007 James Bond Franchise Production Details

Director /Screenplay Writer: Terence Young Presenters / Producers: Harry Saltzman, Albert R. "Cubby" Broccoli Director of Photography: Ted Moore BSC Production Designer: Ken Adam Art Director: Syd Cain Production Manager: L.C. Rudkin Location Manager: Chris Blackwell Film Editor: Peter R. Hunt Main Title Designer: Maurice Binder Main Title Animation: Trevor Bond Additional Title Animation: Robert Ellis First Assistant Director: Clive Reed Second Assistant Director: David C. Anderson Third Assistant Director: John Meadows A Camera Operator: John Winbolt B Camera Operator: George Pink Head of Continuity: Helen Whitson Make-up: John O'Gorman Hair Stylist: Eileen Warwick Sound Recordists: Wally Milner, John Dennis Costumes: Tessa Welborn Set Dressing: Freda Pearson Dubbing Editors: Archie Ludski, Norman Wanstall First Assistant Editor: Ben Rayner Production Special Effects Supervisor: Frank George Production Visual Effects Supervisor: Roy Field Matte Artist: Cliff Culley Stunt Arranger/Coordinator: Bob Simmons Composer: Monty Norman Conductor: Eric Rodgers Orchestrator: Burt Rhodes Arranger, "James Bond Theme": John Barry Trumpet: Derek Watkins Treatment Writer: Wolf Mankowitz Screenplay Writers: Richard Maibaum, Johanna Harwood, Berkely Mather Associate Producer: Stanley Sopel LDI Producer: Mike Inchalik LDI Project Manager: R. Patrick Cooper LDI 4K Film Scanning: John DeSantis Jr LDI Colorist: Martin A. Grau LDI Damage Artists: John R. Kopjanski, Jackie Lopez, Alexis Ross, Adam Senate Filming Dates: 16 January 1962 - 30 March 1962 Camera: Mitchell BNC (35mm Eastman 50T 5250) AR: 1.66:1 (Spherical) Budget: 1.1 Million USD Budget AFI (2020): 9.4 Million USD Printed on: Eastman 5385 Processed by: Technicolor® Limited, England "James Bond Theme" Played by: John Barry & Orchestra Filmed in: Jamaica Filmed at: Pinewood Studios London, England 2006 Pristine Digital Restoration by: Lowry Digital Images

Director: Terence Young Presenters/Producers: Harry Saltzman, Albert "Cubby" Broccoli Cinematographer: Ted Moore BSC Film Editor: Peter R. Hunt Production Manager: Bill Hill Art Director: Syd Cain Assistant Director: David C. Anderson 2nd Unit DoP: Bob Kindred Camera Operator: John Winbolt Location Manager: Frank Ernst Production SFX Supervisor: John Stears Production SFX Assistant: Frank George Assembly Film Editor: Ben Rayner Costume Designer: Jocelyn Rickards Ass't Art Director: Michael White Titles Designer: Robert Brown Ass't Titles Designer: Trevor Bond Screenwriter: Richard Maibaum Script Adapter: Johanna Harwood Title Song Writer: Lionel Bart Composer/Conductor: John Barry Composer (James Bond Theme): Monty Norman Trumpet Musician: Derek Watkins 2nd Ass't Director: Terence Churcher Stunt Work Arranger: Peter Perkins Associate Producer: Stanley Sopel 2nd Ass't Editor: Stephen Warwick Add'l SFX Assistant: Joe Fitt Production VFX Supervisor: Roy Field Matte Artist: Cliff Culley Producer (2006 Restoration): John Lowry Project Manager (2006 Restoration): R. Patrick Cooper 4K Film Scanner (2006 Restoration): John DeSantis Jr Colorist (2006 Restoration): Joseph Parisella Restoration Supervisor/Artist (2006 Restoration): Rejyna Douglass-Whitman Filming Dates: 1 April 1963 - 23 August 1963 Camera: Mitchell BNC (35mm Eastman 50T 5251) AR: 1.66:1 (Spherical) Budget: 2 Million USD Budget AFI (2020): 16.9 Million USD Printed on: Eastman 5385 Made at: Pinewood Studios, London, England

Director: Guy Hamilton Director/Associate Producer (Pre-Production): Terence Young Presenters/Producers: Harry Saltzman, Albert "Cubby" Broccoli Production Designer: Ken Adam Cinematographer: Ted Moore BSC Cinematographers (Title Sequence): David Watkin, Herbert Spencer Cinematographer (Insert Shots): Michael Reed BSC 2nd Unit Director (Insert Shots)/Film Editor: Peter R. Hunt Assembly Film Editor: Ben Rayner Art Director: Peter Murton Production Manager: RC Ludkin Assistant Director: Frank Ernst Camera Operator: John Winbolt Action Sequences Supervisor: Bob Simmons Ass't Art Directors: Michael White, Maurice Pelling Production SFX Supervisor: John Stears Production SFX Assistant: Frank George Titles Designer: Robert Brown Story Writer: Berkely Mather Co-Screenwriter: Richard Maibaum Script Adapter: Johanna Harwood Title Song Singer: Shirley Bassey Composer/Conductor: John Barry Composer (James Bond Theme): Monty Norman Trumpet Musician: Derek Watkins 2nd Ass't Editor: Richard Jenkins 3rd Ass't Director: Michael G. Wilson Associate Producer: Stanley Sopel Draughtsman: Peter Lamont Production SFX Technicians: Joe Fitt, Bert Luxford Optical Effects Supervisor: Cliff Culley Production VFX Supervisor: Roy Field Matte Artist: Peter Melrose Producer (2006 Restoration): Mike Inchalik Project Manager (2006 Restoration): R. Patrick Cooper 4K Film Scanner (2006 Restoration): John DeSantis Jr Colorist (2006 Restoration): Joseph Parisella Filming Dates: 20 January 1964 - 21 July 1964 Capture Format: Spherical Camera: Mitchell BNC (35mm Eastman 50T 5251) AR: 1.66:1 (EU Int'l Ratio), 1.85:1 (USA Int'l Ratio) Budget: 3 Million USD Budget AFI (2020): 25.1 Million USD Made at: Pinewood Studios, London, England

Director: Terence Young Presenters/Executive Producers: Harry Saltzman, Albert "Cubby" Broccoli Production Designer: Ken Adam Cinematographer: Ted Moore BSC Supervising Film Editor/2nd Unit Director: Peter R. Hunt Art Director: Peter Murton Production Supervisor: David Middlemas Production SFX Supervisor: John Stears 2nd Unit DoPs: Egil Woxholt, Michael Reed BSC Key Ass't Director: Gus Agosti Location Manager: Frank Ernst A-Camera Operator: John Winbolt Action Sequences Supervisor: Bob Simmons Underwater Unit Director: Ricou Browning Underwater Unit DoPs: Lamar Boren, Edmund Gibson Film Editor: Ernest Hosler Assembly Film Editor: Ben Rayner Ass't Art Director: Michael White Main Title Designer: Maurice Binder Composer/Conductor: John Barry Trumpet Musician: Derek Watkins Co-Screenwriter: Richard Maibaum Original Screenwriter/Story Writer: Jack Whittingham Original Story Writer/Producer: Kevin McClory Original Story Writer: Ian Fleming Assistant Director: Richard Jenkins 2nd Ass't Director: Robert Watts Associate Producer: Stanley Sopel Stunt Coordinator: Yvan Chiffre Chief Draughtsman/Set Decorator: Peter Lamont B-Camera Operator: George Pink Prop Master: John Chisholm Production SFX Technician: Bert Luxford Optical Effects Supervisor: Cliff Culley Production VFX Supervisor: Roy Field 2nd Unit Camera Operator: Oscar Barber 2nd Unit Director (Aqua Troops Drop): André De Toth Underwater Unit Camera Operator: Richard Moore Producer (2006 Restoration): John Lowry Project Manager (2006 Restoration): Robin Melhuish 4K Film Scanner (2006 Restoration): Randy Martin Colorist (2006 Restoration): Price Pethel Filming Dates: 16 February 1965 - 9 July 1965 Cameras: Arriflex & Panavision R-200 (35mm Eastman 50T 5251) Lenses: Panavision Auto Panatar Anamorphic Primes & B-Series Anamorphic Primes AR: 1.85:1 (Title Sequence), 2.39:1 (Anamorphic) Budget: 9 Million USD Budget AFI (2020): 74 Million USD Made at: Pinewood Studios, London, England Attribute: Filmed in Panavision

Director: Lewis Gilbert Presenters/Producers: Harry Saltzman, Albert "Cubby" Broccoli Supervising Film Editor/2nd Unit Director: Peter R. Hunt Art Director: Harry Pottle Production Supervisor: David Middlemas Production SFX Supervisor: John Stears Action Sequences Supervisor: Bob Simmons 2nd Unit DoPs: Bob Huke BSC, Michael Reed BSC, Egil S. Woxholt Aerial Unit DoP: John Jordan Underwater Unit DoP: Lamar Boren Assistant Director: William P. Cartlidge Location Manager: Robert Watts A-Camera Operator: Ernest Day ASC Assembly Film Editor: Bob Richardson Set Decorator: David Ffolkes Main Title Designer: Maurice Binder Composer/Conductor/Arranger: John Barry Composer (James Bond Theme): Monty Norman Title Song Singer: Nancy Sinatra Trumpet Musician: Derek Watkins Story Idea Materialist: Geoffrey Jenkins Add'l Story Materialist: Harold Jack Bloom Screenwriter: Roald Dahl Production Designer: Ken Adam Cinematographer: Freddie Young ASC BSC 2nd Assistant Directors: Terence Churcher, Drummond Riddell Associate Producer: Stanley Sopel Film Editor: Thelma Connell Stunt Coordinator: Donn Draeger Stunt Fight Coordinator: Peter Fanene Maivia Stunts: Vic Armstrong B-Camera Operator: Tony Braun Assistant Camera: Martin Body 2nd Ass't Camera: Mick Messenger Ass't Film Editor: Richard Dobson 1st Ass't Editor: Ben Rayner Production SFX Assistant: Joe Fitt Effects Engineering Supervisor: Bert Luxford Production VFX Supervisor: Roy Field VFX Unit DoP: Martin Shortall Matte Artists: Peter Melrose, Cliff Culley Ass't Art Directors: Peter Lamont, Michael White 3rd Ass't Directors: Bill Graf, Rich Jenkins 2nd Unit 1st Ass't Dir: John Quested 2nd Unit Camera Operator: Peter Hurst 2nd Unit Ass't Camera: Adrian Biddle BSC Producer (2006 Restoration): Alan Silvers Project Manager (2006 Restoration): R. Patrick Cooper 4K Film Scanner (2006 Restoration): Paul E. Jackson Colorist (2006 Restoration): Rick Taylor Filming Dates: 4 July 1966 - March 1967 Camera: Panavision PSR R-200 (35mm Eastman 50T 5251/100T 5254) Lenses: Panavision C-Series Anamorphic Primes AR: 2.39:1 (Anamorphic) Budget: 9.5 Million USD Budget AFI (2020): 74.4 Million USD Made at: Pinewood Studios, London, England Attribute: Filmed in Panavision

Director: Peter R. Hunt Director (Stock Car Sequence): Anthony Squire Presenters/Producers: Harry Saltzman, Albert "Cubby" Broccoli Assistant Director: Frank Ernst Camera Operator: Alec Mills BSC Stunt Arranger: George Leech 2nd Unit DoPs: Egil Woxholt, Roy Ford Aerial Unit DoP: John Jordan Ski Unit DoPs: Willy Bogner Jr, Alex Barbey Art Director: Bob Liang Costume Designer: Marjory Cornelius Set Decorator: Peter Lamont Main Title Designer: Maurice Binder Associate Producer: Stanley Sopel Production Supervisor: David Middlemas Production SFX Supervisor: John Stears Film Editor/2nd Unit Director: John Glen Cinematographer: Michael Reed BSC Production Designer: Syd Cain Composer/Conductor/Arranger: John Barry Composer (James Bond Theme): Monty Norman Title Song Singer: Louis Armstrong Trumpet Musician: Derek Watkins Add'l Dialogue Writer: Simon Raven Screenwriter: Richard Maibaum Production Manager: Hubert Fröhlich Bond Ski Double: Vic Armstrong Assistant Camera: Martin Body Production VFX Supervisor: Roy Field Rally Driver & Consultant: Erich Glavitza 2nd Unit Ass't Cam: Adrian Biddle BSC Producer (2006 Restoration): Alan Silvers Project Manager (2006 Restoration): Stephanie Middler 4K Film Scanner (2006 Restoration): Paul Howarth Colorist (2006 Restoration): Joseph Parisella Damage Artist/Supervisor (2006 Restoration): Rejyna Douglass-Whitman Filming Dates: 21 October 1968 - 23 June 1969 Cameras: Arriflex 35-IIA & Panavision R-200 (35mm Eastman 100T 5254) Lenses: Panavision B- & C-Series Anamorphic Primes AR: 1.85:1 (Title Sequence), 2.39:1 (Anamorphic) Budget: 7 Million USD Budget AFI (2020): 49.4 Million USD Made at: Pinewood Studios, London, England Attribute: Filmed in Panavision

Director: Guy Hamilton Presenters/Producers: Harry Saltzman, Albert "Cubby" Broccoli 1st Assistant Director: Derek Cracknell Key 2nd Ass't Director: Jerome M. Seigel A-Camera Operator: Bob Kindred B-Camera Operator: Bill Johnson 2nd Unit Director: Andrew Birkin Art Directors: Jack Maxsted, Bill Kenney Set Decorators: Peter Lamont, John Austin Production SFX Supervisors: Leslie Hillman, Whitey McMahon Costume Designer for Jill St. John: Don Feld 2nd Unit DoP: Harold Wellman Production VFX Supervisors: Albert Whitlock, Wally Veevers Stunt Arrangers: Bob Simmons, Paul Baxley Location Managers: Bernard Hanson, Eddie Saeta Main Title Designer: Maurice Binder Production Managers: Claude Hudson, Milton Feldman Film Editors: John Holmes ACE, Bert Bates Production Designer: Ken Adam Cinematographer: Ted Moore BSC Optical Cinematographer: Roy Field Composer/Conductor/Arranger: John Barry Composer (James Bond Theme): Monty Norman Title Song Singer: Shirley Bassey Trumpet Musician: Derek Watkins Associate Producer: Stanley Sopel Screenwriters: Richard Maibaum, Tom Mankiewicz 2nd Assistant Director: Richard Jenkins Stunt Driving Coordinator: Carey Loftin C-Camera Operator: Joe Jackman Gaffer: Ross A. Maehl Ass't Film Editor: Margaret Miller Ass't Physical Special Effects Supervisor: Bert Luxford Production SFX Assistants: Arthur Beavis, Peter Pickering Optical/Projection Effects Supervisor: Charles Staffell Submarine Model Animator: Jim Danforth 3rd Assistant Director: Raymond Becket 2nd Unit Camera Operator: John Howard Producer (2006 Restoration): Alan Silvers Project Manager (2006 Restoration): Robin Melhuish 4K Film Scanner (2006 Restoration): Paul E. Jackson Colorist (2006 Restoration): Marian A. Grau Filming Dates: 5 April 1971 - 7 September 1971 Cameras: Arriflex 35-IIA & Panavision PSR R-200 (35mm Eastman 100T 5254) Lenses: Panavision C-Series Anamorphic Primes AR: 2.39:1 (Anamorphic) Budget: 7.2 Million USD Budget AFI (2020): 46.1 Million USD Made at: Pinewood Studios, London, England Attribute: Filmed in Panavision

