Every once in a while, and admittedly not often enough, an actor or actress opens your eyes to talents you weren't aware they inhabited. Over the past few decades, I think of performers like Charlize Theron in "Monster" or Halle Berry in "Monster's Ball" as prime examples. Joining the elite list is the beautiful and incredible Jennifer Aniston in Daniel Barnz's "Cake" co-starring Academy Award nominee Adriana Barraza. In a turn that stands as the single best performance by an actress this year, Aniston offers her heart and soul in the role of her career. "Cake" tells the story of Claire Simmons, a woman addicted to pain killers who begins to hallucinate and see visions of Nina (Anna Kendrick), a woman who commits suicide from her chronic pain support group. Not so long after, she starts a friendship with Nina's husband Roy (Sam Worthington), all while worrying the heart of her angelic housekeeper Silvana (Barraza). Screenwriter Patrick Tobin, a relatively unknown scribe whose only credit is "No Easy Way" nearly twenty years ago, gives a strong focus on the creation of Claire. In partnership with Aniston's talent, Claire comes off like the female equivalent to Melvin from "As Good as it Gets." Snippy, darkly funny at times, but mostly emotionally driven by an aching pain. Tobin's work on character creation is top-notch however, with his ability to move the story along fluidly, there's still some work to be done. When we dig into the people that surround Claire, it's only Silvana that doesn't feel like a clichéd representation of every sappy independent movie you've seen over the years. Director Daniel Barnz has a confident hand on the material and does his very best to elevate the script's flaws. With huge misfires like "Won't Back Down" and "Beastly" under his belt, he finally shows what some of his aesthetic beats can create with the right material. The movie has many interesting questions, some of which feel satisfying and comfortable to ask, other things however feel so small scale that the film itself can't keep up with it. The film lives and breathes, succeeds and soars, and stands tall by the work of Jennifer Aniston. I've liked Aniston since "Friends," my single favorite sitcom of all-time but her film choices have left much to be desired. I never knew that Aniston could dig so deep. I pray to the movie Gods that this is not a one-trick pony for her career. Aniston allows herself to be submerged, and overtaken by all the things that plague Claire's life. A single scene involving a large wall picture will bring many to tears. Adriana Barraza is nearly just as effective as Aniston in a role that will hopefully remind Hollywood that they are not tapping into one of the finest actresses working today. An emotional pillar to the story, Silvana's heart is worn on her sleeve, weaving in and out of Spanish, and presenting brilliant chemistry with Aniston. Sam Worthington continues to try to find his place in Hollywood. Subtle but emotionally distant for anyone to relish. Surprisingly moving, though brief is Chris Messina as Jason. He's a role or two away from having THE role that propels him to stardom. Anna Kendrick is haunting in a performance that beckons and calls for a change of pace for the actress. Felicity Huffman and William H. Macy are effective in brief, underwritten roles. We also get a final look at the late Misty Upham, which is tragic on its own. Overall, "Cake" hits the center of grief and loss just good enough to warrant a positive reaction. Jennifer Aniston's performance is something that most actresses will pray to be able to achieve, but never come close. An effortless turn that doesn't fade in the distance or crumble under the cloud of a faulty script. She excels in a performance that demands respect from her peers, and movie- goers everywhere.
200 Reviews
You Never Know What Someone's Carrying
chiltonsjillfreeport9 February 2020
Warning: Spoilers
This is the 1st listed 'goof' from the Cake IMDB page:
"Claire's pain appears to be in her legs - it was said she had pins in her legs - and during the swimming sequence, they show a long scar that runs from above to below her knee. If it were this injury, she would not be able to squat down to slip into the pool and if it were as bad as indicated, she would have a harder time walking. Additionally, it wouldn't require her to lay down in the car during her travels."
Whoever wrote this has a poor understanding of physiology and clearly didn't pay much attention to to the film's plot. Their criticism does a disservice to Aniston's excellent portrayal of someone with chronic pain.
1) Claire presents as someone w/pain in both her back and her legs. She walks w/a pretty classic and slow chronic pain shuffle. Every time she gets up-from her bed, the car seat, a barstool-she does so gingerly, flinching. Like a much older person w/a stiff, sore back and legs. In the sex scene, she can't bear weight.
2) They don't show her squatting @ the therapy pool. She is sitting on the pool's edge, legs dangling in, and pushes herself into the water-accomplished w/a forward push of her buttocks. If the pool otherwise had metal ladders, going in via the side would be easier on the knees and back than narrow pool stairs.
3) The fact that Claire doesn't lay down in the car for pain reasons is specifically addressed when they cross back over the border from Tijuana.
My assumption was, because of her horrible/bloody memories of the accident, Claire couldn't bear to look through a car windshield.
Like Claire, I was once thrown out of a chronic pain support group. Except I was thrown out for the opposite reason. Lol. It was a pretty furious group...Claire would have fit right in.
"Claire's pain appears to be in her legs - it was said she had pins in her legs - and during the swimming sequence, they show a long scar that runs from above to below her knee. If it were this injury, she would not be able to squat down to slip into the pool and if it were as bad as indicated, she would have a harder time walking. Additionally, it wouldn't require her to lay down in the car during her travels."
Whoever wrote this has a poor understanding of physiology and clearly didn't pay much attention to to the film's plot. Their criticism does a disservice to Aniston's excellent portrayal of someone with chronic pain.
1) Claire presents as someone w/pain in both her back and her legs. She walks w/a pretty classic and slow chronic pain shuffle. Every time she gets up-from her bed, the car seat, a barstool-she does so gingerly, flinching. Like a much older person w/a stiff, sore back and legs. In the sex scene, she can't bear weight.
