireland’s Ruth Carter of Blue Ink Films and Tommy Weir for Janey Pictures.
Further Irish filmmaking talent showcased includes the previously announced closing night film, Pat Collins’ adaptation of...
- 1/22/2024
- ScreenDaily
Brussels-based company Best Friend Forever has acquired international rights to Lenny and Harpo Guit’s new feature “Heads or Fails,” the duo’s follow-up to Sundance comedy “Mother Schmuckers.”
Now in post, “Heads or Fails” tells the story of Armande Pigeon, a queen of shenanigans in Brussels who struggles to make ends meet because she can’t stop gambling on everything, always ending up on the wrong side of luck. When she teams up with Ronnie one night, everything changes – they win it all. And when you hit a winning streak, you have to know when to stop.
Lenny and Harpo Guit’s previous film, “Mother Schmuckers,” premiered at Sundance in the Midnight section in 2021 and was critically lauded. Along with having directed numerous short films, they also have their own YouTube channel, Clubb Guitos.
“Heads or Fails” stars Maria Cavalier-Bazan, Axel Perin (“Mother Schmuckers”), Maxi Delmelle (“Mother Schmuckers”), Michael Zindel...
Now in post, “Heads or Fails” tells the story of Armande Pigeon, a queen of shenanigans in Brussels who struggles to make ends meet because she can’t stop gambling on everything, always ending up on the wrong side of luck. When she teams up with Ronnie one night, everything changes – they win it all. And when you hit a winning streak, you have to know when to stop.
Lenny and Harpo Guit’s previous film, “Mother Schmuckers,” premiered at Sundance in the Midnight section in 2021 and was critically lauded. Along with having directed numerous short films, they also have their own YouTube channel, Clubb Guitos.
“Heads or Fails” stars Maria Cavalier-Bazan, Axel Perin (“Mother Schmuckers”), Maxi Delmelle (“Mother Schmuckers”), Michael Zindel...
- 1/19/2024
- by Elsa Keslassy
- Variety Film + TV
Actors Ewan McGregor, Sidse Babett Knudsen, Renate Reinsve, Anders Danielsen Lie, directors Ruben Östlund, Ernst de Geer, Ramata-Toulaye Sy and Cannes Film Festival honcho Thierry Frémaux are some of the stellar guests set to walk the red carpet at the 47th edition of Sweden’s Göteborg Film Festival.
This year’s Göteborg Fest unspools from Jan. 26 to Feb. 4.
For his last run as artistic director of Scandinavia’s biggest film festival, Jonas Holmberg has selected 240 films from 82 countries, and what he calls “one of the strongest lineups ever” for Göteborg’s main Nordic competition strand. Among the highly anticipated titles vying for the coveted Best Nordic Film Dragon Award worth Sek 400,000, is Norway’s “Handling the Undead” by Thea Hvistendahl, set to kickstart the festival on the heels of its Sundance world premiere.
“This will be the first time we open with a zombie horror,” notes Holmberg, who looks forward...
This year’s Göteborg Fest unspools from Jan. 26 to Feb. 4.
For his last run as artistic director of Scandinavia’s biggest film festival, Jonas Holmberg has selected 240 films from 82 countries, and what he calls “one of the strongest lineups ever” for Göteborg’s main Nordic competition strand. Among the highly anticipated titles vying for the coveted Best Nordic Film Dragon Award worth Sek 400,000, is Norway’s “Handling the Undead” by Thea Hvistendahl, set to kickstart the festival on the heels of its Sundance world premiere.
“This will be the first time we open with a zombie horror,” notes Holmberg, who looks forward...
- 1/9/2024
- by Annika Pham
- Variety Film + TV
The shortlist of 15 films to vie for a Best International Feature Film Oscar nomination is set to be announced on December 21. In all, movies from 88 countries are eligible this year, and as we regularly see, they offer up a rich treasure trove.
Below, we take a closer look at the potential candidates for the early cut. They include prize winners from Sundance to Berlin, Cannes, Venice and myriad other festivals and awards bodies.
Deadline, through its various Contenders events as well as separate interviews, has spoken with filmmakers behind many of the entries while all of the titles on the main list below have been reviewed by Deadline’s critics as we continue to grow our focus on international films.
To note, we have not highlighted films which are also eligible in Animation and Documentary, though our picks for possible crossovers are at the end of the main list, as are our Special Mentions.
Below, we take a closer look at the potential candidates for the early cut. They include prize winners from Sundance to Berlin, Cannes, Venice and myriad other festivals and awards bodies.
Deadline, through its various Contenders events as well as separate interviews, has spoken with filmmakers behind many of the entries while all of the titles on the main list below have been reviewed by Deadline’s critics as we continue to grow our focus on international films.
To note, we have not highlighted films which are also eligible in Animation and Documentary, though our picks for possible crossovers are at the end of the main list, as are our Special Mentions.
- 12/17/2023
- by Nancy Tartaglione
- Deadline Film + TV
Moroccan filmmaker Asmae El Moudir has made history at the 20th edition of Morocco’s Marrakech Film Festival as the first local director to win its top prize with her hybrid documentary The Mother Of All Lies.
Inspired by the bread riots in El Moudir’s home city of Casablanca in 1981, the work uses a replica of the neighborhood where it happened and figurines to explore the lasting trauma of the event.
The film world premiered at Cannes this year, where it shared the Golden Eye prize for the Best Documentary with Tunisian filmmaker Kaouther Ben Hania’s Four Daughters.
Morocco has since submitted the work as its candidate for Best International Film at the 96th Academy Awards.
In other Marrakech awards, the Jury Prize was shared by Moroccan director Kamal Lazraq’s kidnapping thriller Hounds and French-Palestinian-Algerian filmmaker Lina Soualem’s Bye Bye Tiberias, revisiting the story of her...
Inspired by the bread riots in El Moudir’s home city of Casablanca in 1981, the work uses a replica of the neighborhood where it happened and figurines to explore the lasting trauma of the event.