Director: Guy Hamilton Presenters/Producers: Harry Saltzman, Albert "Cubby" Broccoli A-Camera Operator: Bob Kindred 2nd Unit DoP: John Harris Production Managers (USA Crew): Stephen F. Keston, Steven P. Skloot Ass't Director (USA Crew): Alan Hopkins Unit Manager (USA Crew): Michael Rauch Location Coordinator (USA Crew): Jack Weis Art Director (USA Crew): Stephen Hendrickson A-Camera Operator (USA Crew): George Bouillet B-Camera Operator (USA Crew): Warren Rothenberger Shark Scenes Supervisor (USA Crew): William Grefe Supervising Art Director: Syd Cain Co-Art Director: Peter Lamont, Bob Liang Production SFX Supervisor: Derek Meddings Optical Effects Supervisor: Charles Staffell BSC Film Editors: Bert Bates, Ray Poulton, John Shirley Stunt Coordinator/2nd Unit Director: Bob Simmons Stunt Coordinators: Joie Chitwood, Ross Kananga, Jerry Comeaux, Eddie Smith, Bill Bennet Choreographer: Geoffrey Holder Costume Designer: Julie Harris Main Title Designer: Maurice Binder Production Supervisor: Claude Hudson Assistant Director: Derek Cracknell Location Manager: Bernard Hanson Cinematographer: Ted Moore BSC Composer/Performer (Title Song): Paul McCartney Composer (Title Song): Linda McCartney Performers (Title Song): Wings Composer (Original Score): George Martin Composer (James Bond Theme): Monty Norman Trumpet Musician: Derek Watkins Screenwriter: Tom Mankiewicz 2nd Ass't Directors: Raymond Becket, Rich Jenkins Ass't Art Director: John Fenner Set Decorators: Simon Wakefield, Frederic C. Weiler 1st Assistant Camera: David Wynn-Jones 2nd Assistant Camera: Vinnie Gerardo Focus Puller: Mike Roberts Ass't Film Editors: Les Healey, Margaret Miller Add'l SFX Supervisor: Rick Baker Production SFX Engineer: Peter Biggs Production SFX Assistant: Ian Wingrove 2nd Unit 1st Ass't Director: Nicolas Hippisley-Coxe Legal & Administration Advisor: Michael G. Wilson Producer (2006 Restoration): Mike Inchalik Project Manager (2006 Restoration): Stephanie Middler 4K Film Scanner (2006 Restoration): John DeSantis Jr Colorist (2006 Restoration): Marian A. Grau Filming Dates: 13 October 1972 - 15 March 1973 Cameras: Arriflex 35-IIC, Panaflex & R-200 (35mm Eastman 100T 5254) Lenses: Panavision Super Speed MKII Spherical Primes AR: 1.66:1 (Spherical), 1.85:1 (Blu-Ray) Budget: 7 Million USD Budget AFI (2020): 40.9 Million USD Printed on: Eastman 5381 Made at: Pinewood Studios, London, England Music Recorded at: Air Studios, London Attribute: Filmed in Panavision

Director: Guy Hamilton Presenters/Producers: Albert "Cubby" Broccoli, Harry Saltzman Assistant Director: Derek Cracknell 2nd Unit Director: Ernest Day Camera Operator: Bob Kindred 2nd Unit DoP: John Harris Co-Art Directors: Peter Lamont, John Graysmark Production SFX Supervisor: John Stears Miniatures Supervisor: Derek Meddings Production Assistant: Brian Bailey Production Coordinator (Bangkok): Santa Pestonji Film Editors: Ray Poulton GBFE, John Shirley Main Title Designer: Maurice Binder Production Supervisor: Claude Hudson Location Managers: Frank Ernst, Eric Rattray Production Designer: Peter Murton Cinematographers: Ted Moore BSC, Oswald Morris BSC Composer/Conductor/Arranger: John Barry Composer (James Bond Theme): Monty Norman Trumpet Musician: Derek Watkins Title Song Singer: Lulu Associate Producer: Charles Orme Screenwriters: Richard Maibaum, Tom Mankiewicz Stunt Coordinator: WJ Milligan Jr 2nd Ass't Directors: Raymond Becket, Terence Churcher Ass't Art Director: Ernest Archer Gaffer/Electrical Supervisor: Bert Bosher Focus Puller: Mike Roberts Ass't Film Editor: Graham Farrow 2nd Ass't Editors: Margaret Miller, Anthony Stacey Production SFX Technician: Ron Cartwright Optical Effects Supervisor: Roy Field Matte Artists: Cliff Culley, Doug Ferris Miniature SFX Assistants: Peter Biggs, Ian Wingrove 2nd 2nd Ass't Director: Andy Armstrong 2nd Unit 1st Ass't Dir: Ray Freeborn 2nd Unit Camera Focus Puller: David Wynn-Jones Legal & Administration Advisor + Technical Consultant: Michael G. Wilson Producer (2006 Restoration): Liza Diott Project Manager (2006 Restoration): Stephanie Middler Video Masters Supervisor (2006 Restoration): Benjamin Chua Colorist (2006 Restoration): Brian Borne Filming Dates: 6 November 1973, 18 April 1974 - 23 August 1974 Cameras: Arriflex 35-IIC, Panaflex & R-200 (35mm Eastman 100T 5254) Lenses: Panavision Super Speed MKII Spherical Primes AR: 1.66:1 (Spherical), 1.85:1 (Blu-Ray) Budget: 7 Million USD Budget AFI (2020): 36.8 Million USD Made at: Pinewood Studios, London, England Attribute: Filmed in Panavision (as Panavision Equipment)

Director: Lewis Gilbert Director (Pre-Production): Guy Hamilton Presenter/Producer: Albert R. "Cubby" Broccoli Production Manager: David Middlemas Assistant Director: Ariel Levy 2nd Unit Ass't Dir: Chris Kenny Location Manager (Egypt): Frank Ernst Location Manager (Bahamas): Golda Offenheim Production Coordinator (Canada): Rene Dupont Naval Advisor: Richard Kennan Underwater Unit DoP: Lamar Boren Ski Unit Supervisor/Director of Photography: Willy Bogner Special Assistant to Cubby Broccoli: Michael G. Wilson Art Director: Peter Lamont Ass't Art Dir: Ernie Archer Production Accountant: Brian Bailey Camera Operator: Alec Mills BSC Assembly Film Editor: Alan Strachan Ass't Film Editor: John Grover Fashion Consultant: Ronald Paterson 2nd Unit Director: Ernest Day ASC Film Editor/2nd Unit Director: John Glen Action Arranger: Bob Simmons Ski Jump Performer: Rick Sylvester Special Visual Effects Supervisor: Derek Meddings Special Optical Effects Supervisor: Alan Maley SFX Supervisor (Studio): John Evans Cinematographer: Claude Renoir Cinematographer (2nd Unit & Special Effects): Robin Browne Main Title Designer: Maurice Binder Production Designer: Ken Adam Composer/Conductor (Original Score & Title Song): Marvin Hamlisch Composer (Three Add'l Cues): Paul Buckmaster Composer (James Bond Theme): Monty Norman Title Song Performer: Carly Simon Title Song Lyricist: Carole Bayer Singer Title Song Producer: Richard Perry Trumpet Musician: Derek Watkins Associate Producer: William P. Cartlidge Co-Screenwriter: Richard Maibaum 2nd Ass't Directors: Andy Armstrong, Terence Churcher, Michael Stevenson Set Decorator: Hugh Scaife Lighting Advisor (Tanker Scenes): Stanley Kubrick Production SFX Supervisor: John Gant Production SFX Technicians: Ron Cartwright, Marc Ratcliffe Production SFX Assistant: Chris Corbould Production SFX Trainee: Mark Meddings Unit Manager: Stefan Zürcher Camera Operator (Ski Sequence): Kenneth Post Special Unit DoP: Michael J. Jacobs Plate Unit Ass't Cam: Shaun O'Dell Publicity Department Assistant: Barbara Broccoli Filming Dates: 31 August 1976 - 26 January 1977 Cameras: Arriflex 35-III, Panaflex-X, Gold & Panaflex (35mm Eastman 100T 5247) Lenses: Panavision C-Series Anamorphic Primes & Cooke Zooms AR: 1.85:1 (Title Sequence), 2.39:1 (Anamorphic) Budget: 14 Million USD Budget AFI (2020): 59.9 Million USD Shot on: Eastman Motion Picture Film Made at: Pinewood Studios, London, England Attribute: Filmed in Panavision

Director: Lewis Gilbert Presenter/Producer: Albert R. "Cubby" Broccoli 2nd Unit Director: Ernest Day ASC Film Editor/2nd Unit Director: John Glen Production Managers: Jean-Pierre Spiri-Mercanton, Terence Churcher Art Directors: Max Douy, Charles Bishop Underwater Unit Director/Director of Photography: Lamar Boren 2nd Unit DoP: Jacques Renoir VFX Unit DoP: Paul Wilson BSC Optical FX Unit DoP: Robin Browne Assembly Film Editor: John Grover 1st Assistant Director: Michel Cheyko Action Sequences Arranger: Bob Simmons Production Accountant: Brian Bailey Location Manager (Brazil): Frank Ernst Location Manager (Italy): Philippe Modave Location Manager (USA): John Comfort Unit Manager (France): Robert Saussier Unit Manager (UK): Chris Kenny Production VFX Supervisor: Derek Meddings VFX Art Director: Peter Lamont Executive Producer: Michael G. Wilson Cinematographer: Jean Tournier Cinematographer (Aerial Parachute Unit Photography): Rande DeLuca Main Title Designer: Maurice Binder Production Designer: Ken Adam Composer (Original Score & Title Song): John Barry Title Song Performer: Shirley Bassey Title Song Lyricist: Hal David Trumpet Musician: Derek Watkins Associate Producer: William P. Cartlidge Screenwriter: Christopher Wood Producer/Screenwriter: Gerry Anderson A-Camera Operator: Alec Mills BSC B-Camera Operator: James Devis C-Camera Operator: Michael Deloire D-Camera Operator: John Morgan E-Camera Operator: Guy Delattre Clapper Loader: Martin Hume Ass't Art Directors: Marc Frederic, Jacques Douy, Serge Douy, Ernie Archer, John Fenner Set Decorator: Peter Howitt Set Designer: Frank Walsh 2nd Unit 1st Ass't Director: Peter Bennett 2nd Unit 2nd Ass't Director: Meyer Berreby Ass't Director (Models): Gareth Tandy Key 2nd Ass't Director: Chris Carreras 2nd Assistant Directors: Barbara Broccoli Production Accountant (France): Paul Beugin Space Consultant: Eric Burgess Space Art Director: Harry Lange Costume Designer: Jacques Fonteray Ass't Unit Manager (France): Robert Boulic Ass't Location Manager (Brazil): Andy Armstrong Stunt Arranger (France): Claude Carliez Dolby Consultant: John Iles Process Consultant: Bill Hansard Optical Effects Supervisor (France): Michel Francois Process Effects Supervisor (France): Louis Lapeyre VFX Supervisor (France): Jean Berard Production SFX Supervisors: John Richardson, John Evans, René Albouze, Serge Pouvianne, Charles-Henri Assola Add'l SFX Supervisor: Anton Furst Production SFX Technicians: Chris Corbould, Ron Cartwright, Marc Ratcliffe Production SFX Trainee: Mark Meddings Production Assistant: Marguerite Green Gaffer: Jacques Touilland Stunt Performer: Paul Weston Skydiving Stunt Coordinator: Don 'Tweet' Caltvedt Production Manager (Latin America): Roberto Bakker 2nd Ass't Director (Space Battle): Mike Higgins 2nd Unit Ass't Camera: Tony Woodcock 2nd Unit Aerial Camera Operator: Phil Pastuhov Action Unit Add'l Ass't Director: Stefano Priori Aerial Unit Ass't Camera: Stan McClain Aerial Unit Aviation Consultant: JW 'Corkey' Fornof Special Unit DoP: Michael J. Jacobs SFX Unit Camera Assistant: Mike Bulley VFX Unit Camera Operator: Keith Holland VFX Unit Ass't Camera: Jon Sorensen Model Unit Ass't Camera: Peter Versey Filming Dates: 14 August 1978 - 27 February 1979 Cameras: Arriflex 35-III, Panaflex-X, Gold & Panaflex (35mm Eastman 100T 5247) Lenses: Panavision C-Series Anamorphic Primes & Cooke Zooms AR: 1.85:1 (Title Sequence), 2.20:1 (70mm Prints), 2.39:1 (Anamorphic) Budget: 34 Million USD Budget AFI (2020): 121.4 Million USD Made at: Pinewood Studios, London, England Attribute: Filmed in Panavision

Director: John Glen Presenter/Producer: Albert R. "Cubby" Broccoli 2nd Unit Director/Director Of Photography: Arthur Wooster BSC Underwater Unit Director/Director of Photography: Al Giddings Aerial Unit Director/Director of Photography: James Devis Ski Unit Director/Director of Photography: Willy Bogner Production Supervisor: Bob Simmonds Production Managers: Mara Blasetti, Phil Kohler, Aspa Lambrou Production Accountant: Douglas Noakes 1st Assistant Director: Anthony Waye Camera Operator: Alec Mills BSC Action Sequences Arranger: Bob Simmons Driving Stunts Arranger: Remy Julienne Director of Publicity: Charles Juroe Art Director: John Fenner Set Decorator: Vernon Dixon VFX Unit DoP: Paul Wilson BSC Film Editor: John Grover Production VFX Supervisor: Derek Meddings Cinematographer: Alan Hume BSC Main Title Designer: Maurice Binder Production Designer: Peter Lamont Composer/Conductor (Original Score & Title Song): Bill Conti Composer (James Bond Theme): Monty Norman Title Song Performer: Sheena Easton Title Song Lyricist: Michael Leeson Title Song Producer: Christopher Neil Flugel Horn & Trumpet Musician: Derek Watkins Associate Producer: Tom Pevsner Executive Producer/Screenwriter: Michael G. Wilson Screenwriter: Richard Maibaum Underwater Unit Ass't Camera: Pete Romano ASC Unit & Location Managers: Vincent Winter, Peter Bennett, Michalis Lambrinos, Redmond Morris, Umberto Sambuco 2nd Unit Ass't Director: Gerry Gavigan 2nd Assistant Directors: Terry Madden, Michael Zimbrich, Gareth Tandy, Tony Broccoli Add'l Assistant Director: Paul Tivers Production Assistants: Iris Rose, Sally Ball Add'l Art Directors: Michael Lamont, Mikes Karapiperis, Franco Fumagali Ass't Art Director: Ernie Archer Costume Designer: Elizabeth Waller 2nd Unit A-Camera Operator: Jack Lowin 2nd Unit B-Camera Operator: John Morgan 2nd Unit C-Camera Operator: Dewy Humphreys 2nd Unit D-Camera Operator: Robert Kindred Production SFX Supervisor: John Evans Production SFX Technicians: Chris Corbould, Ron Cartwright, Dino Galiano, David Harris. Mark Meddings Mechanical Engineer: Peter Fern Prop Master: Brian Humphrey Optical Effects Supervisor: Michel Francois Add'l Film Editor: Eric Boyd-Perkins Assembly Film Editors: Peter Davies, Derek Trigg Ass't Film Editor: Matthew Glen Producer (2006 Restoration): Mike Inchalik Project Manager (2006 Restoration): Andrea Avila Video Masters Supervisor (2006 Restoration): Dennis Pipelow Filming Dates: 15 September 1980 - 13 February 1981 Cameras: Arriflex 35-III , Panaflex-X, Gold & Panaflex (35mm Eastman 100T 5247) Lenses: Panavision C-Series Anamorphic Primes, E-Series Anamorphic Prototype & Cooke Zooms AR: 2.39:1 (Anamorphic) Budget: 28 Million USD Budget AFI (2020): 79.8 Million USD Shot on: Eastman Motion Picture Film Attribute: Filmed in Panavision

