The Commuter works because writer Jack Thorne resists going down some futuristic grungy Blade Runner look.
Ed (Timothy Spall) works in the ticket office at Woking train station, a rather mundane job but it shields him from a difficult home life coping with a teenage son prone to violent outbursts.
One day a mysterious young woman asks to buy a ticket to Macon Heights, Ed tells her the stop does not exists and the woman suddenly disappears.
Ed's curiosity leads him to board a train that presumably stops at Macon Heights when suddenly some of the passengers suddenly jump off the train and head for this idyllic town.
When Ed returns home it is to a happier household but he has this nagging doubt that his visits to Macon Heights has erased his son from existence.
Some of the story went off in tangents such as the visit to the journalist, maybe it could had been tightly plotted but it worked as a story about a man who is willing to embrace life even with all its disappointments.
Ed (Timothy Spall) works in the ticket office at Woking train station, a rather mundane job but it shields him from a difficult home life coping with a teenage son prone to violent outbursts.
One day a mysterious young woman asks to buy a ticket to Macon Heights, Ed tells her the stop does not exists and the woman suddenly disappears.
Ed's curiosity leads him to board a train that presumably stops at Macon Heights when suddenly some of the passengers suddenly jump off the train and head for this idyllic town.
When Ed returns home it is to a happier household but he has this nagging doubt that his visits to Macon Heights has erased his son from existence.
Some of the story went off in tangents such as the visit to the journalist, maybe it could had been tightly plotted but it worked as a story about a man who is willing to embrace life even with all its disappointments.