2) They don't show her squatting @ the therapy pool. She is sitting on the pool's edge, legs dangling in, and pushes herself into the water-accomplished w/a forward push of her buttocks. If the pool otherwise had metal ladders, going in via the side would be easier on the knees and back than narrow pool stairs.
3) The fact that Claire doesn't lay down in the car for pain reasons is specifically addressed when they cross back over the border from Tijuana.
My assumption was, because of her horrible/bloody memories of the accident, Claire couldn't bear to look through a car windshield.
Like Claire, I was once thrown out of a chronic pain support group. Except I was thrown out for the opposite reason. Lol. It was a pretty furious group...Claire would have fit right in.
Was hoping for more!
BlueRoseNya22 February 2015
'Cake' starts very promising. The main character is dealing with chronic pain and drug (ab)use. After the suicide of a girl from her support group, she starts to think about ending it herself but somehow her will to live seems to be stronger. I think this is a sensitive topic for lots of people, and it's what fascinated me enough to watch the movie. Sadly, the story starts to drag after a while and loses depth very fast.
Like many others here, I was curious about Jen's performance, because it's always nice to see another side of an actor, especially one who gets a lot of typecasting. I've always thought of her as a terrific comedy actress with an amazing sense of timing. I have to say, her performance didn't really touch me. She didn't do bad with what she got, but I missed some connection to her character. I disagree with other reviewers calling this the best performance of her career.
What makes a movie great to me is the urge to watch it again, which I didn't experience with this one. I didn't feel any emotion even though the theme is supposed to be very touching.
Like many others here, I was curious about Jen's performance, because it's always nice to see another side of an actor, especially one who gets a lot of typecasting. I've always thought of her as a terrific comedy actress with an amazing sense of timing. I have to say, her performance didn't really touch me. She didn't do bad with what she got, but I missed some connection to her character. I disagree with other reviewers calling this the best performance of her career.
What makes a movie great to me is the urge to watch it again, which I didn't experience with this one. I didn't feel any emotion even though the theme is supposed to be very touching.
Surprisingly good
Red_Identity12 January 2015
The reviews were for this were... not good. Perhaps it was because of lowered expectations, but this was a perfectly fine, solid film. Not a great one, no, but a solid film that serves as a vehicle for some really good acting. Barraza injects a lot of humanity and compassion in her character, even if sadly, she's not given as much screen time as she deserves. And while it seemed like all of the hype for Jennifer Aniston was for the reason of who she was (and it probably was) she's strong here. There's no real ounce of superficiality or showing off, certainly not when the character isn't a very showy one to showcase. She would actually be deserving of an Oscar nomination.
Good job but story needs more tension
SnoopyStyle26 June 2015
Claire Bennett (Jennifer Aniston) suffers from constant pain and struggling with a tragic lost. Her housekeeper Silvana (Adriana Barraza) is her constant and mostly her only helper. She goes to a support group where Nina Collins (Anna Kendrick) just committed suicide. After threatening group leader Annette (Felicity Huffman), she gets Nina's address and befriends Nina's husband Roy Collins (Sam Worthington). She's hooked on pain killers and haunted by Nina's presence.
Aniston does a great job. The story isn't much and there is a need for more tension. I am still not sold on Sam Worthington. His character has potential to give Aniston something to play off of but he provides very little. In contrast, William H. Macy has a juicy scene and goes to town on it. This is a simple story that needs something to elevate the danger. It's relying too much on simply will she or won't she.
Aniston does a great job. The story isn't much and there is a need for more tension. I am still not sold on Sam Worthington. His character has potential to give Aniston something to play off of but he provides very little. In contrast, William H. Macy has a juicy scene and goes to town on it. This is a simple story that needs something to elevate the danger. It's relying too much on simply will she or won't she.
Impressive movie and a standing ovation for Aniston from me ...
peterp-450-29871630 April 2015
"Thank you for ruining my life. Thank you for ruining Casey's life. Thank you for leaving me in this mess. I hate you so much I can barely breath."
"Way to go Jennifer". For me she's the first one who succeeds in removing the yoke of the sitcom "Friends" and play a character that doesn't remind you of that caricature appearance she played in it. Look at David Schwimmer in "The Iceman" and you see Ross with a totally wrong,fake mustache. Even Matthew Perry's can't hide the characteristics of Chandler in "Numb". Lisa Kudrow tries in "Scandal" to resemble an extremely cool and tough presidential candidate, and yet you expect a crazy remark followed by that wonderful bizarre giggle. And Jennifer Aniston couldn't put the Rachel-type aside in "The Break-Up" and "We're the Millers". But in "Cake" she succeeded in that above all expectations. She delivers a sublime and admirable performance here as Claire Bennett. A scarred woman, physical and psychological. You can see the pain in that tired look and those languid eyes. Even the sneering and cynical humor that she uses, can't cover up the agonies she's suffering from.
After a fatal accident Claire stays behind all alone, with visible and invisible scars. A mangled body patched up afterwards. But she can no longer enjoy life to its full extent. And then there's also the unbearable pain caused by the loss of her son. The result is a bitter, suffering and obnoxious woman abandoned by everyone. The support group prefers her to seek a different kind of help because of her anger issues. The physiotherapist is giving up on her because she has the impression that Claire makes no attempt to rehabilitate. Her husband left her for an unknown reason. Is it because of her moods and harsh remarks? Is there some reproach? Has Claire thrown him out because she doesn't tolerate pity? We can only guess. Similarly, the conditions or cause of the accident are unknown. The only one who sticks to Claire, is her faithful housekeeper, the likable Mexican Silvana.