Director: John Glen Director (The Aerial Team): Philip Wrestler Presenter/Producer: Albert R. "Cubby" Broccoli 2nd Unit Director/Director of Photography: Arthur Wooster BSC Production SFX Supervisor: John Richardson Production Supervisor: Hugh Harlow Production Managers: Philip Kohler, Barrie M. Osborne, Leonhard Gmur, Gerry Levy Production Accountant: Douglas Noakes 1st Assistant Director: Anthony Waye A-Camera Operator: Alec Mills BSC Action Sequences Arranger: Bob Simmons Driving Stunts Arranger: Remy Julienne Art Director: John Fenner Set Decorator: Jack Stephens Director of Publicity: Charles Juroe Supervising Film Editor: John Grover Film Editors: Peter Davies, Henry Richardson Costume Designer: Emma Porteous Cinematographer: Alan Hume BSC Cinematographer (Model Photography): Leslie Dear Cinematographers (Add'l Photography): Bob Collins, James Devis Main Title Designer: Maurice Binder Production Designer: Peter Lamont Composer/Conductor (Original Score & Song): John Barry Composer (James Bond Theme): Monty Norman Song Performer: Rita Coolidge Song Lyricist: Tim Rice Trumpet Musician: Derek Watkins Associate Producer: Tom Pevsner Executive Producer/Co-Writer: Michael G. Wilson Co-Writer: Richard Maibaum Supervisors (The Stunt Team): Martin Grace, Paul Weston, Bill Burton Coordinator (The Aerial Team): Clay Lacy Supervisor (The Gymnasts): Susanne Dando Ringmaster (The Circus): Roberto Germains Indian Unit Production Advisor: Shama Habibullah Location Managers: Peter Bennett, Rashid Abassi 2nd Unit Ass't Director: Gerry Gavigan 2nd Assistant Directors: Terry Madden, Tony Broccoli, Michael Zimbrich, Andrew Warren Ass't Director/Executive Assistant: Barbara Broccoli Model FX Supervisor: Brian Smithies Model Unit Director: Julian Parry 2nd Unit A-Camera Operator: Malcolm Vinson 2nd Unit B-Camera Operator: David B. Nowell ASC 2nd Unit C-Camera Operator: Jack Lowin Add'l Art Director: Michael Lamont Front Projection Supervisor: Charles Staffell 2nd Unit FX Supervisor: John Evans Prop Master: David Jordan Aerial Unit A-Camera Operator: Geoff Mulligan Aerial Unit B-Camera Operator: Phil Pastuhov 1st Assistant Editor: Matthew Glen Ass't Film Editor: Nigel Galt Filming Dates: 10 August 1982 - 25 January 1983 Cameras: Arriflex 35-III, Panaflex-X & Gold (35mm Eastman 250T 5293) Lenses: Panavision C- & E-Series Anamorphic Primes AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic) Budget: 27.5 Million USD Budget AFI (2020): 71.5 Million USD Shot on: Eastman Motion Picture Film Made at: Pinewood Studios, London, England Attribute: Filmed in Panavision

Director: John Glen Director/Cinematographer (Ski Sequence): Willy Bogner Presenter/Producer: Albert R. 'Cubby' Broccoli 2nd Unit Director/Director Of Photography: Arthur Wooster BSC Production SFX Supervisor: John Richardson Production Supervisor: Anthony Waye Production Managers: Philip Kohler, Leonhard Gmur, Serge Torbull, Jon Thor Hannesson Unit Manager: Iris Rose Production Accountant: Douglas Noakes 1st Assistant Director: Gerry Gavigan A-Camera Operator: Michael Frift Action Sequence Arranger: Martin Grace Driving Stunts Arranger: Remy Julienne Art Director: John Fenner Set Decorator: Crispian Sallis Makeup Supervisor: George Frost Director of Marketing: Charles Juroe Film Editor: Peter Davies Costume Designer: Emma Porteous Cinematographer: Alan Hume BSC Cinematographer (Model Photography): Leslie Dear Cinematographers (Add'l Photography): Jan D'Alquen, Egil Woxholt Main Title Designer: Maurice Binder Production Designer: Peter Lamont Composer/Conductor (Original Score & Title Song): John Barry Composer (James Bond Theme): Monty Norman Composers/Performers (Title Song): Duran Duran Title Song Producer: Bernard Edwards Trumpet Musician: Derek Watkins Associate Producer: Tom Pevsner Screenwriter: Richard Maibaum Screenwriter/Producer: Michael G. Wilson Supervisors (The Stunt Team): M. James Arnett, Bob Simmons, Claude Carliez Add'l Stunts (The Stunt Team): Simon Crane Eiffel Tower Jump Performer (The Aerial Team): BJ Worth Pilot (The Aerial Team): Marc Wolff A-Camera Op (The Aerial Team): David Butler B-Camera Op (The Aerial Team): Peter Allwork C-Camera Op (The Aerial Team): Doug Milsome 2nd Unit Ass't Director: Peter Bennett 5th Assistant Director: Terry Madden 9th Assistant Director: Barbara Broccoli Add'l Ass't Directors: Michael Lamont, Ken Court, Alan Tomkins, Serge Douy Ass't Set Decorator: Jille Brown Production SFX Technicians: Chris Corbould, Neil Corbould, Nick Finlayson, R. Bruce Steinheimer, Andy Williams Computer FX Supervisor: Ira Curtis Coleman Model Unit Director: Julian Parry VFX Unit Optical Camera Operator: Alan Church Prop Master: John Chisholm 2nd Unit A-Camera Operator: Malcolm Vinson 2nd Unit B-Camera Operator: Robert Hillmann A-Camera Focus Puller: Simon Hume B-Camera Focus Puller: Michael Evans Boom Operator: Ken Nightingall Front Projection Supervisors: Charles Staffell BSC, Roy Moores BSC Add'l Film Editors: Henry Richardson, John S. Smith Producer (2006 Restoration): Liza Diott Project Manager (2006 Restoration): Andrea Avila Video Masters Supervisor (2006 Restoration): Alexis Ross Filming Dates: 3 August 1984 - 14 January 1985 Cameras: Arriflex 35-III & Panaflex Gold (35mm Eastman 400T 5294) Lenses: Panavision E-Series Anamorphic Primes AR: 2.39:1 (Anamorphic) Budget: 30 Million USD Budget AFI (2020): 72.3 Million USD Printed on: Eastman 5384 Shot on: Eastman Motion Picture Film Made at: Pinewood Studios, London, England Attribute: Filmed in Panavision

Director: John Glen Presenter / Producer: Albert R. "Cubby" Broccoli Production Supervisor: Anthony Waye Production Accountant: Douglas Noakes Director of Marketing: Charles Juroe Production Managers: Philip Kohler, Sparky Greene, Arno Ortmair, Leonhard Gmur, Denise O'Dell Unit Manager: Iris Rose First Assistant Director: Gerry Gavigan A Camera Operator: Michael Frift Sound Recordist: Derek Ball Head of Continuity: June Randall Production Controller: Reginald A. Berkshire Art Director: Terry Ackland-Snow Set Decorator: Michael Ford Construction Manager: Anthony Graysmark Make-up Supervisor: George Frost Hairdressing Supervisor: Ramon Gow Electrical Supervisor: John Tythe Stunt Supervisor: Paul Weston Horse Master: Greg Powell Driving Stunts Arranger: Remy Julienne Aerial Stunts Arranger: B.J. Worth Film Editors: John Grover, Peter Davies Sound Editor: Colin Miller Costume Designer: Emma Porteous Casting Director: Debbie McWilliams Second Unit Director & Photographer: Arthur Wooster BSC Special Visual Effects Supervisor: John Richardson Optical Camera Operator: Alan Church Director of Photography: Alec Mills BSC Director of Photography, Model Photography: Leslie Deer Director of Photography, Aerial Unit & Additional Photography: Phil Pastuhov Director of Photography, Additional Photography: Tom Sanders Main Title Designer: Maurice Binder Production Designer: Peter Lamont Composer, Conductor & Soundtrack Producer: John Barry Composer, James Bond Theme: Monty Norman Associate Producers: Tom Pevsner, Barbara Broccoli Screenplay Writer: Richard Maibaum Screenplay Writer & Producer: Michael G. Wilson The Stunt Team: Doug Robinson, Nick Wilkinson, Simon Crane, Elaine Ford Aerial Stunts Team: Jake Brake, Garry Carter, Jake Lombard, Dan O'Brien Snow Stunts Team: John Falkiner, Ida Huber, Rene Seiler, Herman Sporer Location Managers: Nick Daubeny, John Bernard, Arie Bohrer, Stefan Zurcher, Driss Gaidi Moroccan Production Liaison: Zakaria Alaoui Gibraltar Production Liaison: Joseph Viale Second Unit Key First Assistant Director: Terry Madden Second Unit Head of Continuity: Jean Bourne Second Assistant Director: Callum McDougall Key Third Assistant Director: Adam Walton Third Assistant Directors: Crispin Reece, Nick Heckstall-Smith, Terry Blyther Second Unit First Assistant Director: Urs Egger First Assistant Director, Morocco: Ahmed Hatimi Second Assistant Director, Morocco: Mohamed Hassini Assistant Accountant: Allan Davies Location Accountants: Jane Meagher, Christl Kirchner Location Transport Managers: Arno Esterez, Andy Grosch Production Co-Ordinators: Pam Parker, Janine Lodge, Daniela Stibitz, Ihsanne Khalafaoui, Brenda Ramos, Dawn Severdia, May Capsaskis Secretary to Mr. Broccoli: Sandra Frieze Secretary to Mr. Wilson: Joanna Brown Secretary to Mr. Juroe: Amanda Schofield Location Production Secretaries: Sophie Koekenhoff, Hind Hanif, Sonja Beutura U.S. Contacts: Mary Stellar, Tina Banta Additional Art Directors: Michael Lamont, Ken Court, Fred Hole, Bert Davey, Thomas Riccabona, Peter Manhard First Assistant Art Director: James Morahan Second Assistant Art Director: Ted Ambrose Third Assistant Art Director: Dennis Bosher Additional Set Decorators: Tal Schneider, Anne Seibel First Assistant Set Decorator: Julie Brown Second Assistant Set Decorator: Christoph Kanter Additional Construction Managers: Ken Pattenden, Alfred Dobsak Prop Master: Bert Hearn Production Buyers: Sid Palmer, Peter Palmer Production Buyer, Austria: Johannes Slapa Sketch Artist: Roger Deer Cheif Sculptor: Fred Evans Second Unit A Camera Operator: Malcolm Macintosh B Camera Operator: Michael Anderson C Camera Operator: Fred Waugh D Camera Operator: Peter Rohe A Camera Focus Puller: Frank Elliott B Camera Focus Puller: Michael Evans C Camera Focus Puller: Nicholas Wilson D Camera Focus Puller: Dan McKinny E Camera Focus Puller: Horst Becker Clapper Loader: Simon Mills A Camera Grip: Chunky Huse B Camera Grip: Ken Atherfold C Camera Grip: Richard Haw Video Effects Supervisor: Richard Hewitt Front Projection Supervisor: Roy Moores Boom Operator: Ken Nightingall Production Second Sound Mixer: Adrian S. Fry Additional Sound Recordists: Brian Marshall, Roby Guever Music Editor: Alan Killick Sound Editors: Vernon Messenger, Derek Holding, Peter Musgrave First Assistant Editor: Matthew Glen Second Assistant Editor: John Nuth Third Assistant Editor: Wayne Smith First Assistant Sound Editor: William Barringer Second Assistant Sound Editor: Ross Adams Third Assistant Sound Editor: Robert Gavin Fourth Assistant Sound Editor: Mark Mostyn Additional Sound Effects: Jean-Pierre Lelong Head of Orchestrations: Nicholas Raine Music Mixer: Dick Lewzey Trumpet: Derek Watkins Re-Recording Mixers: Graham Hartstone, John Hayward, Nicolas Le Messurier Costume Supervisor: Tiny Nicholls Make-up Team: Naomi Donne, Eric Allwright, Edwin Erfmann Hairdressers: Helen Lennox, Barbara Sutton Aerial Unit Liaison: Marc Wolff Safety Climber: Hamish MacInnes Production Special Effects Supervisors: Chris Corbould, Joss Williams, Brian Smithies, Ken Morris, Willy Neurer, Mark White Production Special Effects Technicians: Neil Corbould, Matthew Harlow, Anton Prickett, Nick Finlayson, Andy Williams Production Special Effects Assistant: Simon Cockren Special Effects Assistant, Austria: Tommy Vögel Special Effects Technician, Austria: Uli Nefzer Model Unit Special Effects Technician: Julian Parry Armourer: Simon Atherton Modelmaker: Terrence Reed Unit Publicist: Geoff Freeman Stills Photographers: Keith Hamshere, George Whitear Publicity Assistant: Rebecca West Hats Provider: David Schilling LDI Producer: John Lowry LDI Project Manager: R. Patrick Cooper LDI Head of Video Masters: Jeff Schiffman LDI Damage Artists: Jim Corbin, Rejyna Douglas-Whitman, Greg Gomberg, Nicholas A. Herr, Jackie Lopez, Mario Martinez, Sherry G. Price, Benton Wong Filming Dates: 29 September 1986 - 13 February 1987 Cameras: Arriflex 35-III, Panaflex Gold & Platinum (35mm Eastman 125T 5247/400T 5294) Lenses: PANAVISION® Primo Anamorphic Prototype, C-, E-Series AL Primes & Anamorphic Cooke Zooms AR: 2.39:1 (Anamorphic) Budget: 40 Million USD Budget AFI (2023): 107.2 Million USD Printed on: Eastman 5384 Costumes Made by: Bermans & Nathans Horses Provided by: L.A. Societe R.E.H.A. Travel & Transport by: Renown Freight, The Travel Company, D & D International Locations + Location Facilities Location Catering by: Rafael Hosteleria Internacional & The Location Caterers CIA Boat Provided by: Spectral Marine Military Dioramas by: Little Lead Soldiers Floral Arrangements by: Kenneth Turner Flowers Swimwear Provided by: Gottex Whitaker's Villa Designed by & Located at: Forbes Magazine & Palais El Mendoub, Tangier Color Provided by: Technicolor® Title Opticals by: Screen Opticals Sound Re-Recording by & Made at: Pinewood Studios, London, England Original Soundtrack Album Available on: W.B Records Music Recorded at: C.T.S. London Made on Location in: Gibraltar, Austria, Morocco, U.S.A., Italy & England 2006 Pristine Digital Restoration by: Lowry Digital Images Attribute: Filmed in PANAVISION®