The film world premiered at Cannes this year, where it shared the Golden Eye prize for the Best Documentary with Tunisian filmmaker Kaouther Ben Hania’s Four Daughters.
Morocco has since submitted the work as its candidate for Best International Film at the 96th Academy Awards.
In other Marrakech awards, the Jury Prize was shared by Moroccan director Kamal Lazraq’s kidnapping thriller Hounds and French-Palestinian-Algerian filmmaker Lina Soualem’s Bye Bye Tiberias, revisiting the story of her...
- 12/2/2023
- by Melanie Goodfellow
- Deadline Film + TV
Asmae El Moudir’s “The Mother of All Lies” won top honors at the Marrakech Film Festival on Saturday, marking festival history as the first Moroccan film to claim the top trophy, while adding Marrakech’s Étoile d’Or to a list of accolades that also includes best director from Cannes’ Un Certain Regard and best film from the Sydney Film Festival.
El Moudir’s hybrid feature — which is also Morocco’s Oscar submission — finds the filmmaker and kin using dioramas and figurines to recreate and reenact painful memories set against the backdrop of the 1981 Casablanca Bread Riots, with the unsparing doc serving as art therapy exercise, family exposé and evocation of national trauma.
“Every society has a truth that’s been buried, burned, redacted and erased,” said jury president Jessica Chastain upon announcing the top prize. “But by a collective remembrance, we preserve the stories that cannot be undone…...
El Moudir’s hybrid feature — which is also Morocco’s Oscar submission — finds the filmmaker and kin using dioramas and figurines to recreate and reenact painful memories set against the backdrop of the 1981 Casablanca Bread Riots, with the unsparing doc serving as art therapy exercise, family exposé and evocation of national trauma.
“Every society has a truth that’s been buried, burned, redacted and erased,” said jury president Jessica Chastain upon announcing the top prize. “But by a collective remembrance, we preserve the stories that cannot be undone…...
- 12/2/2023
- by Ben Croll and Elsa Keslassy
- Variety Film + TV
The Marrakech Film Festival’s industry-focused Atlas Workshops will complement its existing support for development and production with the Atlas Distribution Award – a brand-new initiative meant to fuel wider domestic and international distribution for the Moroccan, Arab and Pan-African films presented at the festival.
Taking inspiration from similar European schemes, the Marrakech Foundation will offer financial incentives to regional distributors releasing festival-selected titles. The grant will offer up to $5,500 per film and territory, with a global cap of $11,000 for multi-territory releases. In order to qualify, distributers need to present provisional distribution strategy and commit to a wide-release — with a flexible definition of that term, given territorial particularities — within a 12-month window following the close of each edition.
All Middle East and African films presented at the festival will be eligible, while Atlas Workshops director Hédi Zardi tells Variety that he expects to award up to 15 projects in this year’s inaugural class.
Taking inspiration from similar European schemes, the Marrakech Foundation will offer financial incentives to regional distributors releasing festival-selected titles. The grant will offer up to $5,500 per film and territory, with a global cap of $11,000 for multi-territory releases. In order to qualify, distributers need to present provisional distribution strategy and commit to a wide-release — with a flexible definition of that term, given territorial particularities — within a 12-month window following the close of each edition.
All Middle East and African films presented at the festival will be eligible, while Atlas Workshops director Hédi Zardi tells Variety that he expects to award up to 15 projects in this year’s inaugural class.
- 11/30/2023
- by Ben Croll
- Variety Film + TV
Kino Lorber Acquires North American Rights to Senegal’s Oscar Submission ‘Banel & Adama’ (Exclusive)
Kino Lorber has acquired from Best Friend Forever all North American distribution rights to Ramata-Toulaye Sy’s directorial debut “Banel & Adama,” a beautifully haunting story of young love and Senegal’s official entry for the 96th Academy Awards. Kino Lorber is planning a theatrical release in 2024, followed by a home video, educational and digital release on all major platforms.
“Banel & Adama” made its world premiere at the Cannes Film Festival, where it was the only first feature to premiere in Competition, and went on to play at the Toronto and London film festivals.
The film centers on young married couple Banel and Adama, who are fiercely in love. They live in a remote village in northern Senegal. For them, nothing else exists. Yet their perfect everlasting love is on a collision course with their community’s customs. Because in this world, there is no room for passion, let alone chaos.
“Banel & Adama” made its world premiere at the Cannes Film Festival, where it was the only first feature to premiere in Competition, and went on to play at the Toronto and London film festivals.
The film centers on young married couple Banel and Adama, who are fiercely in love. They live in a remote village in northern Senegal. For them, nothing else exists. Yet their perfect everlasting love is on a collision course with their community’s customs. Because in this world, there is no room for passion, let alone chaos.
- 11/28/2023
- by Leo Barraclough and Elsa Keslassy
- Variety Film + TV
The Marrakech Film Festival’s 20th edition kicks off on Friday with Richard Linklater’s action comedy “Hit Man” as its gala opening, Mads Mikkelsen being feted, and a rich roster of stars and top talents supporting a panoply of cinema from the African continent and the Arab world.
The event will run Nov. 24-Dec. 2 in the ancient Moroccan city despite the Israel-Hamas conflict that has caused cancellations of several other fests in the region, as well as the earthquake that hit the country in September. It’s being held in a more sober form in a spirit of resilience to keep the flame of filmmaking burning in the region, which is cinematically vibrant but has a crucial need for connection with geographically distant countries in Africa and the Arab world as well as with the international circuit at large.
Variety spoke to the fest’s artistic director Rémi Bonhomme...
The event will run Nov. 24-Dec. 2 in the ancient Moroccan city despite the Israel-Hamas conflict that has caused cancellations of several other fests in the region, as well as the earthquake that hit the country in September. It’s being held in a more sober form in a spirit of resilience to keep the flame of filmmaking burning in the region, which is cinematically vibrant but has a crucial need for connection with geographically distant countries in Africa and the Arab world as well as with the international circuit at large.