It's a magnificent portrait of the life course of a presumably wealthy lawyer who slowly but surely sees everything collapsing around her due to the traumatic event. Both her marriage and professional career falters while she's losing herself because of the amount of painkillers and sleeping pills she's taking. What's left is a human wreck without any zest for life. There's only one critical element missing : the courage to finally put it to an end. A backbreaking attitude to life with pent-up grief and eternally recurrent pain as a central issue. You can truly feel the pain. And this all is perfectly played by Jennifer Aniston, who isn't worrying about a perfect makeup and a flashy hairstyle which would be massively hyped afterwards. Her appearance always looks as if she just crawled out of bed after a sleepless night. A face battered by scars, unkempt messed up hair and shabby clothes. A depressed and weary bitchy woman. But one who occasionally brings up funny and sarcastic remarks.
Gradually Claire expresses interest in a participant from her support group who committed suicide and it seems to be her ultimate salvation. Is it the drugs that causes Claire to start hallucinating about Nina (Anna Kendrick) ? Or is her subconscious the reason ? Whether appropriate or not Nina appears and tries to convince her to take that final step. "You don't believe in God...heaven or hell. You don't believe in anything. What about now. Just do it. Don't be such a coward." Claire is intrigued by the character Nina and starts digging in her life. Finally she meets Roy (Sam Worthington), which is the start of a slow recovery. Maybe it's all a bit too much peppered with poignant clichés that'll ensure some sad moments filled with tears, but overall it was a bold and moving portrait of someone torn apart by grief and pain.
Perhaps an Oscar nomination was worthwhile. At least Jennifer Aniston got nominated for a Golden Globe. And by the way well deserved. This "Friends" star delivered a terrific performance as the distraught,addicted-to-pills woman. And speaking of the symbolic meaning of the movie title, this is subtly revealed at the end. Splendid movie. And also because of leaving out sensational footage of the accident. An admirable choice that only strengthens the whole!
More reviews here : http://opinion-as-a-moviefreak.blogspot.be
"Way to go Jennifer". For me she's the first one who succeeds in removing the yoke of the sitcom "Friends" and play a character that doesn't remind you of that caricature appearance she played in it. Look at David Schwimmer in "The Iceman" and you see Ross with a totally wrong,fake mustache. Even Matthew Perry's can't hide the characteristics of Chandler in "Numb". Lisa Kudrow tries in "Scandal" to resemble an extremely cool and tough presidential candidate, and yet you expect a crazy remark followed by that wonderful bizarre giggle. And Jennifer Aniston couldn't put the Rachel-type aside in "The Break-Up" and "We're the Millers". But in "Cake" she succeeded in that above all expectations. She delivers a sublime and admirable performance here as Claire Bennett. A scarred woman, physical and psychological. You can see the pain in that tired look and those languid eyes. Even the sneering and cynical humor that she uses, can't cover up the agonies she's suffering from.
After a fatal accident Claire stays behind all alone, with visible and invisible scars. A mangled body patched up afterwards. But she can no longer enjoy life to its full extent. And then there's also the unbearable pain caused by the loss of her son. The result is a bitter, suffering and obnoxious woman abandoned by everyone. The support group prefers her to seek a different kind of help because of her anger issues. The physiotherapist is giving up on her because she has the impression that Claire makes no attempt to rehabilitate. Her husband left her for an unknown reason. Is it because of her moods and harsh remarks? Is there some reproach? Has Claire thrown him out because she doesn't tolerate pity? We can only guess. Similarly, the conditions or cause of the accident are unknown. The only one who sticks to Claire, is her faithful housekeeper, the likable Mexican Silvana.
It's a magnificent portrait of the life course of a presumably wealthy lawyer who slowly but surely sees everything collapsing around her due to the traumatic event. Both her marriage and professional career falters while she's losing herself because of the amount of painkillers and sleeping pills she's taking. What's left is a human wreck without any zest for life. There's only one critical element missing : the courage to finally put it to an end. A backbreaking attitude to life with pent-up grief and eternally recurrent pain as a central issue. You can truly feel the pain. And this all is perfectly played by Jennifer Aniston, who isn't worrying about a perfect makeup and a flashy hairstyle which would be massively hyped afterwards. Her appearance always looks as if she just crawled out of bed after a sleepless night. A face battered by scars, unkempt messed up hair and shabby clothes. A depressed and weary bitchy woman. But one who occasionally brings up funny and sarcastic remarks.
Gradually Claire expresses interest in a participant from her support group who committed suicide and it seems to be her ultimate salvation. Is it the drugs that causes Claire to start hallucinating about Nina (Anna Kendrick) ? Or is her subconscious the reason ? Whether appropriate or not Nina appears and tries to convince her to take that final step. "You don't believe in God...heaven or hell. You don't believe in anything. What about now. Just do it. Don't be such a coward." Claire is intrigued by the character Nina and starts digging in her life. Finally she meets Roy (Sam Worthington), which is the start of a slow recovery. Maybe it's all a bit too much peppered with poignant clichés that'll ensure some sad moments filled with tears, but overall it was a bold and moving portrait of someone torn apart by grief and pain.
Perhaps an Oscar nomination was worthwhile. At least Jennifer Aniston got nominated for a Golden Globe. And by the way well deserved. This "Friends" star delivered a terrific performance as the distraught,addicted-to-pills woman. And speaking of the symbolic meaning of the movie title, this is subtly revealed at the end. Splendid movie. And also because of leaving out sensational footage of the accident. An admirable choice that only strengthens the whole!