Director: John Glen Director & Photographer, Underwater Scenes: Ramon Btavo Presenter & Producer: Albert R. "Cubby" Broccoli Key Production Supervisor: Anthony Waye Production Accountant: Douglas Noakes Stunt Co-Ordinator: Paul Weston Driving Stunts Arranger: Remy Julienne Aerial Stunt Supervisor: 'Corkey' Fornof Director of Marketing: Charles Juroe Production Supervisor, Mexico: Hector Lopez Key Production Manager: Philip Kohler Unit Manager: Iris Rose First Assistant Director: Miguel Gil Key Second Assistant Director: Miguel Lima A Camera Operator: Michael Frift Sound Recordist: Edward Tise Head of Continuity: June Randall Electrical Supervisor: John Tythe Supervising Art Director: Michael Lamont Set Decorator: Michael Ford Construction Manager: Anthony Graysmark Make-up Supervisors: George Frost, Naomi Donne Hairdressing Supervisor: Tricia Cameron Film Editor: John Grover Sound Editor: Vernon Messenger Second Unit Director & Photographer: Arthur Wooster BSC Costume Designer: Jodie Tillen Main Title Designer: Maurice Binder Casting Directors: Jane Jenkins CSA, Janet Hirshenson CSA Composer & Conductor, Original Score: Michael Kamen Composer, James Bond Theme: Monty Norman Special Visual Effects Supervisor: John Richardson Optical Effects Supervisor/Camera Operator: Alan Church Optical Camera Operator: Craig Chandler Model Unit Special Effects Supervisor: Julian Parry Director of Photography: Alec Mills BSC Director of Photography/Operator, Aerial Team: Phil Pastuhov Director of Photography, Underwater Unit: Andrew Cooper Production Designer: Peter Lamont Associate Producers: Tom Pevsner, Barbara Broccoli Writer & Producer: Michael G. Wilson Writer: Richard Maibaum Stunt Team Supervisors: Gerardo Moreno, Marc Boyle, Art Malesci The Stunt Team: Simon Crane, Jake Lombard, Steve Dent Parachute Stunt Co-Ordinator, Aerial Team: B.J. Worth Helicopter Pilot, Aerial Team: Ken Calman U.S. Coast Guard Technical Advisor, Aerial Team: John McElWain U.S. Coast Guard Helicopter Pilots, Aerial Team: Randy Meade, Neil Hughes, R. Allen Underwater Team Co-Ordinator: Rita Sheese Location Managers, Underwater Team: Nicole Kolin, Tony Broccoli A Camera Assistant, Underwater Team: Pepe Flores Special Effects Supervisor, Underwater Team: Daniel Dark Special Consultants to the Producers: Sparky Greene, Jillian Palenthorpe Production Manager: Efren Flores Production Manager (Mexicali): Crispin Reece Location Manager (Mexicali): Laura Aguilar Production Co-Ordinator: Loolee DeLeon Production Co-Ordinator (Mexicali): Georgina Heath 2nd Assistant Director: Callum McDougall Production Assistants: Ignacio Cervantes, Marcia Perskie, Gerardo Barrera, Monica Greene Production Secretary: Ileana Franco Casting Director (Mexico): Claudia Becker Accountants: Jane Meagher, Rosa Maria Gomez Assistant Accountant: Andrew Noakes Assembly Editor: Matthew Glen Film Editor (Mexico): Carlos Puente Sound Editors: Peter Musgrave, Mark Auguste Music Editor: Andrew Glen First Assistant Editor: John Nuth Second Assistant Editor: Wayne Smith Third Assistant Editor: Ross Adams Fourth Assistant Editor: Richard Fettes Fifth Assistant Editor: Mark Mostyn Sixth Assistant Editor: Rob Green Additional Sound Effects: Jean-Pierre Lelong Re-Recording Mixers: Graham Hartstone, John Hayward Music Mixer: Dick Lewzey Head of Music Programming: Stephen McLaughlin Trumpet: Derek Watkins Art Director: Dennis Bosher First Assistant Art Director: Neil Lamont Second Assistant Art Director: Richard Holland Third Assistant Art Director: Andrew Ackland-Snow Fourth Assistant Art Director: Hector Romero Sketch Artist: Roger Deer Graphics Artist: Robert Walker Sculptor: Daniel Miller Scenic Artist: Gilly Noyes-Court A Camera Focus: Frank Elliott Second A Camera Operator (Mexico): Donald Bryant Second B Camera Operator (Mexico): Tim Ross A Camera Grip: Chunky Huse Boom Operator: Martin Trevis Costume Supervisors: Barbara Scott, Hugo Pena Wardrobe Master (Mexico): Enrique Villavicencio Make-up Artist: Norma Webb Special Effects Supervisors (Mexico): Laurencio Cordero, Sergio Jara Special Effects Supervisor (1st Unit): Neil Corbould Production Special Effects Technicians: Peter Pickering, Clive Beard, Nick Finlayson Shark Puppet Operator: Jeffrey S. Farley Animatronic Supervisor: Hal Miles Director of Publicity: Saul Cooper Stills Photographer: Keith Hamshere Production Buyer: Ron Quelch Prop Master: Bert Hearn Stand-by Propman: Bernard Hearn Armourers: Harris Bierman, Tony Didio Transport Manager: Arthur Dunne Transport Captain (Mexico): Mauro Venegas London Contact: Amanda Schofield Los Angeles Contact: Linda Brown Second Unit 1st Assistant Directors: Terry Madden, Sebastian Silva Second Unit 2nd Assistant Director: Marcia Gay Second Unit Head of Continuity: Sue Field Second Unit A Camera Operator: Malcolm Macintosh Second Unit A Camera Focus: Michael Evans Second Unit A Camera Grip: Ken Atherfold Second Unit Stills Photographer: George Whitear Second Unit Special Effects Supervisor: Chris Corbould Second Unit Special Effects Technicians: Andy Williams, Paul Whybrow Second Unit Make-up/Hair Supervisor: Di Holt Second Unit Stand-by Propman: Rodney Pincott Production Supervisor, Florida: Ned Kopp Production Co-Ordinator, Florida: Patricia Madiedo Location Manager, Florida: Colette Hailey Location Accountant, Florida: Jack Descent Second A Camera Operator, Florida: John Elton Art Director, Florida: Ken Court Set Decorators, Florida: Richard Helfritz, Frederick Weiler Special Effects Co-Ordinator, Florida: Larry Cavanaugh Special Effects Technician, Florida: R. Bruce Steinheimer Electrical Supervisor, Florida: Norman Zuckerman Key Grip, Florida: Eddie Knott III Costume Supervisor, Florida: Robert Chase Marine Co-Ordinator, Florida: Lorentz Hills Transport Co-Ordinator, Florida: Joyce Lark Head of Freight Service: Jose Vasquez A. Animals Supplier: Carlos Renero Jewellery Supplier: Sheila Goldfinger Music Consultant: Joel Sill LDI Producer: John Lowry LDI Lead Project Manager: Andrea Avila LDI Project Manager R. Patrick Cooper LDI Head of Video Masters: Alexis Ross LDI Damage Artists: Rachel J. Clement, Alfonso Guerrero Jr, Louise Keating, Javier Lopez, Katrin Mooney, Adam Senate, Martina Wilson, Daniel Wolfe Cameras: Arriflex 35-III, Panaflex GII & Platinum (35mm Eastman 125T 5247/400T 5294) Lenses: PANAVISION® Primo Anamorphic Prototype, E-Series Anamorphic Primes & Anamorphic Cooke Zooms AR: 2.39:1 (Anamorphic) Budget: 32 Million USD Budget AFI (2023): 66.9 Million USD Printed on: Eastman 5384 Aerial Team Camera Helicopter by: French Aircraft Agency Music Performed by: National Philharmonic Orchestra, London Camera Equipment (Mexico City) by: Tratafilms Camera Equipment (Miami) by: Cine Video Tech Film Stock Provided by: Kodak Mexicana Lighting & Transport by: Servicos Filmicos Travel Services by: Travel Shop International & The Travel Company Freight Services by: Vital International Freight Services & Renown Freight Catering by: Alimentacion Filmica Especializada Medical Services by: Lifestar International Weapons by: Stembridge Gun Rentals Gun Holsters by: Galco International Color Provided by: Deluxe® Prints Provided by: Technicolor® Title Opticals by: General Screen Enterprises Sound Re-Recording by: Pinewood Studios Music Recorded at: C.T.S. London Original Motion Picture Soundtrack Album Available on: MCA Records, Cassettes and Compact Discs Made at: Churubusco Studios, Mexico City Made on Location in: Mexico & Florida, U.S.A. 2006 Pristine Digital Restoration by: Lowry Digital Images Attribute: FILMED IN PANAVISION®

Director: Martin Campbell Cinematographer: Phil Meheux BSC Production Designer: Peter Lamont Stunt Coordinator: Simon Crane 2nd Unit Director: Ian Sharp 2nd Unit DoP: Harvey Harrison BSC Additional Unit Director/Director of Photography: Arthur Wooster BSC VFX DoP: Paul Wilson BSC A-Camera Operator: Roger Pearce Alpine Unit Camera Operator: Tim Wooster Production SFX Supervisor: Chris Corbould Miniature FX Supervisor: Derek Meddings VFX Team Member: Steven Begg Composer: Eric Serra Trumpet Musician: Derek Watkins Film Editor: Terry Rawlings ACE Costume Designer: Lindy Hemming 3rd Assistant Director: Christian Moore Cameras: Arriflex 35-III, 35-IIIC, Panaflex Gold, GII, Platinum & Panastar (35mm Eastman EXR 50D 5245/200T 5293/500T 5298) Lenses: Panavision Primo Anamorphic Primes, C-, E-Series Anamorphic Primes, Anamorphic Cooke Super Pana Zooms & Nikon Anamorphic Primes AR: 2.39:1 (Anamorphic) Budget: 60 Million USD Budget AFI (2020): 102 Million USD Shot on: Eastman Motion Picture Film Attribute: Filmed in Panavision

Director: Roger Spottiswoode Cinematographer: Robert Elswit ASC Production Designer: Allan Cameron Stunt Coordinator/2nd Unit Director: Vic Armstrong 2nd Unit DoP: Jonathan Taylor ASC Aerial Unit DoP: Adam Dale Add'l Cinematographer: Eddie Collins Underwater Unit DoP: Pete Romano ASC Camera Operators: Martin Kenzie BSC, Tim Wooster Production SFX Supervisor: Chris Corbould Composer: David Arnold Trumpet Musician: Derek Watkins Film Editors: Michel Arcand, Dominique Fortin 1st Ass't Editor/Production VFX Editor: Andrew MacRitchie Costume Designer: Lindy Hemming Camera: Panaflex GII (35mm Eastman EXR 100T 5248/200T 5293/Kodak Vision 200T 5274/500T 5279) Lenses: Panavision Primo Anamorphic Primes, C- & E-Series Anamorphic Primes AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic) Budget: 110 Million USD Budget AFI (2020): 177.5 Million USD Shot on: Eastman/Kodak Motion Picture Film Attribute: Filmed in Panavision