Variety spoke to the fest’s artistic director Rémi Bonhomme...
- 11/24/2023
- by Nick Vivarelli
- Variety Film + TV
Bookmark this page for the latest updates in the territory.
Screen is listing the 2024 release dates for films in the UK and Ireland in the calendar below.
For distributors who wish to add/amend a date on the calendar, please get in touch with Screen here. Screen is also running a calendar for festival and market dates throughout 2024 here.
January
January 5
Priscilla (Mubi), One Life (Warner Bros), Scala! (BFI), Night Swim (Universal), Blank (Sparky)
January 6
Nabucco - Met Opera 23/24 (Trafalgar)
January 12
Poor Things (Disney), The Boys In The Boat (Warner Bros), Freaks Vs The Reich (Miracle/Dazzler), The Beekeeper (Studiocanal...
Screen is listing the 2024 release dates for films in the UK and Ireland in the calendar below.
For distributors who wish to add/amend a date on the calendar, please get in touch with Screen here. Screen is also running a calendar for festival and market dates throughout 2024 here.
January
January 5
Priscilla (Mubi), One Life (Warner Bros), Scala! (BFI), Night Swim (Universal), Blank (Sparky)
January 6
Nabucco - Met Opera 23/24 (Trafalgar)
January 12
Poor Things (Disney), The Boys In The Boat (Warner Bros), Freaks Vs The Reich (Miracle/Dazzler), The Beekeeper (Studiocanal...
- 11/21/2023
- by Ben Dalton
- ScreenDaily
Festival has programmed 75 films from 36 countries.
The Marrakech International Film Festival has unveiled the full line-up for its 20th edition, which runs from November 24-December 2.
The festival is opening with Richard Linklater’s action comedy Hit Man, starring Glen Powell, and is screening 75 films in total from 36 countries.
Marrakech’s official competition, which comprises first and second feature films, includes Ramata-Toulaye Sy’s Cannes Competition title Banel & Adama, Lina Soualem’s Venice Giornate degli Autori documentary Bye Bye Tiberias and Moroccan director Kamal Lazraq’s feature debut Hounds, which premiered in Un Certain Regard at Cannes.
Scroll down for full line-up
Johnny Barrington,...
The Marrakech International Film Festival has unveiled the full line-up for its 20th edition, which runs from November 24-December 2.
The festival is opening with Richard Linklater’s action comedy Hit Man, starring Glen Powell, and is screening 75 films in total from 36 countries.
Marrakech’s official competition, which comprises first and second feature films, includes Ramata-Toulaye Sy’s Cannes Competition title Banel & Adama, Lina Soualem’s Venice Giornate degli Autori documentary Bye Bye Tiberias and Moroccan director Kamal Lazraq’s feature debut Hounds, which premiered in Un Certain Regard at Cannes.
Scroll down for full line-up
Johnny Barrington,...
- 11/2/2023
- by Tim Dams
- ScreenDaily
Richard Linklater’s action comedy “Hit Man” is set to open the Marrakech International Film Festival, which has announced its lineup of more than 70 films mixing known titles and fresh fare.
The fest is forging ahead with its 20th edition, which will run Nov. 24- Dec.2 in the ancient Moroccan city despite the Israel-Hamas conflict that has caused cancellations of several other fests in the region, as well as the earthquake that hit the country in September.
“Hit Man,” for which organizers declined to specify whether talent will attend, will screen as part of Marrakech’s red carpet gala screenings. Italian director Matteo Garrone is expected to make the trek for the gala of his Venice prizewinning immigration drama “Io Capitano” and Michel Franco will be coming to present another Venice prizewinner, “Memory,” starring Jessica Chastain, who is presiding over the fest’s main jury.
Also expected on hand for...
The fest is forging ahead with its 20th edition, which will run Nov. 24- Dec.2 in the ancient Moroccan city despite the Israel-Hamas conflict that has caused cancellations of several other fests in the region, as well as the earthquake that hit the country in September.
“Hit Man,” for which organizers declined to specify whether talent will attend, will screen as part of Marrakech’s red carpet gala screenings. Italian director Matteo Garrone is expected to make the trek for the gala of his Venice prizewinning immigration drama “Io Capitano” and Michel Franco will be coming to present another Venice prizewinner, “Memory,” starring Jessica Chastain, who is presiding over the fest’s main jury.
Also expected on hand for...
- 11/2/2023
- by Nick Vivarelli
- Variety Film + TV
Screen is profiling every submission for best international feature at the 96th Academy Awards.
Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.
The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.
An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...
Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.
The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.
An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...
- 10/17/2023
- by Screen staff
- ScreenDaily
Screen is profiling every submission for best international feature at the 96th Academy Awards.
Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.
The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.
An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...
Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.
The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.
An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...
- 10/16/2023
- by Screen staff
- ScreenDaily
Acquisition follows the company’s first pickup ‘Earth Mama’, which it will release in December.
Black cinema distributor and supporter We Are Parable has acquired UK-Ireland rights to Ramata-Toulaye Sy’s Cannes Competition title Banel And Adama from Brussels-based sales agent Best Friend Forever.
It is planning a 2024 theatrical release for the film that will have its UK premiere at the BFI London Film Festival this evening.
Set in remote northern Senegal, Banel And Adama is a romance following two lovers in their quest to carve a life for themselves beyond the expectations of others. Sy became only the second...
Black cinema distributor and supporter We Are Parable has acquired UK-Ireland rights to Ramata-Toulaye Sy’s Cannes Competition title Banel And Adama from Brussels-based sales agent Best Friend Forever.
It is planning a 2024 theatrical release for the film that will have its UK premiere at the BFI London Film Festival this evening.
Set in remote northern Senegal, Banel And Adama is a romance following two lovers in their quest to carve a life for themselves beyond the expectations of others. Sy became only the second...
- 10/9/2023
- by Ben Dalton
- ScreenDaily
Brussels-based company Best Friend Forever has revealed a raft of deals for key territories for Ramata-Toulaye Sy‘s feature film debut, “Banel & Adama,” which played in competition in Cannes and makes its North American premiere in Toronto. Variety reviewed it as “a dreamlike debut” in May.