More reviews here : http://opinion-as-a-moviefreak.blogspot.be
A little disappointed
gidget-756-68708919 April 2017
As a chronic pain sufferer myself I was a little disappointed to slightly angry with this movie. With all the challenges chronic pain sufferers are going through at this time, this movie makes sufferers out to be drug seeking, illegal doing, grouches that do nothing but deal with pain. Not an image we need right now! I take care of my kids, do housework and errands. Go out with friends and live everyday like it may be my last. Yes I'm in pain but I won't let it control me and I only take what is prescribed to me. The movie itself was well done but I really am afraid it will stereotype pain sufferers.
It's getting ugly
kosmasp16 September 2015
Not that Jennifer would ever completely be able to be ugly. But this is the closest she's gone in that direction. And I don't even think she was glimpsing at an Academy Award, although with a script and a character like this, even if you don't think about it, people will tell you about it. And her performance in this is exceptional.
At times you almost feel her pain. And while she is the star and everyone was talking about or is talking about, when discussing the movie, there are other good people involved in this too. Anna Kendrick, Sam Worthington, William H. Macy and so forth. As good as this is though, it doesn't reach "Still Alice" heights. There's not much to compare with those movies, other than a female lead character who's going through a tough time, but people like to compare (me too). I do hope you can watch this by itself, without having that in the back of your mind though
At times you almost feel her pain. And while she is the star and everyone was talking about or is talking about, when discussing the movie, there are other good people involved in this too. Anna Kendrick, Sam Worthington, William H. Macy and so forth. As good as this is though, it doesn't reach "Still Alice" heights. There's not much to compare with those movies, other than a female lead character who's going through a tough time, but people like to compare (me too). I do hope you can watch this by itself, without having that in the back of your mind though
Why the 'Oscars' are irrelevant...
soupster114 January 2015
So... a pretty, funny, former sitcom actress... gives us a few signs that she might be capable of playing roles outside of the 'amusing chick' rom-com regular.
She does parts that secure her reputation of being a talented American 'cutie', she plays 'off-beat' characters with ease... and only occasionally lets the 'pay-day' Hollywood 'starlet' see the light of day.
Then she does this. A film that explores suicide, mental illness, self-loathing and the morality of friendship.
At the age of 60, I have gotten used to the annual round of 'Oscar Worthy' films being shoved down our throats... but this is different. Fine writing, authentic story telling... and unnecessarily great acting.
Any 'Oscar' hungry actor could have made a decent job of this... but Ms Aniston makes a brilliant job of it. She is no 'pretty-girl' actor here... she displays vulnerability, courageous wit... and does it all with aplomb.
If she doesn't get 'Best Actress'... the 'Oscars' are irrelevant.
She does parts that secure her reputation of being a talented American 'cutie', she plays 'off-beat' characters with ease... and only occasionally lets the 'pay-day' Hollywood 'starlet' see the light of day.
Then she does this. A film that explores suicide, mental illness, self-loathing and the morality of friendship.
At the age of 60, I have gotten used to the annual round of 'Oscar Worthy' films being shoved down our throats... but this is different. Fine writing, authentic story telling... and unnecessarily great acting.
Any 'Oscar' hungry actor could have made a decent job of this... but Ms Aniston makes a brilliant job of it. She is no 'pretty-girl' actor here... she displays vulnerability, courageous wit... and does it all with aplomb.
If she doesn't get 'Best Actress'... the 'Oscars' are irrelevant.
Jennifer Aniston Goes '90s Indie
rdfranciscritic19 January 2023
If one goes into Cake with the (wrong) attitude of "This is Jennifer Aniston's Big Oscar Move," they'll be disappointed. Especially if you're not into films where the main character speaks with, on several occasions, the ghost (memories) of another (dead) character.
That's because Cake -- regardless of Jennifer producing and acting in the film, and hedging her bets for Oscar gold, natch -- isn't an A-List, Oscar-caliber film. Regardless of its reported 7 to10 million budget, this is not a major studio film: Cake is, well, it plays as, an intimate, low-budget indie. Cake is the kind of "indie flick" that Miramax or Fox Searchlight would give a low-key release -- when you had to drive 15 miles to get to that one theater showing the film.
If Cake was made 30 years ago, the incredible Catherine Keener (Being John Malkovich and The 40 Year Old Virgin; I defer to the '90s indies Kicking and Screaming, Box of Moonlight; all four of her Tom DiCillo films) would have starred. Back then, Cake would have been made for about a million and a half, got great reviews, then faded away within a month -- with nary an award nod.
Regardless, Jennifer's come long way from getting her start with a guest role on Quantum Leap, as well as kicking off the Leprechaun franchise in her teens.
That's because Cake -- regardless of Jennifer producing and acting in the film, and hedging her bets for Oscar gold, natch -- isn't an A-List, Oscar-caliber film. Regardless of its reported 7 to10 million budget, this is not a major studio film: Cake is, well, it plays as, an intimate, low-budget indie. Cake is the kind of "indie flick" that Miramax or Fox Searchlight would give a low-key release -- when you had to drive 15 miles to get to that one theater showing the film.
If Cake was made 30 years ago, the incredible Catherine Keener (Being John Malkovich and The 40 Year Old Virgin; I defer to the '90s indies Kicking and Screaming, Box of Moonlight; all four of her Tom DiCillo films) would have starred. Back then, Cake would have been made for about a million and a half, got great reviews, then faded away within a month -- with nary an award nod.
Regardless, Jennifer's come long way from getting her start with a guest role on Quantum Leap, as well as kicking off the Leprechaun franchise in her teens.