Director: Michael Apted Associate Producer: Nigel Goldsack Financial Controller: Andrew Noakes Production Executive: David Pope Key First Assistant Director: Gerry Gavigan 2nd Unit Key First Assistant Director: Terry Madden Script Supervisor: Nikki Clapp Sound Mixer: Chris Munro Supervising Sound Editor: Martin Evans A Camera Operator: David Worley Unit Manager: Iris Rose Production Supervisors: Philip Kohler, Janine Modder, Hugh Harlow Location Production Managers: Terry Bamber, John Bernard, Tim Lewis, Ali Akdeniz, Yousaf Bokhari, Carlos Taillefer Makeup Supervisor: Linda De Vetta Hairdressing Supervisor: Colin Jamison Electrical Supervisor: Kevin Day Stills Photographer: Keith Hamshere Publicity & Marketing: Anne Bennett Supervising Art Director: Neil Lamont Set Decorator: Simon Wakefield Construction Coordinator: Peter G. Williams Art Directors: Andrew Ackland-Snow, Steve Lawrence, Fred Hole, Simon Lamont, Mark Harris, Jim Morahan Director of Photography: Adrian Biddle BSC Director of Photography, 2nd Unit Photography: Jonathan Taylor ASC Director of Photography, Miniature Photography: Paul Wilson BSC Director of Photography, Underwater Photography: Tim Wooster Directors of Photography, Additional Photography: Robin Vidgeon BSC, Martin Kenzie BSC, John Palmer Directors of Photography, Additional Underwater Photography: Mike Valentine BSC, Pete Romano ASC Director of Photography, Visual Effects: Stefan Lange Aerial Unit Coordinator: Marc Wolff Additional Unit Director & Photographer: Arthur Wooster BSC Miniatures Supervisor: John Richardson Production Visual Effects Supervisor: Mara Bryan Casting Director: Debbie McWilliams Main Title Designer: Daniel Kleinman Production Special Effects Supervisor: Chris Corbould Stunt Co-ordinator: Simon Crane Second Unit Director: Vic Armstrong Costume Designer: Lindy Hemming Film Editor: Jim Clark Production Designer: Peter Lamont Composer/Music Producer: David Arnold Composer, "James Bond Theme": Monty Norman Writer, "The World is Not Enough": Don Black Line Producer: Anthony Waye Screenplay / Story Writers: Neal Purvis, Robert Wade Screenplay Writers: Bruce Feirstein, Dana Stevens Producers: Michael G. Wilson, Barbara Broccoli U.S. Casting Directors: Linda Lowry, John Brace Additional Casting Directors: Kate Dowd, Resa Kes Stunt Supervisor: Sean McCabe Stunts Performers: Gary Powell, Wade Eastwood, Mark Southworth, Mark Mottram, Mark Henson, Tom Struthers, David Cronnelly, Jo McLaren, Sarah Donahue, Andy Bennett, Paul Heasman, Marc Cass, Paul Herbert, Lee Sheward, Jamie Edgell Stunt Skiers: Candice Gild, Francine Moreillon, Stephan Dan, Yan Andre Powered Parachute Pilots: Tim Le Blanc, Julian Spencer, Allan Hewitt, John Bix, Pete McLaughlin Powered Parachute Engineers: Tracey Wagner, Jack McCornack, Sharon Westcott Location Consultants, KanZaman: Denise O'Dell, Mark Albela Location Consultants, Silkway Entertainment: Michael Hoomani, Ali Hoomani Location Unit Managers: Alex Sutherland, Gilles Castera, Trevor Ingman Location Managers: Richard Sharkey, Russell Lodge, Javier Balaguer, David Boardman, Salva Yague, Simon Marsden, Joanna Beckett, Liz Roberts, Bahadir Atay Key 2nd Assistant Directors: Paul Taylor, Keith Young, Geoff Dinben Second Unit Second Assistant Director: Mark Layton First Assistant Director: Jesus Delgado Second Unit First Assistant Director: Julia Waye, Kieron Phipps Second Assistant Director: Manuel Lopez Cañizarez Third Assistant Director: Simon Emanuel, Elliott Meddings, Christopher Brosnan Second Unit Third Assistant Director: Carlos Fidel, John West, Inma Cabrero, Marco Aguilar Second Unit Additional Third Assistant Director: Alex Oakley Production Coordinators: Elena Zokas, Paige Wingrove, Bi Benton, Patricia Reed-Douglas, Joyce Turner, Anna Cassima Assistant Coordinator: Kate Garbett 2nd Unit Script Supervisor: Sharon Mansfield MGM Representative: Marge Rowland Development Executive: Simon Mathew Dialogue Coach: Sandra Frieze U.S. Contact: Michael Tavares Crowd Casting Director: Ray Knight Assistant to the Producers: Celia Irvin Line Producer's Assistant: Chloë Barbier Producers' Assistant: Judi Proctor Mr Apted's Assistant: Polly Hope Mr Armstrong's Assistant: Emily Johnson Mr Brosnan's Assistant: Laura Pizzo Production Secretaries: Catherine Sardella, Mayte Mendiri Equipment Wrangler: Jeremy Pelzer Production Assistant: Clare Black Floor Runner: Nick Simmonds Floor Runner/Second Unit Production Assistant: James Armstrong Stand-ins: Dean Taylor, Emma Stokes Production Runners: Nick Joscelyne, Gail Fisher, Kate Lewis Stunts' Assistant: Aine Stacey Casting Assistant: Millie Chadbon Mr Brosnan's Trainer: Simon Waterson Location Accountants: Douglas Noakes, Jo Pond, Fenella Maguire, Anamarie Gonzaga, Carlos Ayesa Cast Accountant: Jill Ryan 1st Assistant Accountant: Sarah Trowse B Camera Operators: Peter Field, Gary Spratling ACO Second Unit A Camera Operator: Mike Frift Second Unit B Camera Operator: Martin Hume A Camera Focus: Adam Biddle, Ashley Bond, Nigel Permane B Camera Focus: Robert Binnall, Sean Connor, John Kairis C Camera Focus: Frank Elliott, John Gamble ACO Second Unit A Camera Focus: Mike Evans, Kenny Groom Underwater Unit Camera Focus: Jason Wrenn Aerial Unit Camera Focus: James Swanson A Camera Loaders: Robert Palmer, Ben Perry B Camera Loaders: Jim Apted, Sam Barnes Second Unit A Camera Loaders: Marc Atherfold, Nigel Seal, Paul Wheeldon Second Unit B Camera Loader: Simon Heck Video Playback Operators: Stephen Lee, Scott Holland 2nd Unit Sound Mixer: Ian Munro Boom Operators: Andrew Griffiths, Tim Worth Sound Maintenance: Jim McBride Assistant Art Directors: Peter Francis, Dominic Masters Storyboard Artists: Martin Asbury, Temple Clark, John Greaves Concept Illustrators: Dominic Lavery, Robert Cowper Graphic Designer: Carol Kupisz Art Department Coordinator: Katie Gabriel Draughtsmen: Stephen Bream, Peter Dorme, James Hambidge, Patsy Johnson, Steve Morahan, Mike Bishop Buyer: Ron Quelch Assistant Buyer: Katrina Duce Researcher: Celia Barnett Additional Set Decorators: Richard Roberts, Sharon Cartwright Art Department Assistants: Mark Bartholomew, Alex Smith, Jessie Hepple Visual Effects & First Assistant Editor: Andrew MacRitchie First Assistant Editor: Simon Cozens Avid First Assistant Editor: Mark Sanger ACE Avid Second Assistant Editor: Tania Clarke Second Assistant Editors: Paul Apted, Marianne Jenkins Third Assistant Editors: Sophie Sorenson, Rus Ekkel Dialogue Editor: John Cochrane ADR Editor: John Ireland Foley Editor: Peter Holt Effects Editors: Peter Bond, Andy Kennedy Music Editor: Dina Eaton Associate Music Editor: Dominic Gibbs Assistant Sound Editors: Piers Lawrence, Robert Ireland, Alastair Sirkett Post Production Supervisors: Michael Solinger, Jatinderpal Choman Assistant Construction Coordinator: Paul Hayes Construction Buyer: Gary Hymes Construction Assistant: Sarah Robinson Special Effects Floor Supervisors: Steve Hamilton, Andy Williams Workshop Supervisors, Special Effects: Nick Finlayson, Paul Knowles, Roy Quinn Senior Special Effects Technicians: Ian Biggs, Richard Brown, Paul Clancy, Pascal Declero, Dave Eltham, David Eves, John Holmes, Dave Knowles, Steven Lewis, Stephen Lloyd, James Machin, Peter Notley, Steve Onions, Andy Smith, Richard Todd, John Vanderpool, Brian Warner, Leslie Wheeler, Tim Willis Wire Effects Supervisor: Stephen Crawley Stunt Wire Rigger: Kevin Welch Buyer/Administrator, Special Effects: Lynne Corbould Special Effects Crew: Bruce Armstrong, John Arnett, Keith Arnold, Ron Cartwright, Michael Fox, Steve Hutchinson, Dave Keen, Steve Knowles, James Lee, Ian Lowe, Ian Mitchell, Luke Murphy, Tom Murtagh, Jason Reed, Anthony Richards, Stuart Robinson, Andy Warner, Ian Whittaker, Brian Cole, Simon Donaldson, Nick Bonathan, Jeff Knight, Andy Simm Model Unit Art Director Supervisor: Michael Lamont Model Unit Art Director: Mike Boone Model Unit Art Department Assistant: Alexandra Walker Model Unit Coordinator: Ronese Richardson Model Unit Dive Supervisor/Stunt Double, Bahamas: Gavin McKinney Model Unit Workshop Supervisor: Nigel Brackley Model Unit Effects Floor Supervisor: Digby Milner Model Unit Senior Technicians: Paul Stephenson, Peter Aston, Nigel Blake, William Dawson, Gregory Morgan, Nigel Nixon, Brian Smithies, Richard Thompson, Paul Whybrow Model Unit Technicians & Engineers: Anthony Phelan, Matthew Harlow, Marcus Richardson, Peter Seymour-Howell Model Unit Sculptors: Fred Evans, Bryn Court, John Blakeley Model Unit Supervising Greenery: Tracey Curtis Senior Vice-President of Marketing: John Parkinson Publicity Manager: Amanda Schofield Marketing Manager: Meg Simmonds Unit Publicist: Geoff Freeman 2nd Unit Stills Photographer: Jay Maidment Stills Coordinator: Sarah Horsell Publicity Assistant: Patricia O'Reilly Assistant, Stills: Milica Kastner Costume Designer's Assistants: David Crossman, Jacqueline Durran Wardrobe Masters: Dan Grace, Colin Wilson, David Croucher Makeup: Jane Royle 2nd Unit Makeup: Rebecca Lafford 2nd Unit Makeup/Hair: Barry Richardson Hairdresser: Jan Jamison 2nd Unit Hair: Hilary Haines Mr Brosnan's Makeup: Bron Roylance Mr Brosnan's Hairdresser: Rick Provenzano Supervising Dressing Props: Jamie Wilkinson Chargehand Standby Props: diamond Wilkinson Prop Stores: Derek Creedon Electrical Gaffers: Mike Chambers, Ray Potter, Brandon Evans, William Pochetty, George Vince, Bernie Prentice, Gary Colkett Visual Effects Producer: Sharon Lark Cinesite (Europe) Digital Effects Producer: Alex Bicknell Cinesite (Europe) Compositor Supervisor: John Lockwood Cinesite (Europe) Coordinator: Clare Norman Cinesite (Europe) Paint Leads: Keith Devlin, Alex Smith Cinesite (Europe) 2D Lead Compositors: Lisa Moore, David Williams Cinesite (Europe) 2D Compositors: Chris Gibbons, David Man Cinesite (Europe) 3D Animation: Sheila Dunn, Hayden Jones Cinesite (Europe) Digital Imaging: John Benn, Pete Williams, Roland Watson MPC Head of Production: Michael Elson MPC Senior Producer: James Lamb MPC Line Producer: Kristin Emblem MPC Software Development: Jonathan Stroud MPC Senior Compositors: Tom Wood, Ed Hawkins, Paul Conway MPC Compositors: Gregory Salter, Jelena Stojanovic, Simon Terry, Gavin Digby MPC Animation Supervisor: Nigel Hardwidge MPC Animators: Chas Jarrett, Richard Morris, Jake Mengers MCC Supervisor: Angus Cameron MCC Producer: Angie Wills MCC Film Controller: Andrew Jeffery MCC Film Scanner: John Grant MCC 2D Leads: Helen Ball, Robin Huffer, Ed Plant, Chris Harding, Sean Danischevsky, Richard Little MCC 3D Supervisor: Gary Coulter MCC 3D Animation: Ian Anderson, Carolyn Garrett, Royston Wolcox Main Titles Producer, Spectre Vision: David Botterell Negative Cutting: Sylvia Wheeler DDA Safety Consultants: Cyril Gibbons, Jake Edmonds Dive Coordinator: Dave Shaw Dive Supervisor: Peter McClue Mountain Safety Guide: Denis Ducroz Helicopter Rescue Pilot: Pascal Brun Aerial Unit Safety: Mike Woodley Transport Coordinator: Tony Bradley BMW Technical Assistance: Werner Kleeberger, Stefan Fitterer Action Vehicle Coordinator: Darren Litten Bond's Boat Engineer: Doug Riddle Supervising Modeller, Action Boats: Peter Bohanna Chief Sculptor, Action Boats: Pierre Bohanna Marine Coordinators, Action Boats: Chris Livett, Chas Newens Sunseeker Driver, Action Boats: Jamie Baker Aerial Unit Helicopter Pilots: Francis Coz, Bernard Seguy, Jean Yves Le Caijne Aerial Unit Aircraft Pilots: Eric Nicholas, Jeff Ronzevalle, Mark Vella Tomlin, Joseph Aguilina Aerial Unit Camera Helicopter Pilot: David Arkell Aerial Unit Flying-Cam Pilot: Emmanuel Previnaire Aerial Unit Safety Engineers: Tom Clode, Steve North Aerial Unit A Camera Operator: John Marzano Aerial Unit B Camera Operator: Simon Werry Aerial Unit C Camera Operator: Dave Arnold Aerial Unit Balloon Pilots: Simon Askey, Sue Cardin, Alan Jones Aerial Unit Balloon Coordinator: Caroline Coward Ski Photography Consultant: Stefan Zürcher Ski Rig Assistant: Ernst Michel Ski A Camera Operator: Jean-Pierre Bassin Ski B Camera Operator: Dan Ferrer Foley Mixer, Shepperton Studios: Ed Colyer Orchestrator & Conductor: Nicholas Dodd Programming: Steve Hilton Score Recordist & Mixer: Geoff Foster Music Assistant: Greg Wilson Trumpet: Derek Watkins LDI Producer: Liza Diott LDI Project Manager: Andrea Avila LDI Video Masters: Alexis Ross LDI Damage Artists: Patrick Almanza, Anthony DiMatteo, Nicholas A. Herr, Dylan Hucklesby, Sean G. Jamieson, Bruce Peecher Jr, Aurelio Vera Jr, Martina Wilson Filming Dates: 17 January 1999 - June 1999 Cameras: PanArri 435 & Panaflex Gold (35mm Eastman EXR 50D 5245/100T 5248/Kodak Vision 500T 5279/800T 5289) Lenses: Panavision® C-Series Anamorphic Primes AR: 2.39:1 (Anamorphic) Budget: 135 Million USD Budget AFI (2020): 209.9 Million USD Crowd Casting by: 20-20 & Osca Edited on AVID Supplied by: Edit Hire Weapons Supplied by: Baptys Electrical Equipment Supplied by: AFM Lighting Visual Effects & Main Title Digital Effects by: Cinesite (Europe), Moving Picture Company, Magic Camera Company + Smoke & Mirrors Main Titles Produced By: Spectre Vision Opticals by: General Screen Enterprises Videographics by: Useful Companies Post Production Script By: SAPEX Scripts, London Fire & Safety by: David Deane Associates Colour by: Deluxe Cameras & Lenses Supplied by: Panavision UK Originated on Motion Picture Film from: Kodak Motion Picture Film Sound Re-Recorded/Made at: Pinewood Studios, London, England Foley Mixing by: Shepperton Studios Score Recorded & Mixed at: Air Studios London Soundtrack Album Available on: Radioactive Records/MCA Records Made on Location in: France, Spain, Turkey, Azerbaijan, The Bahamas, London & at the Millennium Dome at Greenwich 2006 Pristine Digital Restoration by: Lowry Digital Images Attribute: Filmed in Panavision®