The film just won the Melbourne International Film Festival’s top prize, the Bright Horizons Award.
The film was sold in Benelux (Cherry Pickers), Switzerland (trigon-films), Scandinavia (Njuta Films), Australia and New Zealand (Ahi), South Korea (Green Narae Media), Spain (Filmin), Greece (Cinobo), Portugal (Alambique), Poland (Afrykamera), and Baltics (From Afar). North America, U.K. and Japan are in discussions among others.
Previously announced deals are Tandem Films for French distribution, who just released the title in France and Pathé BC Afrique is releasing in Senegal on Oct. 4.
Ahead of TIFF, Best Friend Forever also unveiled the international trailer in exclusivity with Variety.
The film just won the Melbourne International Film Festival’s top prize, the Bright Horizons Award.
The film was sold in Benelux (Cherry Pickers), Switzerland (trigon-films), Scandinavia (Njuta Films), Australia and New Zealand (Ahi), South Korea (Green Narae Media), Spain (Filmin), Greece (Cinobo), Portugal (Alambique), Poland (Afrykamera), and Baltics (From Afar). North America, U.K. and Japan are in discussions among others.
Previously announced deals are Tandem Films for French distribution, who just released the title in France and Pathé BC Afrique is releasing in Senegal on Oct. 4.
Ahead of TIFF, Best Friend Forever also unveiled the international trailer in exclusivity with Variety.
- 9/9/2023
- by Leo Barraclough
- Variety Film + TV
Gala screenings include ‘Killers Of The Flower Moon’, ‘The Holdovers’ and ‘Nyad’.
Martin Scorsese’s Killers Of The Flower Moon, David Fincher’s The Killer and Sofia Coppola’s Priscilla are among the titles screening at the 67th BFI London Film Festival.
The selection comprises 171 features, up from last year’s 164, and includes 14 world premieres, six international and 22 European.
This year’s festival marks the first edition under new director Kristy Matheson who officially took over the role from Tricia Tuttle in April. Matheson has kept the size and structure largely unchanged with thematic strands all still in place.
Scroll...
Martin Scorsese’s Killers Of The Flower Moon, David Fincher’s The Killer and Sofia Coppola’s Priscilla are among the titles screening at the 67th BFI London Film Festival.
The selection comprises 171 features, up from last year’s 164, and includes 14 world premieres, six international and 22 European.
This year’s festival marks the first edition under new director Kristy Matheson who officially took over the role from Tricia Tuttle in April. Matheson has kept the size and structure largely unchanged with thematic strands all still in place.
Scroll...
- 8/31/2023
- by Ellie Calnan
- ScreenDaily
Top award comes with a $96,500 prize.
Ramata-Toulaye Sy’s first feature, Banel & Adama, has won the $96,500 Melbourne International Film Festival (Miff) Bright Horizons Award, it was announced at Forum Theatre at the closing night gala today (August 19).
Banel & Adama, which is in the Pulaar language and features a cast of non-professionals, was the only debut in competition in Cannes this year. Only first and second time directors are eligible for the Bright Horizons Award.
The director was born and raised in Paris but draws on her Senegalese ancestry to tell this story about Banel and Adama, who are passionately in love,...
Ramata-Toulaye Sy’s first feature, Banel & Adama, has won the $96,500 Melbourne International Film Festival (Miff) Bright Horizons Award, it was announced at Forum Theatre at the closing night gala today (August 19).
Banel & Adama, which is in the Pulaar language and features a cast of non-professionals, was the only debut in competition in Cannes this year. Only first and second time directors are eligible for the Bright Horizons Award.
The director was born and raised in Paris but draws on her Senegalese ancestry to tell this story about Banel and Adama, who are passionately in love,...
- 8/19/2023
- by Sandy George
- ScreenDaily
On the final weekend of a bustling 18-day event, the in-person edition of this year’s Melbourne Film Festival has drawn to a close with an awards ceremony that saw a whopping $300,000 Aud in prize money handed out across six categories. The biggest individual award of $140,000 Aud was presented to the winner of the fest’s international Bright Horizons competition: “Banel & Adama,” an arresting debut feature by Franco-Senegalese filmmaker Ramata-Toulaye Sy.
It’s a notable coup for a small-scale rural love story that turned heads — but won no prizes — when it premiered in Competition at the Cannes Film Festival in May, and is still seeking distribution in the U.S. and other major territories. Reviewing the film out of Cannes, Variety critic Jessica Kiang commended the “subtly seductive power” of a “striking debut [that] revolves with graceful poetry around the inner experiences of a curious, unknowable woman.”
Its win came...
It’s a notable coup for a small-scale rural love story that turned heads — but won no prizes — when it premiered in Competition at the Cannes Film Festival in May, and is still seeking distribution in the U.S. and other major territories. Reviewing the film out of Cannes, Variety critic Jessica Kiang commended the “subtly seductive power” of a “striking debut [that] revolves with graceful poetry around the inner experiences of a curious, unknowable woman.”
Its win came...
- 8/19/2023
- by Guy Lodge
- Variety Film + TV
Auteurs Agnieszka Holland, Wim Wenders, Hamaguchi Ryusuke and Aki Kaurismaki are among the filmmakers featured in the Toronto International Film Festival’s (TIFF) Centrepiece program.
The strand, previously known as Contemporary World Cinema, which honors and celebrates global cinematic achievements, features 47 titles from filmmakers representing 45 countries.
TIFF has also revealed the additional lineup of galas, special presentations and documentaries, which feature star wattage from around the world including Tommy Lee Jones and Anil Kapoor.
“We are very excited to present the new Centrepiece program, a cinematic journey that transcends boundaries and embraces the art of human experience,” said Anita Lee, TIFF chief programming officer. “The rebranding of the TIFF program, formerly Contemporary World Cinema, is a reflection of the festival’s vision to provide an elevated platform for international cinema, acclaimed titles from festivals around the globe, highly anticipated premieres from Canadian and international talents, and the latest work of influential filmmaking luminaries.