Pain for everyone!
ferguson-630 January 2015
Warning: Spoilers
Greetings again from the darkness. This completes what I call the triumvirate of female film misery: Julianne Moore in Still Alice, Marion Cotillard in Two Days, One Night, and now Jennifer Aniston in Cake. Each film focuses on the physical and emotional struggles of a previously strong female character adjusting to life's cruel obstacles.
Claire (Ms. Aniston) is a former attorney in constant chronic pain who appears to be on a mission to make everyone around her as miserable as she is. The scars on her face make it obvious she has survived some trauma, and it's also clear that there is an additional emotional loss that is contributing to her situation. However, director Daniel Baraz (Beastly) and writer Patrick Tobin tease us for awhile with exactly what tragedy Claire is working through. Further proof of her lack of charm comes when her support group (led by Felicity Huffman) boots her out after an especially uncaring rant.
Claire takes a bizarre interest in researching the suicide of one of the group's members (Anna Kendrick). This leads to some uncomfortable interactions with the woman's husband (Sam Worthington) and their young son, and even more bizarre interactions – through dreams and hallucinations – with the Kendrick character (yes, the dead one). Claire's abusive persona comes through in these moments, just as it does with all other people who dare cross her path especially that of her caregiver Silvana (a wonderful Adriana Barraza, Babel).
Many have used the dreaded "snub" term to describe Aniston not receiving an Oscar nomination. My perspective is that she does a fine job in a role that is stunning in its variance from her typical fluffy rom-com roles. However, it is not a performance that I would favorable compare to Julianne Moore, Marion Cotillard or Felicity Jones. To see America's sweetheart go 90 minutes sans make-up and with unkempt hair is a welcome change, but the script contrivances and the choppiness of the presentation – a stream of big name actors make single scene appearances – do nothing to help the case for Aniston. In fact, I would still rate her work in The Good Girl as her best.
The trend of glam-downed actresses is welcome, though it's important to remember that a full-bodied script is still necessary for a quality movie. Other than the language, this one felt like it was more in line with a Lifetime movie. However, it does provide hope that Ms. Aniston will devote more time to dramatic roles and indie films.
Claire (Ms. Aniston) is a former attorney in constant chronic pain who appears to be on a mission to make everyone around her as miserable as she is. The scars on her face make it obvious she has survived some trauma, and it's also clear that there is an additional emotional loss that is contributing to her situation. However, director Daniel Baraz (Beastly) and writer Patrick Tobin tease us for awhile with exactly what tragedy Claire is working through. Further proof of her lack of charm comes when her support group (led by Felicity Huffman) boots her out after an especially uncaring rant.
Claire takes a bizarre interest in researching the suicide of one of the group's members (Anna Kendrick). This leads to some uncomfortable interactions with the woman's husband (Sam Worthington) and their young son, and even more bizarre interactions – through dreams and hallucinations – with the Kendrick character (yes, the dead one). Claire's abusive persona comes through in these moments, just as it does with all other people who dare cross her path especially that of her caregiver Silvana (a wonderful Adriana Barraza, Babel).
Many have used the dreaded "snub" term to describe Aniston not receiving an Oscar nomination. My perspective is that she does a fine job in a role that is stunning in its variance from her typical fluffy rom-com roles. However, it is not a performance that I would favorable compare to Julianne Moore, Marion Cotillard or Felicity Jones. To see America's sweetheart go 90 minutes sans make-up and with unkempt hair is a welcome change, but the script contrivances and the choppiness of the presentation – a stream of big name actors make single scene appearances – do nothing to help the case for Aniston. In fact, I would still rate her work in The Good Girl as her best.
The trend of glam-downed actresses is welcome, though it's important to remember that a full-bodied script is still necessary for a quality movie. Other than the language, this one felt like it was more in line with a Lifetime movie. However, it does provide hope that Ms. Aniston will devote more time to dramatic roles and indie films.
More than an Aniston Oscar vehicle
Emma_Stewart12 January 2015
It's not hard to guess why critics and audiences might be turned off by Cake. For the first half, Jennifer Aniston's Claire is snarky with a comeback for everything, manipulates and abuses everyone around her, and indulges in a constant, expensive pity party, and we aren't told why. Once the meat of the story reveals itself, however, Cake is astonishingly clever, delicate, and emotional.
Claire Bennett is the apparent victim of an unexplained accident that left her with chronic pain, a bad attitude, and a trail of broken relationships. After a woman in her pain support group commits suicide, Claire tracks down the woman's husband in a curiously misguided search for answers.
It's not the most unique premise, but screenwriter Patrick Tobin takes the story in unexpected directions, avoiding clichés and handling the subject matter with surprising grace. Director Daniel Barnz could have used some more time in the editing room -- certain side characters and subplots get either more or less time and background than they deserve; why Anna Kendrick's character made it past a rough cut is beyond me -- but in his hands a wordy screenplay becomes visually interesting, moves along at a comfortable pace and is backed by a reflective, unobtrusive score. His direction, and so the movie, really won me over at the climax, where after an hour and a half of sarcasm and one-liners Claire shuts up for once and finally lets the pain in. It's a beautiful, heartrending scene, and the decision to rest Cake on Jennifer Aniston's shoulders was absolutely the right one.
I never thought much of Adriana Barraza in Babel and have only seen her in a couple of other movies but she adds so many personal touches to the role of Claire's maid/cook/home health aide/best friend, she has a real talent for empathy and nuance. Jennifer Aniston, though, is the standout. She clearly reveled in the chance to break away from Rachel and she aced it. There's a tiny moment where Sam Worthington's character tells her she's messed up, and she plays the reaction shot so completely differently from anything she's done in the past - that's when I really started believing her in the role and she only got better from there. She nails her character's dry sense of humor and selfishness, and knows exactly how much charm to give her to make her watchable if not likable. It's a seriously committed, seamless, career-defining performance and she'd be my pick for this year's Oscar.