Director: Lee Tamahori Financial Controller: Andrew Noakes Production Executive: David Pope Key First Assistant Director: Gerry Gavigan Second Unit Key First Assistant Director: Terry Madden Script Supervisor: Anna Worley Sound Mixer: Chris Munro Supervising Sound Editor: Martin Evans A Camera Operator: Peter Robertson Post Production Supervisor: Michael Solinger Unit Manager: Iris Rose Production Supervisor: Janine Modder Location Production Supervisors: Philip Kohler, Mark Albera, Chris Brock Location Consultant, On Location Services / Location Production Supervisor: Glenn Beadles Production Managers: Terry Bamber, Tim Lewes Publicity & Marketing: Anne Bennett Makeup Supervisor: Paul Engelen Hairdressing Supervisor: Colin Jamison Wardrobe Supervisor: Graham Churchyard Stills Photographer: Keith Hamshere Supervising Art Director: Simon Lamont Set Director: Simon Wakefield Construction Manager: Paul Hayes Prop Master: Ty Tieger Electrical Supervisor: Eddie Knight Art Directors: Mark Harris, James Hambidge, Fred Hole, Jim Morahan, Stephen Scott, Alan Tomkins Director of Photography: David Tattersall BSC Director of Photography, Second Unit Photography: Jonathan Taylor ASC Director of Photography, Model Unit Photography: Paul Wilson BSC Director of Photography, Aerial Photography: John Marzano Director of Photography, Underwater Photography: Mike Valentine BSC Director of Photography, VFX: Stefan Lange Additional Unit Directors & Photographers: Shaun O'Dell, Arthur Wooster BSC, Don King Production Model Effects Supervisor: John Richardson Production Visual Effects Supervisor: Mara Bryan Casting Director: Debbie McWilliams Main Title Designer: Daniel Kleinman Production Special Effects Supervisor: Chris Corbould Co Stunt Coordinator: George A. Aguilar Second Unit Director / Stunt Coordinator: Vic Armstrong Costume Designer: Lindy Hemming Film Editor: Christian Wagner Production Designer: Peter Lamont Composer: David Arnold Composer, "James Bond Theme": Monty Norman Performer, "Die Another Day": Madonna Co Producer: Callum McDougall Executive Producer: Anthony Waye Writers: Neal Purvis, Robert Wade Producers: Michael G. Wilson, Barbara Broccoli Casting Directors, U.S. Casting Services: Jane Jenkins CSA, Janet Hirshenson CSA Stunt Supervisor: Mark (Franklin) Henson Stunt Performers: Mark Mottram, Amanda Foster, Nikki Berwick, Ben Bellman, Maurice Lee, Vincent Wong, Richard Wu, Ray De Haan, George Cottle Sword Master: Bob Anderson Fencing Doubles & Armourers: Steve Paul, Jonathan Weekes, Johanna Maynard, Ben Paul, Tom Froud Stunt Coordinator & Specialist Surfer: Laird Hamilton Specialist Surfers: Dave Kalama, Darrick Doerner Talent Coordinator: Jane Kachmer Parachute Coordinator: Allan Hewitt Location Consultant, KanZaman: Denise O'Dell Location Consultant, Saga Film Productions: Jon Thor Hannesson Location Consultant, October Pictures: Chu Chen On Location Managers: Simon Marsden, Felix Rosell, Joel Cockrill Key Second Assistant Directors: Paul Taylor, Keith Young, Toby Hefferman Location Assistants: Lee Robertson, Harry Ponsonby, Tom Stourton First Assistant Director: Jose Maria Sinde Second Assistant Directors: Adrian Tonyton, Kate Newport Second Unit First Assistant Director: Julia Waye Third Assistant Directors: Ben Burt, James Armstrong Second Unit Third Assistant Directors: Terence Madden, Jo Schotting Co Third Assistant Director: Emma Stokes Production Coordinators: Kate Garbett, Virginia Murray, Judy Britten, Elena Zokas, Bi Benton, Margarita McDermott Dialogue Coach: Andrew Jack Second Unit Script Supervisor: Sharon Mansfield Stunt Department Coordinator: Aine Henson Development Executive: Gregg Wilson Assistant to the Producers: Emma Donovan Mr Tamahori's Assistant: Sasha Turjak Mr Brosnan's Assistant: Nicola Conlon U.S. Contact: Michael Tavares Executive Producer's Assistants: Allison Odell, Cate Arbied Crowd Casting Director, Oriental Casting: Joon H. Kim Crowd Casting Director, CBA: Ray Knight Spanish Casting Director: Camilla-Valentine Isola Casting Assistant: Millie Chadbon Mr Brosnan's Trainer: Michael Bell Equipment Coordinator: Jess Lewington Additional Script Supervisors: Zoë Morgan Louise Wade Production Assistant: Alex Klien Runners: Jonny Benson, Matt Cooke, Anna Skrein, Kelly Spearman Continuity FT2: Natalie Lovatt Standins: Dean Taylor, Monique Johnson Location Production Assistants: Douglas Noakes, Linda Bowen, Carlos Ayesa B Camera Operators: Peter Field, Gary Spratling ACO Second Unit A Camera Operator: Tim Wooster Additional Unit A Camera Operator: Richard Tindall Additional Unit B Camera Operator: Michael Graber Underwater Unit A Camera Operator: Sonny Miller A Camera Focus: Carlos De Carvalho B Camera Focus: Rawdon Hayne C Camera Focus: John Gamble ACO Second Unit B Camera Focus: Sean Connor, Simon Heck, Brad Larner Second Unit C Camera Focus: Chas Bain Underwater Unit A Camera Focus: David Homcey Underwater Unit B Camera Focus: Jai Mansson, Mike Weisbrod Underwater Unit C Camera Focus: Phil Nordblum A Camera Loader: Jennie Paddon B Camera Loader: Shaun Cobley Second Unit A Camera Loaders: Spencer Murray, Marc Atherfold, Alan Hall Second Unit B Camera Loaders: Dean Morrish, Paul Wheeldon Additional Unit A Camera Loaders: Peter O'Connor, Miles Proudfoot, Basil Smith Video Playback Operators: Stephen Lee, Kevin Brookner, Richard Copeman, Trevor Cairns Second Unit Sound Mixer: Ian Munro Effects Sound Mixer: Andrew Griffiths Sound Maintenance: Jim McBride, Paul Munro Second Film Editor: Andrew MacRitchie Production Visual Effects Editor: Mark Sanger ACE Avid First Assistant Editor: Tania Clarke Avid Second Assistant Editor: James Herbert Film First Assistant Editor: Kevin Holt Film Second Assistant Editors: Jo-Anne Dixon, Deborah Richardson First Assistant Visual Effects Editor: Geraint Richards Second Assistant Visual Effects Editor: Billy Campbell Visual Effects Editors Assistant: Alex Fenn Sound Effects Editors: David Evans, Dominic Gibbs, Michael Crouch Dialogue Editor: John Cochrane ADR Editor: Daniel Laurie Foley Editors: Peter Holt, Robin Quinn Music Editor: Dina Eaton Assistant Sound Editor: Paul Apted Assistant Music Editor: Samantha Southwick Standby Art Directors: Susan Whitaker, Rob Cowper Concept Artists: Ravi Bansal, Dominic Lavery Decor & Lettering Artists: Katie Gabriel, Emily Johnson Translite Photographer: Alan White Assistant Art Director: Paul Kirby Film Stylist: Martin Asbury Graphic Design: Carol Kupisz Storyboard Artist: Tracey Wilson Scenic Artist: Dave Packard Draughtsman: Edward Ambrose, Rosie Hardwick, Stuart Kearns, Jason Knox-Johnston, Stephanie Morahan Junior Draughtsmen: Alice Biddle, Martin Foley, Alex Smith Additional Set Decorators: Richard Roberts, Ute Bergk Buyer: Mike King Assistant Buyer: Katrina Duce Mr Brosnan's Make-up: Bron Roylance Ms Berry's Make-up: Mary Burton Mr Brosnan's Hairdresser: Rick Provenzano Ms Berry's Hairdresser: Sterfon Demings Costume Design Assignments: Andrea Cripps, Jacqueline Durran, Guy Speranza Costume Coordinator: Martin Mandeville Costume Assistants: Gabriella Loria, Debbie Scott Assistant Construction Manager: Peter G. Williams Construction Buyer: Garry Hayes Construction Coordinator: Nikola Short Special Effects Floor Supervisors: Steve Hamilton, Peter Notley Workshop Supervisors, Special Effects: Nick Finlayson, Paul Knowles, Roy Quinn, Andy Smith Senior Special Effects Technicians: Ian Biggs, Richard Brown, Paul Clancy, Michael Dunleavy, Ian Corbould, Paul Corbould, Dave Eltham, Peter Fern, Kevin Herd, John Holmes, Peter Hutchinson, Steve Hutchinson, Dave Keen, Ian Lowe, Tom Murtagh, Martin Neill, Richard Todd, John Van Der Pool, Brian Warner, Les Wheeler, Tim Willis, Lee Winter Wire Effects Supervisor: Steve Crawley Buyer/Administrator, Special Effects: Lynne Corbould Model Unit Art Director Supervisor: Michael Lamont Model Unit Art Director: Ken Court Model Unit Workshop Supervisor: Robbie Scott Model Unit Buyer: Norman Baillie Model Unit Effects Floor Supervisor: John Evans Model Unit Motion Control Supervisor (Cinesite Europe): Mile Talarico Model Unit Motion Control Operators: Ian Menzies, Ben Goldschmeid Model Unit Senior Special Effects Technicians: Nik Cooper, Jason MacCameron, Tim Mitchell, Roger Nichols, Ron Hone Model Unit Effects Animatronic Designers & Engineers: Dave Miller, Melvin Pearson, Matt Veale Model Unit Senior Modelers: Nigel Blake, Greg Morgan, Brian Smithies Model Unit Model Construction Supervisors: Steve Brown, Keith Dyett, Graham Pearce, Paul Garbett Aerial Unit Coordinator: Mike Woodley Helicopter Pilot/Advisor, Aerial Units: Marc Wolff Wescam Assistant, Aerial Units: J. Glyn Williams Flying-Cam® Operator, Aerial Units: Phillipe Piron Flying-Cam® Pilot, Aerial Units: Bruno Ziegler Hovercraft Pilots, Aerial Units: John Gifford, Robert Trussler Engineer, Aerial Units: Damian Sidnell Helicopter Pilots, Aerial Units: Don Shearer, Simon Oliphant-Hope, Peter Barnes, Peter Hall Diving Supervisor: Peter McClue Dive Coordinator: Dave Shaw Lead Diver: Guy Drayton Assistant Prop Master: Martin Kingsley Prop Making Supervising Modeller: Oliver Hodge Prop Making Senior Modellers - Ice Furniture: Steve Deahl, Paul Knight Prop Making Buyer: Jemima Prest Swords: Richard Hooper Electrical Gaffers: Steve Costello, Ronnie Phillips, Will Pochetty, Terry Montague Supervising Electrical Rigger: Clive (Titch) Goble Visual Effects Producer: Sharon Lark Production VFX Coordinator: James Lamb VFX Computer/Video Supervisor: Chris McBride Visual Effects Videographic Senior Designer: Mark Bowey Visual Effects Videographic Designers: Alec East, Rob Rae, Lauri Vassinen Visual Effects Video Technicians: Peter Jones, Jeremy Engler, Tom Crawford Cinesite (Europe) VFX Producer: Alex Bicknell Cinesite (Europe) Line Producer: Ken Dailey Cinesite (Europe) Ice Wave Supervisors: Dottie Starling, David Rey Cinesite (Europe) Coordinators: Martin Gabriel, Paul Ladd Cinesite (Europe) Head of 3D: Steve Street Cinesite (Europe) 3D Leads: Douglas Harsch, Jon Neill Cinesite (Europe) 3D Animators: Gavin Graham, Michael Grobe Cinesite (Europe) 2D Lead Compositors: Keith Devlin, Sue Rowe, Chris Lance, Simon Haslett, Michael Harbour, Adam Gascoyne Cinesite (Europe) 2D Compositors: Mark Richardson, David Sewell Cinesite (Europe) Scanning & Recording: John Benn, Simon Hughes, Susannah O'Riordan, Stuart Pearson Cinesite (Europe) Research & Development: Jeremy Hall, Peter Vesley, Andy Whittock Cinesite (Europe) Production Manager: Noreen Irwin Cinesite (Europe) Production Support: Iain Irvin-Powell, Rebecca Sammut, James Etherington Cinesite (Hollywood) Digital Effects Supervisor: David Lingenfelser Cinesite (Hollywood) Digital Compositor: Serena Namarone Cinesite (Hollywood) VFX Producer: Karl Rumpf Cinesite (Hollywood) Digital Mastering Colourist: Jill Bogdanowicz ASC DNEG Digital Supervisor: Richard Bain DNEG Technical Supervisor: Martin Hill DNEG 3D Supervisor: Matthias Lindahl DNEG VFX Producer: Matthew Plummer DNEG Digital Compositors: Jeremy Hattingh, Jody Johnson, Alice Mitchell, Tom Rolfe, Ciaran Crowley DNEG 3D Animators: Alex Wuttke, Graham Jack, Becky Waters, Ina Hurst, Jenny Strand, Hege Berg DNEG Head of 3D: Paul J. Franklin MPC VFX Producer: Stefan Drury MPC Lead Compositors: Paul Bayliss, Doug Larmour MPC 3D Animator: Sylvain Delaine Framestore CFC Executive Producer: Drew Jones Framestore CFC VFX Supervisors: Pedro Sabrosa, Tom Debenham Framestore CFC VFX Producer: Tim Keene Framestore CFC Compositing Leads: Paul Norris, John Sharpe, Victor Wade, Scott Marriott Framestore CFC VFX Editorial: Boz Lowrie Framestore CFC VFX Coordinator: Charles Howell Framestore CFC Digital Lab - Producer: Jan Hogevold Framestore CFC Supervisor: Alisdair McCuish Framestore CFC Colourist: Adam Glasman Unit Publicist: Geoff Freeman Second Unit Publicist: Geraldine Moloney Eon Publicity Manager: Katherine McCormack Second Unit Stills Photographer: Jay Maidment Stills Coordinator: Sarah Horsell Publicity Runner: Samantha Langton Main Titles Producer, Spectre: Johnnie Frankel End Title Design: Pauline Hume Health & Safety Consultant: David Deane Action Vehicle Coordinator: Darren Litten Transport Coordinator: Tony Bradley Facility Vehicle Coordinator: Albert Smith Premier Caterers Supervisor: Peter Titterrell Premier Caterers Additional Catering: Rafael Hosteleria Unit Manager, Iceland Unit: Leifur B. Dagfinnsson Iceland Unit Production Contact: Helga Reykdal Iceland Unit Location Manager: Arni Paul Hansson Iceland Unit Facility Manager: Jon Gardarson Iceland Unit Assistant Location Manager: Tomas Tomasson Iceland Unit Production Assistant: Gagga Jonsdottir Iceland Unit Location Production Assistant: Silja Hauksdottir Iceland Unit Assistant Accountant: Gudmunder Petursson Iceland Unit Assistant Art Director: Gunnar Palsson Iceland Unit Assistant SFX Floor Supervisor: Eggert Ketilsson Iceland Unit Helicopter Pilot: Jon K. Bjornsson Iceland Unit Stunt Drivers: Valdimar Johannsson, Alexander Karason Iceland Unit Transport Captain: Beggi Helgason Iceland Unit Safety Consultants: David Rootes, Bjorn Ingi Jónasson Product Placement: Keith Snelgrove, David Wilson Coordinators, Product Placement: Sarah Robinson, Paige Chaytor Panavision® London Assistant Managing Director: Hugh Whittaker Sound Re-Recording Mixers: John Hayward, Graham V. Hartstone Richard Pryke, Ric Le Messurier Foley Mixer, Shepperton Studios: Ed Colyer Score Orchestrator & Conductor: Nicholas Dodd Programming: Stephen Hilton, Rob Playford Score Recordist & Mixer: Geoff Foster Orchestra Contractor: Isobel Griffiths Trumpet: Derek Watkins LDI Producer: Liza Diott LDI Project Manager: Alexis Ross LDI Video Masters: Andrea Avila LDI Damage Artists: Rachael J. Clement, Destry Dorro, Donna Dubuc-Curtis, Eric Francisco, Bridgid I. O'Donnell, Bruce Peecher Jr, Aurelio Vera Jr, Daniel Wolfe Filming Dates: 14 January 2002 - July 2002 Cameras: Arriflex 435, Panaflex XL & Millennium (35mm Kodak Vision 320T 5277) Lenses: Panavision® Primo Anamorphic Primes, C- & E-Series Anamorphic Primes AR: 2.39:1 (Anamorphic)(4-Perf Super 35mm: Helicopter Shots) Budget: 142-145 Million USD Budget AFI (2022): 220-224.7 Million USD Printed on: Kodak Vision 2383 Parachute Stunts by: "Team X" British National Parachute Team Crowd Casting by: Oriental Casting & CBA Representaciones Edited on AVID Supplied by: Edit Hire Non Linear Support by: Root 6 Limited MD600 & MD900 Helicopters by: Eastern Atlantic Helicopters Aerial Coordination by: Flying Pictures Parachutes by: Skyscience Switchblades by: Kinetic Aerospace, Griffon Hovercraft & Osprey Hovercraft Weapons Supplied by: Bapty Electrical Equipment Supplied by: AFM Lighting Main Titles, Visual Effects & Digital Effects Produced by: Cinesite (Europe), Cinesite (Hollywood), Double Negative, Moving Picture Company, Framestore CFC, Mill Film & Spectre Additional Videographics by: AVC Productions Map Data Provided by: Hong Kong Sar Government Opticals by: General Screen Enterprises Post Production Script By: SAPEX Scripts Location Security by: The Movie Lot Catering by: Premier Caterers Colour by: Deluxe Shot on: Kodak Motion Picture Film Sound Re-Recorded at/Made at: Pinewood Studios, London, England Foley Mixing by: Shepperton Studios Score Recorded & Mixed at: Air Studios, London Soundtrack Album Available on: Warner Bros. Records Made on Location in: Spain, Iceland, Maui & Norway 2006 Pristine Digital Restoration by: Lowry Digital Images Attribute: Filmed in Panavision®