The strand, previously known as Contemporary World Cinema, which honors and celebrates global cinematic achievements, features 47 titles from filmmakers representing 45 countries.
TIFF has also revealed the additional lineup of galas, special presentations and documentaries, which feature star wattage from around the world including Tommy Lee Jones and Anil Kapoor.
“We are very excited to present the new Centrepiece program, a cinematic journey that transcends boundaries and embraces the art of human experience,” said Anita Lee, TIFF chief programming officer. “The rebranding of the TIFF program, formerly Contemporary World Cinema, is a reflection of the festival’s vision to provide an elevated platform for international cinema, acclaimed titles from festivals around the globe, highly anticipated premieres from Canadian and international talents, and the latest work of influential filmmaking luminaries.
- 8/10/2023
- by Naman Ramachandran
- Variety Film + TV
The Toronto International Film Festival has added 59 more films to the lineup of its 2023 festival, including 47 international films in the Centrepiece program, which in previous years was known as Contemporary World Cinema. New films were also added to the Galas, Special Presentations and Documentary sections.
World premieres among the new selections include “Finestkind,” a crime thriller from Brian Helgeland (screenwriter of “L.A. Confidential”) starring Tommy Lee Jones and Ben Foster; The Movie Teller,” a film set in Chile starring Berenice Bejo from “An Education” director Lone Scherfig; and Jessica Yu’s “Quiz Lady,” with Sandra Oh and Awkwafina.
The Centrepiece selections include a number of films from May’s Cannes Film Festival, among them Wim Wenders’ “Perfect Days,” Nuri Bilge Ceylan’s “About Dry Grasses,” Aki Kaurismaki’s “Fallen Leaves,” Ramata-Toulaye Sy’s “Banel & Adama,” Amjad Al Rasheed’s “Inshallah a Boy,” Joanna Arnow’s “The Feeling That the...
World premieres among the new selections include “Finestkind,” a crime thriller from Brian Helgeland (screenwriter of “L.A. Confidential”) starring Tommy Lee Jones and Ben Foster; The Movie Teller,” a film set in Chile starring Berenice Bejo from “An Education” director Lone Scherfig; and Jessica Yu’s “Quiz Lady,” with Sandra Oh and Awkwafina.
The Centrepiece selections include a number of films from May’s Cannes Film Festival, among them Wim Wenders’ “Perfect Days,” Nuri Bilge Ceylan’s “About Dry Grasses,” Aki Kaurismaki’s “Fallen Leaves,” Ramata-Toulaye Sy’s “Banel & Adama,” Amjad Al Rasheed’s “Inshallah a Boy,” Joanna Arnow’s “The Feeling That the...
- 8/10/2023
- by Steve Pond
- The Wrap
The Melbourne International Film Festival has confirmed that it will provide $202,000 will go to the winner of its Bright Horizons competition for features by first- and second-time directors. Bragging rights to being the richest film competition in the country previously belonged to the smaller CinefestOZ festival in West Australia, which follows later in August.
The Melbourne festival (in cinemas Aug. 3-20) has this year added two significant prizes: the inaugural First Nations Film Creative Award in collaboration with Kearney Group, and the return of the Blackmagic Design Australian Innovation Award, worth $47,500 recognizing an outstanding Australian creative within a film playing in the Melbourne 2023 program.
Winners across long-form awards categories will be announced at Melbourne’s closing night gala on Aug. 19, These will include the juried prizes and the Miff Audience Award.
The First Nations Film Creative Award supports First Nations talent and storytelling with the recipient awarded a $13,500 cash prize and $16,900 worth of financial services.
The Melbourne festival (in cinemas Aug. 3-20) has this year added two significant prizes: the inaugural First Nations Film Creative Award in collaboration with Kearney Group, and the return of the Blackmagic Design Australian Innovation Award, worth $47,500 recognizing an outstanding Australian creative within a film playing in the Melbourne 2023 program.
Winners across long-form awards categories will be announced at Melbourne’s closing night gala on Aug. 19, These will include the juried prizes and the Miff Audience Award.
The First Nations Film Creative Award supports First Nations talent and storytelling with the recipient awarded a $13,500 cash prize and $16,900 worth of financial services.
- 7/27/2023
- by Patrick Frater
- Variety Film + TV
The Melbourne International Film Festival has unveiled the full lineup for its 2023 edition, with “Shayda,” by Iranian-Australian director Noora Niasari, set as the opening title.
The festival will run as a live event August 3-20, at venues around the city and its suburbs, and online Aug 18 – 27. The hybrid format was developed during the Covid pandemic and Miff found it useful as a tool to reach further away audiences and wider demographics than a strictly in-theater edition.
The ‘Bright Horizons’ competition section open to films by first- or second-time feature directors contains an 11-title mix of new and recently-debuted works.
As well as opening the festival, “Shayda” will play in competition. The competition’s other Australian-made title was announced as “The Rooster,” from actor turned writer-director Mark Leonard Winter.
International titles in competition include “Banel & Adama,” by Franco-Senegalese director Ramata-Toulaye Sy, which played in competition in Cannes; “How to Have Sex,...
The festival will run as a live event August 3-20, at venues around the city and its suburbs, and online Aug 18 – 27. The hybrid format was developed during the Covid pandemic and Miff found it useful as a tool to reach further away audiences and wider demographics than a strictly in-theater edition.
The ‘Bright Horizons’ competition section open to films by first- or second-time feature directors contains an 11-title mix of new and recently-debuted works.
As well as opening the festival, “Shayda” will play in competition. The competition’s other Australian-made title was announced as “The Rooster,” from actor turned writer-director Mark Leonard Winter.
International titles in competition include “Banel & Adama,” by Franco-Senegalese director Ramata-Toulaye Sy, which played in competition in Cannes; “How to Have Sex,...