Verdict: watch it for Jennifer Aniston, walk away pleasantly surprised.
Claire Bennett is the apparent victim of an unexplained accident that left her with chronic pain, a bad attitude, and a trail of broken relationships. After a woman in her pain support group commits suicide, Claire tracks down the woman's husband in a curiously misguided search for answers.
It's not the most unique premise, but screenwriter Patrick Tobin takes the story in unexpected directions, avoiding clichés and handling the subject matter with surprising grace. Director Daniel Barnz could have used some more time in the editing room -- certain side characters and subplots get either more or less time and background than they deserve; why Anna Kendrick's character made it past a rough cut is beyond me -- but in his hands a wordy screenplay becomes visually interesting, moves along at a comfortable pace and is backed by a reflective, unobtrusive score. His direction, and so the movie, really won me over at the climax, where after an hour and a half of sarcasm and one-liners Claire shuts up for once and finally lets the pain in. It's a beautiful, heartrending scene, and the decision to rest Cake on Jennifer Aniston's shoulders was absolutely the right one.
I never thought much of Adriana Barraza in Babel and have only seen her in a couple of other movies but she adds so many personal touches to the role of Claire's maid/cook/home health aide/best friend, she has a real talent for empathy and nuance. Jennifer Aniston, though, is the standout. She clearly reveled in the chance to break away from Rachel and she aced it. There's a tiny moment where Sam Worthington's character tells her she's messed up, and she plays the reaction shot so completely differently from anything she's done in the past - that's when I really started believing her in the role and she only got better from there. She nails her character's dry sense of humor and selfishness, and knows exactly how much charm to give her to make her watchable if not likable. It's a seriously committed, seamless, career-defining performance and she'd be my pick for this year's Oscar.
Verdict: watch it for Jennifer Aniston, walk away pleasantly surprised.
Good performances, particularly from the lead female actors
Give-a-hoot25 June 2015
Cake is actually a pretty good film, although some reviews were quite scathing. So, without giving away any of the plot, I have to admit the pace of this film is slower than molasses on a hot summer's day. But to be fair, the movie's very engaging nonetheless. The slower pace serves to draw our interest more deeply into the characters' circumstances. It did for me anyway. There are many good performances by the entire cast, but the ladies' are the most note-worthy. We've gotten to know Jennifer Aniston best for her comedy roles, but in this film she proves she can handle any acting challenge. She also manages to look genuinely unattractive which is surprising of itself. Cake gets dramatic but without becoming heavy-handed, so I'd say it's most definitely worth the watch. One thing for me was that around the middle of the film I got to wondering what if anything cake had to do with it. This much I can divulge, the inference is eventually made clear. However, if you're strictly an action-movie fan, then, this probably isn't your venue.
Excellent acting, that's about it
bsanva17 October 2015
This movie is very similar to the french film Blue. The movie starts by introducing a woman who is depressed because of personal tragedy while also experiencing physical pain. Jennifer Aniston delivers a strong performance as do all of the supporting cast. But the movie never has a story. The movie is very realistic and accurately portrays the feeling of depression. But there isn't a story, and that should be noted in any review. I could imagine being in the mood to watch a performance of a woman dealing with overwhelming depression. But most days I would find this to be a well directed movie of an awful script. I gave it 4 stars, but it would likely get much less without the quality acting performances.
Subtly happy
Gordon-114 February 2015
This film tells the story of a woman with chronic pain, who becomes fixated with the suicide of a member in her support group. She works through the death of the friend, in order to work through her own grief.
Jennifer Aniston is only vaguely recognisable in this film, because she has scars on her face, she looks older, put on weight and basically is not looking glamorous at all. She plays this woman who is misusing pain killers, which gives her hallucinations. It is sad to see that she is so troubled by the events. I was also impressed by Adriana Barraza, who gives a stunning tirade in Spanish after Jennifer Aniston's ordeal on the train tracks. The tirade somehow leads to the satisfying ending, which is a subtly happy one.
It is not immediately apparent why the film is called "Cake", if you have not watched it. After watching it, I see why it is called cake, but I still find it a little to far fetched to be related to the central story line.
Jennifer Aniston is only vaguely recognisable in this film, because she has scars on her face, she looks older, put on weight and basically is not looking glamorous at all. She plays this woman who is misusing pain killers, which gives her hallucinations. It is sad to see that she is so troubled by the events. I was also impressed by Adriana Barraza, who gives a stunning tirade in Spanish after Jennifer Aniston's ordeal on the train tracks. The tirade somehow leads to the satisfying ending, which is a subtly happy one.
It is not immediately apparent why the film is called "Cake", if you have not watched it. After watching it, I see why it is called cake, but I still find it a little to far fetched to be related to the central story line.
Aniston at best!
Reno-Rangan18 August 2015
Might be this is what I was expecting from Aniston from a long ago. Since break- up with Brad Pitt, probably after 'Marley & Me', she has not given any best performance. This is her best shot to till date, maybe in her whole career. She would have not won, but her snub from the Oscar nominee was not justified. Unlike men, who gets better by aging, women are the opposite. In the old days I used to like Aniston, but nowadays, I don't know. In this film she has done without makeup, well, that's an honest attempt.
Not a spellbinding narration, but it was all about Aniston's performance. There are a couple of cameo appearances, well, all the other character in the movie is like a cameo, including Sam Worthington's, but excluding our heroine. Worth watching this only for her performance, not for the story.
