Ethan Coen’s action-comedy Drive-Away Dolls leads a quiet weekend at the UK and Ireland box office, opening in 533 cinemas for Universal, as Warner Bros’ Dune: Part Two continues to dominate with over £20m taken after two weeks on release.
The first solo narrative feature from one half of the Coen Brothers follows two lesbian roommates whose road trip quickly escalates to a crime caper when they find a valuable suitcase in the trunk. A notable ensemble cast, led by Margaret Qualley and Geraldine Viswanathan, features appearances from Colman Domingo, Pedro Pascal and Matt Damon.
The last time Ethan Coen...
The first solo narrative feature from one half of the Coen Brothers follows two lesbian roommates whose road trip quickly escalates to a crime caper when they find a valuable suitcase in the trunk. A notable ensemble cast, led by Margaret Qualley and Geraldine Viswanathan, features appearances from Colman Domingo, Pedro Pascal and Matt Damon.
The last time Ethan Coen...
- 3/15/2024
- ScreenDaily
Warner Bros.’ “Dune: Part II” continued its reign at the U.K. and Ireland box office for the second weekend in a row with £5.9 million ($7.5 million), according to numbers released by Comscore.
Denis Villeneuve’s anticipated sequel has an all-star cast including Timothée Chalamet, Rebecca Ferguson, Josh Brolin, Stellan Skarsgård, Dave Bautista, Zendaya, Charlotte Rampling and Javier Bardem reprising their roles from the first film, with Austin Butler, Florence Pugh, Christopher Walken and Léa Seydoux joining them. After two weekends, the film’s total stands at £19.4 million in the territory.
In second place, Studiocanal’s “Wicked Little Letters” collected £898,390 in its third weekend for a total of £6 million. In its fourth weekend, Paramount’s “Bob Marley: One Love” earned £830,382 in third position for a total of £15.1 million. In fourth place, Universal’s “Migration” took in £671,666 in its sixth weekend for a total of £18.3 million.
Lionsgate’s “Imaginary” debuted in fifth...
Denis Villeneuve’s anticipated sequel has an all-star cast including Timothée Chalamet, Rebecca Ferguson, Josh Brolin, Stellan Skarsgård, Dave Bautista, Zendaya, Charlotte Rampling and Javier Bardem reprising their roles from the first film, with Austin Butler, Florence Pugh, Christopher Walken and Léa Seydoux joining them. After two weekends, the film’s total stands at £19.4 million in the territory.
In second place, Studiocanal’s “Wicked Little Letters” collected £898,390 in its third weekend for a total of £6 million. In its fourth weekend, Paramount’s “Bob Marley: One Love” earned £830,382 in third position for a total of £15.1 million. In fourth place, Universal’s “Migration” took in £671,666 in its sixth weekend for a total of £18.3 million.
Lionsgate’s “Imaginary” debuted in fifth...
- 3/13/2024
- by Naman Ramachandran
- Variety Film + TV
A compelling documentary on digital war-on-terror laws that centres on a programme that can mean prison for anyone who refuses UK police access to their smartphones
We all know (and are largely complacent) about the limitless possibilities for digital surveillance and data collection by corporations intent on selling us things, or using our existence to sell advertising. Kate Stonehill’s film is about the more old-fashioned subject of state surveillance and specifically the existence of a disquieting new programme in the UK nicknamed “Phantom Parrot”: the practice of remote spying on mobile phone use.
Stonehill’s film is also about schedule 7 of the 2000 Terrorism Act, which gives the police powers to search people at UK borders, without needing explicit grounds for suspicion on terrorism. That legislation was brought in before the smartphone was invented, but means that officers can demand detainees hand over their PINs and passcodes to all...
We all know (and are largely complacent) about the limitless possibilities for digital surveillance and data collection by corporations intent on selling us things, or using our existence to sell advertising. Kate Stonehill’s film is about the more old-fashioned subject of state surveillance and specifically the existence of a disquieting new programme in the UK nicknamed “Phantom Parrot”: the practice of remote spying on mobile phone use.
Stonehill’s film is also about schedule 7 of the 2000 Terrorism Act, which gives the police powers to search people at UK borders, without needing explicit grounds for suspicion on terrorism. That legislation was brought in before the smartphone was invented, but means that officers can demand detainees hand over their PINs and passcodes to all...
- 3/12/2024
- by Peter Bradshaw
- The Guardian - Film News
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