- 7/11/2023
- by Patrick Frater
- Variety Film + TV
Nouvelles Vagues, a new international festival dedicated to films about youth, is set to make a splashy debut Wednesday in Biarritz, a surf haven in southwestern France, with Penélope Cruz as its inaugural guest of honor.
Launching with partners such as Chanel and leading French pay TV banner Canal+, Nouvelles Vagues was founded by fashion veteran Jérôme Pulis, who worked at Christian Dior for 16 years and producer Sandrine Brauer. The pair have enlisted former Locarno artistic director Lili Hinstin as programming chief.
The festival is kicking off Wednesday evening with the screening of Tina Satter’s “Reality,” the Berlinale breakout film starring Sydney Sweeney, followed by a gala dinner hosted by Chanel. “Reality” was acquired by HBO Films for North America on the heels of its critically acclaimed world premiere at Berlin. Metropolitan FilmExport, the French distributor of “Reality,” is holding the local premiere of “Reality” at Nouvelles Vagues ahead...
Launching with partners such as Chanel and leading French pay TV banner Canal+, Nouvelles Vagues was founded by fashion veteran Jérôme Pulis, who worked at Christian Dior for 16 years and producer Sandrine Brauer. The pair have enlisted former Locarno artistic director Lili Hinstin as programming chief.
The festival is kicking off Wednesday evening with the screening of Tina Satter’s “Reality,” the Berlinale breakout film starring Sydney Sweeney, followed by a gala dinner hosted by Chanel. “Reality” was acquired by HBO Films for North America on the heels of its critically acclaimed world premiere at Berlin. Metropolitan FilmExport, the French distributor of “Reality,” is holding the local premiere of “Reality” at Nouvelles Vagues ahead...
- 6/28/2023
- by Elsa Keslassy
- Variety Film + TV
The Middle East and North Africa region’s cinema star is rising across every aspect of the chain from production to exhibition to streaming.
Fresh energy has been injected into the sector by the arrival of Saudi Arabia on the scene following the lifting of its cinema ban in 2017 as part of its 2030 Vision diversifying the country’s economy away from oil.
Neighboring Qatar, one of the only stable major sources of funding for film in the region for more than a decade, also continues to play a vital role via the Doha Film Institute.
Its grants program, year-round training initiatives and springtime talent incubator Qumra have supported more than 750 short, features and series projects from 78 countries over the past decade.
The body was out in force at Cannes this year having supported films across Official Selection and the parallel sections, including Palme d’Or contenders About Dry Grasses, Club Zero...
Fresh energy has been injected into the sector by the arrival of Saudi Arabia on the scene following the lifting of its cinema ban in 2017 as part of its 2030 Vision diversifying the country’s economy away from oil.
Neighboring Qatar, one of the only stable major sources of funding for film in the region for more than a decade, also continues to play a vital role via the Doha Film Institute.
Its grants program, year-round training initiatives and springtime talent incubator Qumra have supported more than 750 short, features and series projects from 78 countries over the past decade.
The body was out in force at Cannes this year having supported films across Official Selection and the parallel sections, including Palme d’Or contenders About Dry Grasses, Club Zero...
- 5/31/2023
- by Melanie Goodfellow
- Deadline Film + TV
Just like last year, critics are quibbling with the film awarded the Palme d’Or. Not that there’s active dislike for Justine Triet’s “Anatomy of a Fall,” but the Palme d’Or winner topped a different category in the survey IndieWire sent to critics from all over the world. This time, 60 reviewers and journalists participated, with five continents represented.
Nearly half of all 60 voted for Jonathan Glazer’s loose Martin Amis adaptation, Holocaust drama “The Zone of Interest”: 29 of the critics voted for it for Best Film. That’s a divergence with the Competition jury, which voted “Zone of Interest” the Grand Prix while “Anatomy of a Fall” took the Palme. The second title for Best Film chosen by the critics only received six votes, showing the intensity of enthusiasm for the Glazer film. That second title was Aki Kaurismaki’s “Fallen Leaves,” with “Anatomy of a Fall...
Nearly half of all 60 voted for Jonathan Glazer’s loose Martin Amis adaptation, Holocaust drama “The Zone of Interest”: 29 of the critics voted for it for Best Film. That’s a divergence with the Competition jury, which voted “Zone of Interest” the Grand Prix while “Anatomy of a Fall” took the Palme. The second title for Best Film chosen by the critics only received six votes, showing the intensity of enthusiasm for the Glazer film. That second title was Aki Kaurismaki’s “Fallen Leaves,” with “Anatomy of a Fall...
- 5/30/2023
- by Christian Blauvelt
- Indiewire
On the mean streets of Casablanca dartingly navigated in “Hounds,” all life is shown to be casually disposable; an actual human body, however, is another matter. Taking place over one sleepless night of mounting misfortune in the Moroccan metropolis, writer-director Kamal Lazraq’s first feature is a trim, unsparing crime tale that pits social desperation against a nagging spiritual conscience. Its gig-economy gangsters may follow almost any grisly orders for a quick buck, but are equally bound to Muslim creeds and customs, glumly shrugging off any disparity between these two authorities.
Following an impoverished father-son duo as an ostensibly rote criminal errand goes bloodily awry, the film is briskly told and humidly atmospheric, though a little tonal variation wouldn’t have gone amiss amid an overriding air of hardscrabble, stomach-knotted discomfort. As its central crisis deepens and darkens, Lazraq’s script keeps teasing a gear-shift into mordant farce to which it never quite commits,...
Following an impoverished father-son duo as an ostensibly rote criminal errand goes bloodily awry, the film is briskly told and humidly atmospheric, though a little tonal variation wouldn’t have gone amiss amid an overriding air of hardscrabble, stomach-knotted discomfort. As its central crisis deepens and darkens, Lazraq’s script keeps teasing a gear-shift into mordant farce to which it never quite commits,...
- 5/23/2023
- by Guy Lodge
- Variety Film + TV
A film festival as large as Cannes is always a study in contradictions, but the first six days of the 2023 edition feel particularly schizophrenic as the fest has veered between sentimental celebration and unsentimental artistry.