Director: Martin Campbell Free Running Stunts: Sébastien Foucan Associate Producer / Financial Controller: Andrew Noakes Production Executive: David Pope A Camera Operator: Roger Pearce Second Unit First Assistant Director: Terry Madden Script Supervisor: Jean Bourne Publicity and Marketing: Anne Bennett Promotions: Keith Snelgrove Assistant Producer: David G. Wilson Sound Recordist: Chris Munro Electrical Supervisor: Eddie Knight Stills Photographer: Jay Maidment Makeup Supervisor: Paul Engelen Hairdressing Supervisor: Christine Blundell Wardrobe Supervisor: Dan Grace Visual Effects and Miniature Supervisor: Steven Begg Supervising Art Director: Simon Lamont Prop Master: Ty Teiger Construction Manager: Stephen Bohan Post Production Supervisor: Michael Solinger Unit Production Manager: Jeremy Johns Second Unit Production Manager: Terry Bamber First Assistant Director: Bruce Moriarty Casting Director: Debbie McWilliams Stunt Coordinator: Gary Powell Special Effects and Miniature Effects Supervisor: Chris Corbould Main Title Designer: Daniel Kleinman Second Unit Director/Director Of Photography: Alexander Witt ASC Costume Designer: Lindy Hemming Film Editor: Stuart Baird ACE Director of Photography: Phil Méheux BSC Director of Photography, Venice Plates: Peter Field Director of Photography, Aerial Photography: John Marzano Director of Photography, Underwater Photography: Mike Valentine BSC Director of Photography, Additional Animal Photography: Warwick Sloss Production Designer: Peter Lamont Composer / Soundtrack Producer: David Arnold Composer, "The James Bond Theme": Monty Norman Performer, Writer & Producer, "You Know My Name": Chris Cornell Executive Producers: Anthony Waye, Callum McDougall Screenplay Writers: Neal Purvis, Robert Wade, Paul Haggis Producers: Michael G. Wilson, Barbara Broccoli Assistant Stunt Coordinator: Markos Rounthwaite Stunt Coordinator's Assistant: Nicola Short Stunts: Ben Cooke, Nikki Berwick, Adam Kirley, Kai Martin, Marvin Stewart-Campbell, Glenn Foster, Lee Morrison, Diz Sharpe, Rowley Irlam, John Kerr, Kier Beck, Curtis Rowland Small, Maurice Lee UK Production Manager: Janine Modder Location Production Manager: Chris Brock Second Assistant Directors: Toby Hefferman, Ben Dixon, Terence P. Madden Location / Unit Managers: Alex Gladstone, Robin Higgs, Jo Beckett, Steven Harvey, Chris Cussen, David Boardman, Linzi Baltrunas, Eddie Folcarelli, Gavin Milligan, Russell Lodge, Joan Carroll Production Coordinators: Mona Benjamin , Judy Britton, Siobhan Lyons, Lulu Morgan, Paige Chaytor Assistants: Usha Chaman, Kelly Taylor-Dias, Arabella Gilbert Executive Assistant to the Producers: Emma Reynolds Executive Producers' Assistants: David Lobatto, Catrin Cooper, Lucie Ryan Assistant to Mr. Campbell: Katy Farzanrad Assistant to Mr. Witt: Heather Banta Dialogue Coach to Eva Green: Roisin Carty Dialogue Coach: Sandra Frieze Mr. Craig's Trainer: Simon Waterson Assistant to Mr. Craig: Veronika Hladíkova Second Unit Script Supervisors: Lori Wyant, Minta Townshend Crowd Second Assistant Director: Michael Michael Third Assistant Director: Paul Sacks Second Unit Third Assistant Directors: Bryn Lawrence, Andy Madden Casting Associate: Reg Poerscout-Edgerton U S. Casting Services: Jane Jenkins CSA, Janet Hirshenson CSA Additional Casting Director, Italy: Beatrice Kruger Additional Casting Director, France: Stephane Foenkinos Additional Casting Director, Germany: Annette Borgmann Additional Casting Director, Spain: Camilla Valentine Isola Extras Casting Directors: Ann Koska, Sally King, Heather Carey Stand-ins: Brendan Lundeen, Jason Norwood Poker Adviser: Thomas Sambrook Executive Accountant: John Roebuck Location Production Accountant: Douglas Noakes Accounts Coordinator: Christine Brisley Accounts Assistant: Natalie Edwards B Camera Operator: Rodrigo Gutierrez ACO Second Unit A Camera Operator: Clive Jackson Additional Unit Camera Operator: Roberto Contreras Camera Operator, Additional Second Unit: Robert Steadman A Camera Focus: Leigh Gold Second Unit A Camera Focus: Basil Smith Second Unit B Camera Focus: Keith McNamara, Robert Palmer A Camera Loader: Sacha Jones B Camera Loaders: Sam Barnes, Ed Jones Clapper Loaders: Stephen 'Wee Wee' Andrews, Ross McNamara Central Loader: Sarah Woodward Second Unit B Camera Loader: Charlie Herranz Video Playback: John Bowman, Andy Shields, David Toft Video Assist: Neal Law, Dominic Rau Second Unit Sound Mixer: Ian Munro Boom Operators: Steve Finn, Paul Munro Sound Maintenance: Jim McBride First Assistant Editor: Kate Baird Production Visual Effects Editor: Billy Campbell Second Assistant Editors: Jo-Anne Dixon, Gregg Wilson, Mark Burton First Assistant Visual Effects Editor: Laura Jennings Supervising Sound Editor: Eddy Joseph Overall Re-Recording Mixer: Mike Prestwood Smith Sound Designer: Martin Cantwell Re-Recording Mixer: Mark Taylor Dialogue Editor: Simon Chase ADR Editor: Colin Ritchie Foley Editor: Alex Joseph Sound Editorial: Carol Jones Foley Mixer: Nigel Heath ADR Mixer: Peter Gleaves Voice Casting Directors: Brendan Donnison, Vanessa Baker Supervising Music Editor: Dina Eaton Music Editor: Dominic Gibbs First Assistant Music Editor: Robin Whittaker Music Recordist & Mixer: Geoff Foster Orchestrator & Conductor: Nicholas Dodd Programming: Rob Playford Music Preparation: Jill Streeter Ethnic Percussion: Peter Lockett Orchestra Contractor: Isobel Griffiths Trumpet: Derek Watkins Post-Production Coordinator: Joylon Haverson Main Titles Producer, Rattling Stick: Johnnie Frankel End Titles Design: Pauline Hume Art Directors: Dominic Masters, Fred Hole, Peter Francis, Steven Lawrence, Alan Tomkins Art Department Storyboard Artist: Martin Asbury Assistant Art Directors: Guy Bradley, Neal Callow Art/Product Placement Coordinator: Sarah Robinson Art Department Conceptual Artist: Julian Caldow Art Department Scenic Artist: David Packard Art Department Decor & Lettering Artist: Julian Walker Assistant Costume Designers: Maria Tortu, Gabriella Loria Bond's Costumer: Mark Sutherland 2nd Unit Wardrobe Master: Brendan Handscombe Set PA's: Hannah Brown, Joe Barlow, Stella Ampatzi, Eileen Yip, Emilie Bauer, Darren O'Connell, Emily Hobbs Production Runner: Jon Roper Editing Trainee: Jake Cook Miniature Unit Art Director Supervisor: James Hambidge Miniature Unit Art Director: Michael Lamont Miniature Unit First Assistant Director: Mark Harrison Miniature Unit Set Decorator: Molly Sole Miniature Unit Script Supervisor: Laura Miles Miniature Unit Floor Runner: Tania Gordon Miniature Unit Senior Draughtsman: Peter Dorme Miniature Unit Video Operator: Gavin McKenzie Miniature Unit Director of Photography: Peter Talbot Miniature Unit A Camera Operator: Karl Morgan Miniature Unit B Camera Operator: Alex Howe Miniature Unit Floor Supervisor: Stefan Lange Miniature Unit Focus Puller: Simon Hume Miniature Unit A Camera Loader: Barny Crocker Miniature Unit B Camera Loader: Richard Copeman Miniature Unit Motion Control Operators: Ian Menzies, Ben Schmeid Miniature Unit Model Makers: Bill Pearson, Christopher Trice, Chris Hayes, Vincent Jenkins, John Payne, Richard Cheal, Andy Rolfe Visual Effects and Miniature Producer: Sharon Lark Visual Effects Assistant Coordinators: Katie Houston, Jack Hughes AVC Computer & Video Supervisor: Chris McBride AVC Creative Supervisor: Andrew Booth AVC Graphic Designers: Neil Pinkawa, David Hicks AVC Technician: Martin Caulton PCC Visual Effects Consultant: Kent Houston PCC Digital Visual Effects Supervisor: John Paul Docherty PCC Digital Effects Producers: Diane Kingston, Marianne Speight PCC Head of CG: Ditch Doy PCC Senior Compositor: Richard Bain PCC Digital Effects Coordinator: Nick Bedford PCC Roto Lead: Martin Body PCC Production Assistants: Mark Bradley, Ed Hall PCC Administrators: Clare Johanna Downie, Andrew Kingston PCC Head of 2D: Paul Round Framestore-CFC Colourist: Adam Glasman Framestore-CFC Producer: Maria Stroka Framestore-CFC Head of Digital Lab: Ben Baker Framestore-CFC Executive Producer: Jan Hogevoid Framestore-CFC Digital Assembly: Mike Morrison Framestore-CFC Scanning & Recording: Jerome Dewhurst DNEG Visual Effects Supervisor: Mark Michaels DNEG Visual Effects Studio Manager: Peter Hanson Baseblack Visual Effects Supervisor: Val Wardlaw Baseblack Visual Effects Producer: Stephen Elson Cinesite (Europe) Visual Effects Producer: Paul Edwards Cinesite (Europe) Composite Supervisor: Keith Devlin Cinesite (Europe) Projectionist: James Breen, Jan Meade Cinesite (Europe) Film Lineup: John Benn Cinesite (Europe) Head of Imaging: Mitch Mitchell Cinesite (Europe) Scanning & Recording Supervisor: Lorraine Johnson Cinesite (Europe) Business Development Producer: Ben Flatter MPC Visual Effects Supervisor: Angela Barson MPC Visual Effects Executive Producers: Michael Elson, Drew Jones MPC Visual Effects Producer: Julia Wigginton Stannard MPC Visual Effects Coordinator: Paul Driver MPC Visual Effects Editor: Aled Robinson MPC Head of Visual Effects: Clwyd Edwards MPC Animation Coordinator: Julian Blom MPC Visual Effects Film Editorial: Paul Alexiou 1st Unit Publicist: Linda Gamble 2nd Unit Publicist: Katherine McCormack Second Unit Stills: Susie Allnutt Product Placement Manager: Jenni McMurrie Set Decorators: Lee Sandales, Simon Wakefield Assistant Set Decorator: Julie Pitt Assistant Prop Master: Martin Kingsley Supervising Armourer: Richard Hooper Special Effects & Miniature Effects Floor Supervisors: Peter Notley, Ian Lowe Special Effects & Miniature Effects Workshop Supervisors: Roy Quinn, Paul Knowles, Kevin Herd, Tom Murtagh Special Effects & Miniature Effects Wire Supervisor: Stephen Crawley Special Effects & Miniature Effects Coordinator Buyer: Lynne Corbould Special Effects & Miniature Effects Computer Systems Designers: Dan Stanton, Zoe Smallwood Special Effects & Miniature Effects Storeman: David Cook Senior Effects Technicians: Richard Brown, Paul Clancy, Stephen Cullane, David Eltham, Nick Finlayson, Darrell Guyon, Dave Keen, Steven Lewis, Jim Machin, Jason McCameron, Tim Mitchell, Richard Todd, John Van Der Pool, Lee Winter Production Effects Technicians: Andy Aitken, Bruce Armstrong, John Arnitt, Caimin Bourne, Conway Wickliffe Special Effects & Miniature Effects Animatronic Designers: Richard Gregory, Christopher Howes, Jamie Jackson-Moore, Tim Jordan, Ian Mitchell, Jason Reed, Andy Simm Special Effects & Miniature Effects Wireman: David Williams Production Special Effects Rigger: Jim Busby Special Effects & Miniature Effects Trainees: Michael Badley, Peter Britten Rigging Gaffers: Lee Knight, Ronnie Phillips 2nd Unit Gaffers: Ray Potter, Vince Madden Assistant Construction Manager: Seamus O'Sullivan Construction Supervisor, Bahamas: Davie Lowery Construction Coordinator: Catherine Haugh Picture Aircraft Coordinator, Aerial Units: Mike Woodley Aerial Unit Coordinator & Helicopter Pilot: Marc Wolff Helicopter Pilot, Aerial Units: David Paris Wescam Technician, Aerial Units: Glyn Williams Safety Coordinators, Aerial Units: Steve North, Tom Clode Flying Pictures Coordinators, Aerial Units: Andy Stephens, Barney Wrightson Picture Vehicles Coordinator: Darren Litten Action Vehicles Technicians: Toby Sinclair, Gary Weekes Underwater Unit A Camera Assistant: Dean Morrish Underwater Unit B Camera Assistant: Ed Lukas Underwater Unit C Camera Assistant: James Lewis Underwater Unit Electrician: Mark Campany Underwater Unit Overall Coordinator: Francois Valentine Underwater Unit Coordinator: Dave Shaw Underwater Unit Supervisor: Dean Mills Underwater Unit Assistant: Phoebe Rudomino-Dustiacka Marine Coordinator: Richard Carliss Marine Coordinator, Bahamas: Stuart Cove Gentle Jungle Coordinator: Paul 'Sled' Reynolds Animals Assistant Coordinator: Carrie L. Park Birds & Animals Coordinator: Gary Hero Supervisor for K.N.B EFX Group: Greg Nicotero K.N.B. Puppeteers: Shannon Shea, David Wogh Co-Producers, Czech Republic Crew: Matthew Stillman, David Minkowski Production Manager, Czech Republic Crew: Jasmina Torbati Unit Manager/Transport Coordinator, Czech Republic Crew: Jiri Husak 2nd Unit Production Manager, Czech Republic Crew: Jana Hrbkova 2nd Unit - Unit Manager, Czech Republic Crew: Silvia Janculova Production Coordinator, Czech Republic Crew: Katka Silna Location Manager, Czech Republic Crew: Pavel Mrkouos 2nd Unit Location Manager, Czech Republic Crew: Petr Skvor First Assistant Director, Czech Republic Crew: Mirek Lux Second Assistant Directors, Czech Republic Crew: Jakub Dvorak, Martin Sebik, Martina Gottsanhova Location Accountant (Italy): Peter Ziak B Camera Operator/Steadicam, Czech Republic Crew: Jaromir Sedina 2nd Unit & B Camera Operator, Czech Republic Crew: Milan Chadima B Camera Focus, Czech Republic Crew: Jan Carda 2nd Unit & B Camera Focus, Czech Republic Crew: Frantisek Novak B Camera Loader, Czech Republic Crew: Petr Zavrel 2nd Unit & B Camera Loader, Czech Republic Crew: Jan Skriecka Camera Trainee, Czech Republic Crew: Vaclav Sramek Video Operator - 2nd Unit, Czech Republic Crew: Viktor Lonek Video Assistants, Czech Republic Crew: Karel Schneiberg, Michal Chadima Publicity Assistant, Czech Republic Crew: Lucie Hasalova Stills Coordinator, Czech Republic Crew: Evzenie Fastnerova Publicity Runner, Czech Republic Crew: Elmar David Editing Assistant, Czech Republic Crew: Martin Hubacek Sound Assistant, Czech Republic Crew: Tomas Cervenka Casting Directors, Czech Republic Crew: Sona Tichácková, Ivan Vorlicek Extras Casting Director, Czech Republic Crew: Jirí Hrstka Casting Coordinator, Czech Republic Crew: Jirí Zevera Costume Supervisor, Czech Republic Crew: Hana Kucerová Costume Coordinator, Czech Republic Crew: Dita Valentinová Design Assistant, Czech Republic Crew: Gabriela Horská 2nd Unit Standby, Czech Republic Crew: Zuzana Art Director, Czech Republic Crew: David Baxa Standby Art Director, Czech Republic Crew: Klára Hobulova Art Department Coordinator, Czech Republic Crew: Gabriela Dolenská Assistant to Designer, Czech Republic Crew: Jakub Eliásik Graphic Assistant, Czech Republic Crew: Jan Kotík Set Decoration Coordinator, Czech Republic Crew: Marija Nikolic Props Supervisor, Czech Republic Crew: Jiri Zucek Props Coordinator, Czech Republic Crew: Barbora Barova Props Buyer, Czech Republic Crew: Pavel Hemmy Action Vehicle Coordinator, Czech Republic Crew: Jiri Fleischer Assistant Action Vehicle Coordinator, Czech Republic Crew: Lukas Bergmann Special Effects Coordinator, Czech Republic Crew: Pavel Sanger Special Effects Buyer, Czech Republic Crew: Jan Trnka Special Effects Senior Technician, Czech Republic Crew: Jiri Vater Electrical Gaffer, Czech Republic Crew: Valcav Cermak Rigging Gaffer, Czech Republic Crew: Jaroslav Hromadka Dimmer Operator, Czech Republic Crew: Darryl Polk Construction Coordinator, Czech Republic Crew: Martina Ter-Akopowa Assistant, Czech Republic Crew: Slávek Vankát C/Hand Carpenter, Czech Republic Crew: Jirí Jelínek C/Hand Plasterer, Czech Republic Crew: Tony Kollman Bursíková Line Producer, Italian Crew: Guido Cerasuolo Production Manager, Italian Crew: Sabrina Allaria Unit Manager (Venice): Fabrizio Cerato Unit Manager (Como): Claudio Lucchese Production Coordinator, Italian Crew: Claudia Cimmino Location Manager (Como): Simona Serafini Location Manager (Venice): Luisa Amendola Co-First Assistant Director, Italian Crew: Giorgia Marangoni First Assistant Director, Italian Crew: Lisa Romano Second Assistant Director, Italian Crew: Lorenzo Marangoni Art Director, Italian Crew: Susanna Codognato Set Decorator, Italian Crew: Flavio Bertini Dressing Prop, Italian Crew: Daniel Bacciu Props Buyer, Italian Crew: Paolo Cusin Armourer, Italian Crew: Massimo Cardajoli Special Effects Supervisor, Italian Crew: Gino De Rossi Grip, Italian Crew: Marco Alzetta Marine Coordinator, Italian Crew: Francesco Anfodillo Co-Gaffer, Italian Crew: Elvis Pasqual Head Grip, Italian Crew: Werner Bacciu Visual Effects & Aerial Unit First Assistant Director: Luca Lachin Unit Manager, Visual Effects & Aerial Unit: Marco Zanon Transport Manager (UK): Tony Bradley Transport Manager: Gerry Turner Transport Manager (Bahamas): Steven O. Symmonett Unit Nurse: Nicky Gregory Security Consultant: Dave Allison Premier Catering Supervisor: Peter Titterrell Filming Dates: 30 January 2006 - 21 July 2006 Cameras: Arricam LT, ST, Arriflex 235 & 435 (35mm Eastman Double-X 5222/Kodak Vision 200T 5274/500T 5279) Lenses: Cooke S4 Primes & Angenieux Optimo Zooms AR: 2.39:1 (4-Perf Super 35mm) Budget: 150 Million USD Budget AFI (2020): 192.7 Million USD Printed on: Kodak Vision 2383 Extras Casting by: Mad Dog Casting Sound Re-Recorded at: De Lane Lea Post Production LTD. Score Recorded at: Air Lyndhurst, London AVID Supplied by: London Editing Machines Main Titles Produced by: Rattling Stick Computer & Video Effects Provided by: AVC Productions Visual Effects by: Peerless Camera Company, Double Negative, Baseblack, Fuzzy Goat, Cinesite (Europe) & Moving Picture Company Digital Intermediate by: Framestore-CFC Weapons Supplied by: Crowntower LTD. Electrical Equipment Supplied by: AFM Animals Puppeteering by: K.N.B EFX Group Score Album Available on: Sony Classical Daniel Craig's Tailored Clothing by: Brioni Cranes Supplied by: Panavision Shot on: Kodak Motion Picture Film Color by: Deluxe Filmed at: Barrandov Studios , Prague, Czech Republic and Pinewood Studios, London, England Filmed on Location in: The Czech Republic, The Bahamas, Italy & England Attribute: Filmed with Panavision® Cameras And Lenses