The past events should have been explained to let us know the truth along with the portrayal of the present. But it was kind of realism, I won't doubt about that, but sometime cinematic needs a proper detail rather than straightforward. Really a good movie, simultaneously not great as to praise the direction or the presentation that slightly missed the opportunity to be an awesome flick.
7/10
Not a spellbinding narration, but it was all about Aniston's performance. There are a couple of cameo appearances, well, all the other character in the movie is like a cameo, including Sam Worthington's, but excluding our heroine. Worth watching this only for her performance, not for the story.
The past events should have been explained to let us know the truth along with the portrayal of the present. But it was kind of realism, I won't doubt about that, but sometime cinematic needs a proper detail rather than straightforward. Really a good movie, simultaneously not great as to praise the direction or the presentation that slightly missed the opportunity to be an awesome flick.
7/10
Aniston's Best Role To Date...
MovieHoliks6 July 2015
Warning: Spoilers
I was reading the history of this film at Wikipedia, and found that the filmmaker had Jen, and Jen alone in mind for this role of a woman who becomes fascinated by the suicide of someone (Anna Kendrick) in her chronic pain support group while grappling with her own, very raw personal tragedy. I've seen Aniston is some decent roles over the years ("The Good Girl", "Management", "Friends With Money", etc..), but this is certainly her best to date.
She lets her age show in this for perhaps the first time on screen since hitting the big 4-0, and the lines on her face expose some deeper trauma her character is going through *possible SPOILER* that doesn't come to the surface for most of the film's duration. So when it finally does- all that much greater impact is felt. Kudos to Jen for some amazing acting work here... Adriana Barraza, Felicity Huffman, William H. Macy, and Sam Worthington round out the cast.
She lets her age show in this for perhaps the first time on screen since hitting the big 4-0, and the lines on her face expose some deeper trauma her character is going through *possible SPOILER* that doesn't come to the surface for most of the film's duration. So when it finally does- all that much greater impact is felt. Kudos to Jen for some amazing acting work here... Adriana Barraza, Felicity Huffman, William H. Macy, and Sam Worthington round out the cast.
Good Movie
CarmaChan9 September 2015
The trailer hyped it up too much, setting the expectation of a very intense drama. Jennifer Aniston did a great job of bringing this character to life, as did the entire cast. The story is told in a minimalist way, on the low-key side, and very slowly reveals what's going on. There were a few choices I found distracting. One was the overdone scars and bad skin makeup on Jennifer Aniston's face and neck. We all know she has flawless skin and in this character it looks like she has really bad skin plus scars, and it was just a bit too much texture. I was also distracted by the timing and style of appearances by Nina.
The timing of William Macy's character was too convenient and unbelievable.
I found myself waiting for this movie to become a gripping movie and it almost got there. I nearly cried a couple of times. Jennifer Aniston was very believable in the dramatic moments, however, the story lacked something, I'm not sure what. Still, it is a good movie, a good story, and well acted.
The timing of William Macy's character was too convenient and unbelievable.
I found myself waiting for this movie to become a gripping movie and it almost got there. I nearly cried a couple of times. Jennifer Aniston was very believable in the dramatic moments, however, the story lacked something, I'm not sure what. Still, it is a good movie, a good story, and well acted.
A look into a life of pain.
Benjamin-M-Weilert20 May 2019
A little bit "after-school special", but still does an OK job of highlighting the struggles of chronic pain, suicide, and painkiller addiction.
I can only imagine what that pain must feel like. The days after a 14er climb I certainly feel sore, but at least I know it will go away soon. To live with a pain that might never go away must be agony.
Jennifer Aniston is convincing as a chronic pain sufferer in Cake
tavm9 September 2015
Jennifer Aniston plays Clare, a woman in chronic pain who becomes curious about a fellow support group member's-Nina's (Anna Kendrick in dream sequences)-suicide. She ends up becoming involved in Nina's husband (Sam Worthington) and his child platonically though she also has a maid who also cares for her even though she doesn't always treat her with the utmost respect. I'll stop there and just say this was quite a departure for Ms. Aniston from her usual comedic persona as she's convincingly quite pathetic in appearance and demeanor. This was not an easy thing to sit through and one gets confused a few times but for all that, I recommend Cake.
Jennifer Aniston's Second Coming
gavin694224 June 2015
Claire (Jennifer Aniston) becomes fascinated by the suicide of a woman in her chronic pain support group while grappling with her own, very raw personal tragedy.
This film has an interesting way of looking at opiate addiction. It basically ignores it, making it neither a good or bad thing. Just part of the world of chronic pain. Instead we get a strange story where a woman stalks (and is stalked by) a suicide victim. So weird! Is Orange County full of white supremacists? I had never heard that before, but after a quick Google search it apparently has that reputation. I knew the reputation of the rich white people, but never thought of it in any racist sense... hmm...
This film has an interesting way of looking at opiate addiction. It basically ignores it, making it neither a good or bad thing. Just part of the world of chronic pain. Instead we get a strange story where a woman stalks (and is stalked by) a suicide victim. So weird! Is Orange County full of white supremacists? I had never heard that before, but after a quick Google search it apparently has that reputation. I knew the reputation of the rich white people, but never thought of it in any racist sense... hmm...
Lacks a punch
sivanandrao10 February 2015
Warning: Spoilers
There are some movies you wait to watch and after watching it you feel the wait wasn't worth it. Daniel Barnz's "Cake" was one such movie. The movie just drags on and on.
Jennifer Aniston gives a commendable performance as Claire. The story is about Claire who is attending a support group trying to cope with her son's death. It takes you through the pain she is undergoing, the nightmares, the hallucinations and mind disorder that she is experiencing.