Both were on display in the festival’s biggest premiere so far, when Martin Scorsese’s monumental “Killers of the Flower Moon” had its debut in front of a delirious crowd at the Grand Theatre Lumiere on Saturday night. The invitation-only, black-tie audience was there to celebrate Scorsese, who first came to Cannes in 1976 with “Taxi Driver,” greeting him as a conquering hero and giving him a lengthy and emotional standing ovation that didn’t stop until he left the theater.
His film, meanwhile, was a hard-eyed and epic-length examination of the systematic murder of Native Americans from the Osage nation by whites looking to take the tribe’s oil money; the film’s biggest stars,...
Both were on display in the festival’s biggest premiere so far, when Martin Scorsese’s monumental “Killers of the Flower Moon” had its debut in front of a delirious crowd at the Grand Theatre Lumiere on Saturday night. The invitation-only, black-tie audience was there to celebrate Scorsese, who first came to Cannes in 1976 with “Taxi Driver,” greeting him as a conquering hero and giving him a lengthy and emotional standing ovation that didn’t stop until he left the theater.
His film, meanwhile, was a hard-eyed and epic-length examination of the systematic murder of Native Americans from the Osage nation by whites looking to take the tribe’s oil money; the film’s biggest stars,...
- 5/22/2023
- by Steve Pond
- The Wrap
It’s extremely rare for a first-time filmmaker to crack the competition and this is case it is African cinema that is being feted for this remarkable feat. A project that gained tremendous word-of-mouth last year in the different labs it attended, Ramata-Toulaye Sy‘s Banel & Adama stars non-actors Mamadou Diallo and Khady Mane.
Banel and Adama are fiercely in love. The young married couple lives in a remote village in northern Senegal. For them, nothing else exists. Yet their perfect everlasting love is on a collision course with their community’s customs. Because in this world, there is no room for passion, let alone chaos.…...
Banel and Adama are fiercely in love. The young married couple lives in a remote village in northern Senegal. For them, nothing else exists. Yet their perfect everlasting love is on a collision course with their community’s customs. Because in this world, there is no room for passion, let alone chaos.…...
- 5/22/2023
- by Eric Lavallée
- IONCINEMA.com
Two highly anticipated movies debuted at Cannes on Saturday, practically back-to-back, and critics were whipped to a frenzy with praise for them. Martin Scorsese’s “Killers of the Flower Moon” is easily one of the most anticipated movies of 2023, and with the first trailer having dropped on Thursday, it’s no surprise that the line to get into the theater for the Cannes screening was immense, according to social media.
“Flower Moon” was lauded as another standout for Scorsese, while not possibly being his best ever and the prodigious runtime seemingly was not a problem. Freelance writer Martyn Conterio said, “It’s top tier Marty.” Praise is going out to actress Lily Gladsone who Discussing Film senior film critic Yasmine Kandil calls “the soul of the film.” IndieWire’s David Ehrlich also gave praise to Leonardo DiCaprio, calling his turn in the feature as “the best performance of his life.
“Flower Moon” was lauded as another standout for Scorsese, while not possibly being his best ever and the prodigious runtime seemingly was not a problem. Freelance writer Martyn Conterio said, “It’s top tier Marty.” Praise is going out to actress Lily Gladsone who Discussing Film senior film critic Yasmine Kandil calls “the soul of the film.” IndieWire’s David Ehrlich also gave praise to Leonardo DiCaprio, calling his turn in the feature as “the best performance of his life.
- 5/21/2023
- by Kristen Lopez
- The Wrap
There is a sultry elusiveness to Ramata-Toulaye Sy’s debut feature that makes it hard to articulate its subject or even its genre. Is this a riff on “Romeo & Juliet”, filtered through Senegalese village life? Or is it a sci-fi fable, with the mirage-like heat reflecting a slow descent into personal madness a la Lars von Trier’s “Melancholia”? “Banel & Adama” is a striking debut that puts Sy on the map as a purveyor of deceptively gorgeous visions that show flimsy desires at the mercy of the social, and literal, weather. A drought can suck dry the fiercest emotional bonds, so what use is romantic love when people are dying of heat?
We hear their names first, as intimate whispers repeat, “Banel and Adama,” and Dp Amine Berrada films dancing sunbeams that refract into mysterious shapes. We then see a piece of paper with their names written down together,...
We hear their names first, as intimate whispers repeat, “Banel and Adama,” and Dp Amine Berrada films dancing sunbeams that refract into mysterious shapes. We then see a piece of paper with their names written down together,...
- 5/21/2023
- by Sophie Monks Kaufman
- Indiewire
Banel & Adama also lands on the grid with a 2.3 average.
Todd Haynes’ May December has taken the lead on Screen’s 2023 Cannes jury grid with an average rating of 3.
The psychological drama received two fours (excellent), from The Telegraph’s Tim Robey and filfan.com’s Ahmed Shawky, as well as eight threes (good) and two twos (average).
Click on the jury grid above for the most up-to-date version.
Julianne Moore and Natalie Portman star in the US filmmaker’s fourth Competition entry centring around an actress researching a couple’s controversial romance for a film adaptation. Haynes’ last Competition title,...
Todd Haynes’ May December has taken the lead on Screen’s 2023 Cannes jury grid with an average rating of 3.
The psychological drama received two fours (excellent), from The Telegraph’s Tim Robey and filfan.com’s Ahmed Shawky, as well as eight threes (good) and two twos (average).
Click on the jury grid above for the most up-to-date version.
Julianne Moore and Natalie Portman star in the US filmmaker’s fourth Competition entry centring around an actress researching a couple’s controversial romance for a film adaptation. Haynes’ last Competition title,...
- 5/21/2023
- by Ellie Calnan
- ScreenDaily
A record number of African films are premiering at this year’s Cannes Film Festival — including two titles in the main competition and four more in Un Certain Regard — promising a robust turnout on the Croisette from a continent that doesn’t often find itself being feted on world cinema’s grandest stage.
