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The Shining (1980)
A truly brilliant and scary film from Stanley Kubrick.
29 June 2003
Warning: Spoilers
I can't praise this film long enough!

The Shining is, without doubt, one of Stanley Kubrick's undisputed masterpieces and a true classic in horror cinema. It is a film that, over the course of the years, has managed to scare the living hell out of its audiences (and still does). The film is an adaptation of Stepehen King's original novel, written in the late '70s, and although the film is not very loyal to the book, it still stands as a thing of its own.

Right from the beginning, as we contemplate the car going to the hotel from those stunning aerial shots, deeply inside us we know that something in the film, somehow, sometime is going to go wrong. As we obtain that severe warning, an almost inaudible voice gently whispers to us 'sit tight', a sense of unexpectedness invades us all, and it is that very same feeling that makes our hair stand on end throughout out the entire movie.



The plot is simple: Jack Torrance (Jack Nicholson) becomes the caretaker of the Overlook Hotel in up in the secluded mountains of Colorado. Jack, being a family man, takes his wife (Shelley Duvall) and son (Danny Lloyd) to the hotel to keep him company throughout the long, isolated nights. During their stay, strange things occur when Jack's son Danny sees gruesome images powered by a force called 'the shining' and Jack is heavily affected by this. Along with writer's block and the demons of the hotel haunting him, Jack has a complete mental breakdown and the situation takes a sinister turn for the worse.

The film, unlike many horror-oriented films nowadays, doesn't only rely on stomach-churning and gory images (which it does contain, anyway) but on the incredibly scary music based on the works of Béla Bartók and on the excellent cinematography (the Steadicam is superbly used, giving us a sense of ever-following evil), as well. The terrifying mood and atmosphere of the film is carefully and masterfully woven by Kubrick, who clearly knows how to really make a horror movie.

Jack Nicholson's powerful performance as the mad father and husband is as over the top as it is brilliant. Shelley Duvall, who plays the worrying wife who tries to help her son, is also a stand out; she shows a kind of trembling fear in many scenes and is able to display weakness and vulnerability in a very convincing way. Undoubtedly, The Shining is full of memorable moments (the elevator scene or the 'Heeeeeere's Johnny' one-liner for instance) and, simply put, it's flawlessly brilliant.

Stanley Kubrick's direction is pure excellence, giving the whole film a cold and atmospheric look, thus creating an unbearable sense of paranoia and terror. There are moments of sheer brilliance and exquisite perfection in this film; the horrifying maze chase is a perfect example. Every single shot is masterfully created and there are some genuinely scary scenes which will make you sit on the edge of your seat.

The Shining is, in my opinion, a special landmark in horror cinema which will always be regarded as one of the scariest movies in film history. Since I saw it last year, when I was 13, I have rarely been able to have a bath in my bathtub.Just in case, ya know. Overall, The Shining is incomparably the scariest film I've ever seen in my whole life (and I can tell you I've seen a great deal of horror films).

It is an unforgettable, chilling, majestic and truly, profoundly scary film crafted by an eccentric genius who wants to show that the impossible can be done. The Shining is a sublime, hauntingly intriguing and endlessly watchable film that shows Kubrick at his best.
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10/10
A brilliant, harrowing and hypnotic film!
19 June 2003
Requiem for a Dream is a film of unquestionable power, a one of a kind, challenging movie made by a genius director. When I saw it for the first time ever, it had such an immense impact on me that it nearly made me cry. I turned off the TV feeling rather shaken and surprisingly fascinated because of the honesty of the movie. It tells us: this is how some people live now.

The film, directed by Pi director Darren Aronofsky deals with the intertwined lives of four people living in Brooklyn on their quest for satisfaction in life. They are Sara Goldfarb (Ellen Burstyn), a lonely, TV obsessed widow, and her son Harry (Jared Leto), his girlfriend Marion (Jennifer Connelly), and his drug dealer friend Tyrone (Marlon Wayans). After learning that she will make an appearance on a TV game show, Sara tries to lose weight so that she can fit into her prized red dress, and becomes hooked on diet pills. Meanwhile, Harry and his friends are taking heroin and cocaine. We then witness the disastrous consequences and the downward spiral their lives take as a result of their addictions.

Requiem for a Dream is amazingly effective; not only does it portray drug addiction in a horrifyingly sincere way, but it also makes us reflect and think. The film is a sheer tour-de-force, a piece of filmmaking that is impossible to forget, a film that rapidly grabs you by the throat and doesn't let go. As we're thrown into the lives of these four addicts we learn that they have been doing this for quite some time because the film doesn't really have a beginning; it's as though we had always been there. It is evident that Aronofsky's greatest weapon in his armoury is his highly innovative and unique visual style as he makes excellent use of extreme close-ups of dilating pupils, split-screen and sped-up footage. Sometimes he even straps cameras onto his actors to give a spectacular effect. The fast editing, which for some reason or other have caused some a problem, worked perfectly fine with me, giving us adrenaline-pumping images to convey the effects of drug addiction.

The acting is top-notch and very convincing but Ellen Burstyn is definitely the one who steals the show with her strong and amazingly honest performance. I was surprised to see Marlon Wayans in a non-comedy role, and even more surprised to discover that Burstyn did not win an Academy Award. Special mention must go to Clint Mansell's mournful, cold and beautiful score which gives the film a bigger and altogether more profound human side.

Aronofsky is a master of creating emotions so that we, the audience, are able to sense them. When someone's alone, we feel their loneliness, when someone's sad, we feel their sadness. Undoubtedly, the characters are all well-developed and gradually we begin to care for them, we begin to identify with them and share their feelings, which, in my opinion, is a very good thing because this is precisely what lacks in most modern films nowadays.

The film is certainly a very compelling piece of work; it's disturbing, terrifying and most important of all, honest. Very often and because of this, it is sometimes impossible to set your eyes on the screen or to look away at the same time. The film becomes so involving that when we contemplate the characters' descent into hell at the harrowing ending we cannot help but inevitably feel both sadness and terror because of what they've become.

Overall, Requiem for a Dream is without a doubt a brilliant, hypnotic, bona fide masterpiece. Aronofsky has given us a well-acted, shocking, brutal and virtuous must-see film that both impresses and disturbs.

Requiem for a Dream is unlike anything I have ever seen before, a truly memorable film, a work of art that rightly deserves its position amongst one of the best films of the past 30 years.

*****/*****
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