Anna Kendrick does a good job in the small and neat role given to her. Sam Worthington lacked a punch. Not much expression in his face. Adriana Barraza has adapted to her role very well. She looks believable as the hired help. The movie looses focus along the run time and the pain gets too much for us. If you want to see dry drama and Aniston in one of the better roles (especially after Horrible bosses 2) you can sure watch it.
Jennifer Aniston gives a commendable performance as Claire. The story is about Claire who is attending a support group trying to cope with her son's death. It takes you through the pain she is undergoing, the nightmares, the hallucinations and mind disorder that she is experiencing.
Anna Kendrick does a good job in the small and neat role given to her. Sam Worthington lacked a punch. Not much expression in his face. Adriana Barraza has adapted to her role very well. She looks believable as the hired help. The movie looses focus along the run time and the pain gets too much for us. If you want to see dry drama and Aniston in one of the better roles (especially after Horrible bosses 2) you can sure watch it.
Jennifer Anniston nails it
laskinner-124-92463623 December 2014
I am not a Jennifer Anniston fan although I have enjoyed the odd thing she has done over the years but she truly is gifted in this portrayal. The movie hinges on this character so if it was not done with great integrity and clarity and humor --it would not work. Ms. Anniston actually looks like a person and not terribly attractive at that --not a movie star in any way. Which is crucial to entering into this story. The supporting characters particularly her "maid" who is absolutely wonderful and integral to the story are mostly well drawn. It is not a movie that to entertain in the light vein (needless to say) but it is well worth watching for this compelling story of a woman in many kinds of pain and how she begins to overcome that overwhelming pain.
The mental struggle of physical pains
urema-116 July 2022
Warning: Spoilers
Claire Bennett (Jennifer Aniston) suffers from chronic pain from injuries she sustained from a car accident she had which results in her son being killed. Her outspoken nature, and her temper from suffering her pain and PSTD, drove her husband and many others away from her.
After Nina (Anna Kendrick), a girl in her chronic pain support group kills herself, Claire becomes fixated on the mystery and motivations of Nina taking her own life.
Claire enters into a relationship with Nina's husband Roy (Sam Worthington), where they bond over their individual traumas and recoveries.
Claire has become addicted to oxytocin and percocet - finding it hard to suffer her pains without them. The cold reality of the world with the drugs makes her feel suicidal.
Claire, through many of her struggles and loneliness, has to find a way to kick her habit, to work on her physical rehab, and to make amends to those she has hurt during her time suffering, and most importantly grow to accept the reality of her son being gone.
Some funny scenes, some poignant emotional scenes, some nice subtext here and there, but overall the story was a bit surface level with very little in the way of suffering - only a few scenes hinted at her depression, and most was taken up with her being in physical pain and manifesting this more.
Jennifer Anniston is good - but theres not much scope in her character - just pain and lack of filter and patience.
It is interesting how many of her habits are to do with her loses in life, some of her depression and at suffering and PTSD from the accident etc., rather than her pain. They portrayed this well in the show.
Mainly I would say watch this for Aniston being a mostly serious role, and some of the trite comedy and tear jerker moments. I like an opened film and many wont like this here, but I thought it worked well.
After Nina (Anna Kendrick), a girl in her chronic pain support group kills herself, Claire becomes fixated on the mystery and motivations of Nina taking her own life.
Claire enters into a relationship with Nina's husband Roy (Sam Worthington), where they bond over their individual traumas and recoveries.
Claire has become addicted to oxytocin and percocet - finding it hard to suffer her pains without them. The cold reality of the world with the drugs makes her feel suicidal.
Claire, through many of her struggles and loneliness, has to find a way to kick her habit, to work on her physical rehab, and to make amends to those she has hurt during her time suffering, and most importantly grow to accept the reality of her son being gone.
Some funny scenes, some poignant emotional scenes, some nice subtext here and there, but overall the story was a bit surface level with very little in the way of suffering - only a few scenes hinted at her depression, and most was taken up with her being in physical pain and manifesting this more.
Jennifer Anniston is good - but theres not much scope in her character - just pain and lack of filter and patience.
It is interesting how many of her habits are to do with her loses in life, some of her depression and at suffering and PTSD from the accident etc., rather than her pain. They portrayed this well in the show.
Mainly I would say watch this for Aniston being a mostly serious role, and some of the trite comedy and tear jerker moments. I like an opened film and many wont like this here, but I thought it worked well.
Tedious and one dimensional!
eleanorfinnerty15 January 2015
I was looking forward to this movie a lot, i'm a big fan of Jennifer Anniston but was actually really disappointed. I feel that this movie had a really good foundation to really tell a great and honest story, but to be brutally honest.... Not a lot happened? I found that the character played by Jennifer Anniston was really one dimensional, this character could have had her history really delved in to and yet it was only skimmed across so slightly.
Acting wise, I feel Anniston really played this serious role well. I feel however, that this movie was let down by the slow moving script, the lack of story telling, and bizarre parts of the movie that I didn't feel were completely necessary... Certain introductions of characters that added nothing to the movie and really were just distracting the viewer from the lack of storyline.
I was really hoping this movie would be an honest account about this woman's struggle, I felt it would be informative and moving. However, I struggled to get through to the end of this movie and was wishing it would just finish already!
Acting wise, I feel Anniston really played this serious role well. I feel however, that this movie was let down by the slow moving script, the lack of story telling, and bizarre parts of the movie that I didn't feel were completely necessary... Certain introductions of characters that added nothing to the movie and really were just distracting the viewer from the lack of storyline.
I was really hoping this movie would be an honest account about this woman's struggle, I felt it would be informative and moving. However, I struggled to get through to the end of this movie and was wishing it would just finish already!
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