Perhaps a more noticeable shift, however, has been taking place in and around the Palais des Festivals, where participants at the Cannes Market are opening their arms — and their checkbooks — to an industry just beginning to realize its potential.
Witness the delegation of international film financiers, including Creative Wealth Media’s Jason Cloth and Convergent Media Capital’s Michael Cleaver, gathered on a recent, rainy morning to talk shop at a full house at the Pavillon Afriques. Or check the scene at the Palais des Festivals nearby, where three representatives of the Cairo-based African Export-Import Bank (Afreximbank...
Perhaps a more noticeable shift, however, has been taking place in and around the Palais des Festivals, where participants at the Cannes Market are opening their arms — and their checkbooks — to an industry just beginning to realize its potential.
Witness the delegation of international film financiers, including Creative Wealth Media’s Jason Cloth and Convergent Media Capital’s Michael Cleaver, gathered on a recent, rainy morning to talk shop at a full house at the Pavillon Afriques. Or check the scene at the Palais des Festivals nearby, where three representatives of the Cairo-based African Export-Import Bank (Afreximbank...
- 5/21/2023
- by Christopher Vourlias
- Variety Film + TV
Senegalese and French director Ramata-Toulaye Sy is only the second Black woman to make it into Competition in Cannes. Her debut feature, Banel & Adama, which had its debut Saturday, follows in the footsteps of Mati Diop’s 2019 Atlantics.
Sy draws on her roots in the Fulani, or Peul, culture of the Futa region in northern Senegal for her magic-realist film about a young couple whose passion brings chaos to their remote rural community. “The people of Futa have the reputation of being very dignified and sticking to their community,” says Sy, who was born and grew up in France. “I was raised in the Fulani tradition at home and French culture outside.”
Inspiration for Banel & Adama came from a desire to create a tragic African heroine on par with Pierre Corneille’s Médée or Jean Racine’s Phèdre. “We don’t really have these mythical, tragic characters, or we do,...
Sy draws on her roots in the Fulani, or Peul, culture of the Futa region in northern Senegal for her magic-realist film about a young couple whose passion brings chaos to their remote rural community. “The people of Futa have the reputation of being very dignified and sticking to their community,” says Sy, who was born and grew up in France. “I was raised in the Fulani tradition at home and French culture outside.”
Inspiration for Banel & Adama came from a desire to create a tragic African heroine on par with Pierre Corneille’s Médée or Jean Racine’s Phèdre. “We don’t really have these mythical, tragic characters, or we do,...
- 5/20/2023
- by Melanie Goodfellow
- Deadline Film + TV
The interlinked names of the lovers have an unusual power in Ramata-Toulaye Sy’s haunting, halting “Banel & Adama.” They play over and over as a whispery lullaby on the soundtrack. They cover the sheets of paper on which Banel (Khady Mane) compulsively writes, like a schoolgirl practicing cursive on the name of her crush. There’s an innocence to it at the beginning, as though Banel, whose strange mind we mostly occupy, is simply delighting in the sound and shape of their togetherness. But that’s when “Banel & Adama” is a love story, and before it descends, a little too hesitantly but with a subtly seductive power nonetheless, into drought and madness and maybe, cosmic retribution. The sun-and-superstition-soaked tale of an African girl contending with fate and folk tradition has some precedent in Rungano Nyoni’s excellent “I Am Not a Witch.” But here, as the bright imagery...
- 5/20/2023
- by Jessica Kiang
- Variety Film + TV
One of the rarest sightings at the Cannes Film Festival is the first-time filmmaker whose debut feature has been admitted to the exclusive Main Competition lineup. That section is normally the domain of veteran directors who’ve been to Cannes before, but a Senegalese-French director named Ramata-Toulaye Sy has joined the 2023 ranks with “Banel & Adama,” her first feature after one short and a couple of writing credits.
Hers is the first debut film to land in the Main Competition since Mati Diop’s “Atlantics” and Ladj Ly’s “Les Miserables” did so four years ago; the former film made the Oscar shortlist in the Best International Feature Film category and the latter was nominated for that award. In the past decade, the only other first films to crash the competition were Abu Bakr Shawky’s “Yomeddine” in 2018 and Laszlo Nemes’ Oscar-winning “Son of Saul” in 2015.
So Sy is in rarefied company,...
Hers is the first debut film to land in the Main Competition since Mati Diop’s “Atlantics” and Ladj Ly’s “Les Miserables” did so four years ago; the former film made the Oscar shortlist in the Best International Feature Film category and the latter was nominated for that award. In the past decade, the only other first films to crash the competition were Abu Bakr Shawky’s “Yomeddine” in 2018 and Laszlo Nemes’ Oscar-winning “Son of Saul” in 2015.
So Sy is in rarefied company,...
- 5/20/2023
- by Steve Pond
- The Wrap
Debutante director Ramata-Toulaye Sy will join one of world cinema’s most select clubs when she climbs the stairs of the Grand Theatre Lumière on May 20 for the premiere of “Banel & Adama,” which unspools in the main competition at the Cannes Film Festival. It marks just the second time in the French fest’s 76-year history that a Black woman will compete for the Palme d’Or, a glass ceiling that was shattered only four years ago by Sy’s French Senegalese compatriot, Mati Diop (“Atlantics”).
While acknowledging the honor, it is a club, Sy admits, about which she has some ambivalence. “I really hope that soon all this will be taken for granted — that we won’t be counting the Black directors, that we won’t be counting women,” the helmer tells Variety. “It means that there’s still something wrong, that there’s still something that hasn...
While acknowledging the honor, it is a club, Sy admits, about which she has some ambivalence. “I really hope that soon all this will be taken for granted — that we won’t be counting the Black directors, that we won’t be counting women,” the helmer tells Variety. “It means that there’s still something wrong, that there’s still something that hasn...
- 5/20/2023
- by Christopher Vourlias
- Variety Film + TV
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