Director / Screenplay Writer: Marc Forster Director, Tosca Production: Philipp Himmelmann Screenplay Writer: Daniel Craig Associate Producer/Financial Controller: Andrew Noakes Production Executive: David Pope A Camera / Steadicam Operator: George Richmond BSC Script Supervisor: Nikki Clapp Second Unit Director of Photography: Shaun O'Dell Second Unit First Assistant Director: Terry Madden Sound Recordist: Chris Munro Electrical Supervisor: Eddie Knight Production Manager, UK: Janine Modder Makeup Supervisor: Paul Engelen Hairdressing Supervisor: Zöe Tahir Bond Girls' Makeup & Hair: Naomi Donne Wardrobe Supervisor: Lindsay Pugh Supervising Art Director: Chris Lowe Overall Set Decorator: Anna Pinnock Overall Prop Master: Barry Gibbs Construction Manager: Stephen Bohan Stills Photographer: Karen Ballard Publicity and Marketing: Anne Bennett Promotions: Keith Snelgrove Post Production Supervisor: Michael Solinger Production Visual Effects Producer: Leslie Lerman Assistant Producer: Gregg Wilson Casting Director: Debbie McWilliams Unit Production Manager: Jeremy Johns Second Unit Production Manager: Terry Bamber First Assistant Director: Michael Lerman Special Effects Supervisor / Coordinator: Chris Corbould Production Visual Effects Designer / Unit Director: Kevin Tod Haug Stunt Coordinator: Gary Powell Second Unit Director, Panama: Simon Crane Second Unit Director: Dan Bradley Costume Designer: Louise Frogley Editors: Matt Chessé ACE, Richard Pearson ACE Director of Photography / C Camera Operator: Roberto Schaefer ASC AIC Director of Photography: Steven Parker Production Designer: Dennis Gassner Composer: David Arnold Composer, James Bond Theme: Monty Norman Performer / Writer / Producer, "Another Way to Die": Jack White Performer, "Another Way to Die": Alicia Keys Executive Producers: Anthony Waye, Callum McDougall Screenplay & Story Writers: Paul Haggis, Neal Purvis, Robert Wade Story Writer / Producer: Michael G. Wilson Screenplay Writer: Joshua Zetumer Producer: Barbara Broccoli European Casting Services: Kate Dowd Assistant Stunt Coordinators: Rob Inch, Rowley Irlam, Gianluca Petrazzi, Evangelos Grecos Stunt Coordinator's Assistant: Nicola Short Head Stunt Rigger: Diz Sharpe Fight Trainer: Marvin Stuart Campbell Stunts: Lee Morrison, Nikki Berwick, Ben Cooke, Kai Martin Production Manager - Panama: Angus More Gordon Production Manager - Chile: Chris Brock Second Assistant Directors: Toby Hefferman, Ben Dixon, Terence P. Madden Unit Manager, 2nd Unit: David Cain Location Consultant: Gusmano Cesaretti Location Managers: James Grant, Martin Joy, David Pinnington, Nick Fulton Unit Managers: Matt Jones, Mally Chung, Philip Clark, Eddie Folcarelli Assistant Location Managers: David Seaton, Lucy Williams, John West Production Coordinators: Clarissa Newman, Judy Britten, Paige Chaytor, Lulu Morgan, Philie Naughten Contracts: Iris Rose Travel: Hannah Godwin Assistant Coordinators: Bertie Spiegelberg, Arabella Gilbert Production Runners: Tom Asquith, Declan O'Brien, Charlie Salmon 2nd Unit Script Supervisor: Zöe Morgan Additional First Assistant Director: George Walker First Assistant Director, Title Sequence: Jeff Taylor Crowd Second Assistant Director: Michael Michael Third Assistant Directors: Joe Barlow, Adam Byles Casting Associate: Reg Poerscout-Edgerton Additional Casting Director, U.S.: Francine Maisler CSA B Camera Operator: Mark Milsome C Camera Operator: Chaz Baines Second Unit A Camera Operators: Peter Field, Gary Spratling ACO Second Unit B Camera Operator: Graham Hall ACO Second Unit C Camera Operator: Peter Robertson Second Unit A Camera Operator / Aerial Unit Camera Operator: Simon Jayes SOC ACO Gocam Operator: J. Patrick Daily A Camera Focus: Jonathan "Chunky" Richmond B Camera Focus: Harry Bowers C Camera Focus: David Cozens Second Unit A Camera Focus: John Gamble ACO Second Unit B Camera Focus / Palio Unit Focus: Chris Bain Second Unit B Camera Focus: Marc Atherfold Second Unit C Camera Focus: Spencer Murray A Camera Loader: Will Humphries B Camera Loader: Sebastian Barraclough C Camera Loader: Chris Clarke Second Unit A Camera Loaders: Russell Kennedy, Mark Gilmer Second Unit B Camera Loader: Alan Hall Second Unit C Camera Loader: Dean Morrish Central Loader: Tom Taylor Second Unit Central Loader: Simon Surtees Ultimate Arm Camera Operator, Boat: George Peters Ultimate Arm Operator, Boat: Michael Nelson Ultimate Arm Head Technician, Boat: Lev Yevstratov Ultimate Arm Stunts, 2nd Unit: Dean Bailey Ultimate Arm Camera Operator, 2nd Unit: Greg Baldi Ultimate Arm Operator, 2nd Unit: Michael Barnett Ultimate Arm Remote Head Technician, 2nd Unit: Alex Bunin Video Playback: John Bowman Second Unit Video Playback: Andy Shields Boat Unit Video Playback: Dillon Jones Video Assist: Tom Elgar, Sam Malone Second Video Assist: Dominic Ray Second Unit Sound Mixer: Ian Munro Boom Operator: Steve Finn Second Unit Boom Operator: Paul Munro Sound Maintenance: Jim McBride Key First Assistant Editor: Martin Corbett Production Visual Effects Editor: Derek Burgess First Assistant Editors: Tom Harrison-Read, Robin Gonsalves Second Assistant Editor: Laurence Johnson Post Production Coordinator: Anita M. Patel VFX First Assistant Editor: Simon Davis VFX Second Assistant Editor: Richard Ketteridge Editing Apprentice: Max Malagoni Supervising Sound Editor: Eddy Joseph Re-Recording Mixers: Mike Prestwood Smith, Mark Taylor Sound Designers: Jimmy Boyle, Martin Cantrell ADR Supervisor: Simon ChaseDialogue Editor: Colin Ritchie Foley Supervisor: Alex Joseph Cutting Edge Lab Contact: Clive Noakes Cutting Edge Lab Color Timer: David Rees End Titles Designer: Pauline Hume Supervising Music Editor: Dina Eaton Music Editor: Robin Whittaker Music Editor - Tosca: Mike Hicham Music Recordist & Mixer: Geoff Foster Orchestrator & Conductor: Nicholas Dodd Programming: Rob Playford, Steve Hilton Additional Arrangements: Michael Price Music Preparation: Jill Streater Ethnic Percussion & Programming: Peter Lockett Orchestra Contractor: Isobel Griffiths Trumpet: Derek Watkins Visual Effects Associate Producer: Tracey Gibbons Visual Effects Coordinators: Anna Panton, Natalie Lovatt Visual Effects Data Wranglers: Jon Brown, Holly Gosnell, Adrian Ratley Visual Effects Runner: Ben Aghdami Visual Effects Post Vis Supervisor: Gunnar Hansen Visual Effects Post Vis Artist: Matt Tinsley Art Directors: Paul Inglis, John King, James Foster, Marco Rubeo, Mike Stallion Art Director, Airplanes: Mark Harris Standby Art Directors: Peter James, Neal Callow Assistant Art Directors: Matt Robinson, Dean Clegg, Gavin Fitch, Sandra Phillips Storyboards: Martin Asbury Graphics: Heather Pollington Graphics Assistant: Laura Grant Art Department Researcher: Celia Barnett Art Department Coordinator: Anna Skrein Art Department Assistants: Will Savage, Rosie Moutrie Assistant Costume Designer: Guy Speranza Bond's Costumer: Mark Sutherland Wardrobe 2nd Unit Supervisor: Miloslav Skorepa Wardrobe 2nd Unit Key Costume: Melisa Layton-Skorepa Costume Coordinator: Sheena Wichary Wardrobe Researcher: Katie Driscoll Wardrobe Runner: Peter Goyen 2nd Unit Makeup & Hair: Andrea Finch, Norma Webb Additional Makeup & Hair: Anita Burger Makeup & Hair Engineer: Alex Rouse VP, Marketing: Stephanie Wenborn Publicist: Katherine McCormack 2nd Unit Publicist: Heather Banta 2nd Unit Stills: Susie Allnutt Stills Assistant: Gemma Pratt Product Placement Manager: Jenni McMurrie Publicity & Marketing Coordinator: Sara Aghdami Set Decorating Production Buyer: Mike King Set Decorating Assistant Buyer: Charlotte Crosbie Set Decorating Drapes Master: Cleo Nethersole Assistant Set Decorators: Fergus Clegg, Sophie Newman, Sophie Phillips, Alessandra Querzola Assistant Prop Master: Darryl Peterson Props Coordinator: Hayley Gibbs Props Assistant: Carl Peters Special Effects Floor Supervisors: Peter Notley, Ian Lowe Special Effects Workshop Supervisors: Kevin Herd, Paul Knowles, Roy Quinn, Andy Smith Special Effects Wire Supervisor: Stephen Crawley Special Effects Coordinator / Buyer: Lynne Corbould Production Special Effects Technicians: Bruce Armstrong, Ian Biggs, David Brighton, Richard Brown, Paul Clancy, Stephen Cullane, David Eltham, Nick Finlayson, Dave Ford, John Holmes, Chris Homes, David King, Steven Lewis, Tom Murtagh, Lee Rider, Paul Taylor, Richard Todd, John Van Der Pool, Cameron Waldbauer, Steve Warner, Lee Winter Production Effects Technician: Scott Armstrong Special Effects Animatronic Designers: Richard Gregory, Phil Ashton, Nick Bonathan, Tim Jordan, Jason Reed, Andy Simm Special Effects Consultant Engineer: Alan Cavell Special Effects Explosives Engineer: Charles Adcock Production SFX Riggers: Jim Busby, Mark Godleman Special Effects Storeman: David Cook Special Effects Trainees: Peter Britten, Alexander Fabre, Tom Goodman Special Effects Assistant: Emma Kay Vauter Specialist Wire Rigs Coordinator: Kevin Mathews Specialist Wire Rigs Supervisor: Dave Williams SWR Winch Programmer: Vernon "Keone" Kim SWR Wiremen: Clive Goble, Peter Graffham Action Vehicle Supervisor: Graham Kelly Action Vehicle Coordinators: Ian Clarke, Sean Thornton Action Vehicles Workshop Supervisor: Jason Marsh Action Vehicles Logistics Coordinator: Shelly O'Mahony Action Vehicles Assistant: Nicoletta Perdikos Rigging Gaffer: Ronnie Phillips 2nd Unit Gaffer: Michael McDermott Electrical Rigger H.O.D.: Bill Beenham Electrical Equipment Supplied by: Panalux Boat Unit Director of Photography: Josh Bleibtreu ASC UK & Chile Coordinator, Aerial Teams: Mike Woodley UK & Chile DC-3 Pilot, Aerial Teams: Frank Moss UK & Chile Liaison, Aerial Teams: Terry Sherman, Simon O'Connell Italy Coordinator & Pilot, Aerial Teams: Marc Wolff Aerial Unit Director of Photography, Italy: John Marzano Aerial Unit Camera First Assistant, Italy: Glyn Williams Italy Unit Utility, Aerial Teams: Steve North Production Supervisor, Aerial Unit - Mexico: Mike Fantasia Production Manager, Aerial Unit - Mexico: Omar Veytia Aerial Unit Director of Photography, Mexico: David B. Nowell ASC Aerial Unit Coordinator & Aerostar Pilot, Mexico: Craig Hosking First Assistant Director, Aerial Unit - Mexico: Michael Salven Second Assistant Director, Aerial Unit - Mexico: Robert E. Kay Location Manager, Aerial Unit - Mexico: Gabriel Perez A Camera Operator, Aerial Unit - Mexico: Joseph F. Valentine B Camera Operator, Aerial Unit - Mexico: Johnny E. Jensen Snakehead Operators, Aerial Unit - Mexico: Ronald Goodman, Dwayne McClintock A Camera Focus, Aerial Unit - Mexico: John Kairis B Camera Focus, Aerial Unit - Mexico: Donny Steinberg A Camera Loader, Aerial Unit - Mexico: Scott Ronnow B Camera Loader, Aerial Unit - Mexico: Jay C. Hager C Camera Loader, Aerial Unit - Mexico: Michael Dallatorre Spacecam Technicians, Aerial Unit - Mexico: Andrew Sych, Philip Rothwell RF Technicians, Aerial Unit - Mexico: Greg "Noodles" Johnson, Craig Proctor Video Assist, Aerial Unit - Mexico: Kevin Boyd Pilot (DC-3), Aerial Unit - Mexico: Skip Evans Pilot (Marchetti), Aerial Unit - Mexico: Steve Hinton Pilot (Huey), Aerial Unit - Mexico: John Scanlon Pilot (A-Star No. 1), Aerial Unit - Mexico: Cliff Fleming Pilot (A-Star No. 2), Aerial Unit - Mexico: Bruce Benson Co-Pilots, Aerial Unit - Mexico: Mike Patlin, Cory Fleming Ground Coordinator, Aerial Unit - Mexico: Robert Hosking Mechanics, Aerial Unit - Mexico: Mike Avalos, Steve Hinton Jr Coordinator, Aerial Unit - Mexico: Laura Veytia Set PA, Aerial Unit - Mexico: Iris Muzzo Line Producer, Italy Crew: Guido Cerasuolo Production Manager, Italy Crew: Gianluca Leurini Unit Managers, Italy Crew: Fabrizio Cerato, Roberto Leone, Marco Greco Assistant Production Managers, Italy Crew: Giorgia Passarelli, Fabio Mancini Coordinator, Italy Crew: Claudia Cimmino Supervising Location Manager, Italy Crew: Simona Serafini Location Managers, Italy Crew: Francesco Papi, Achim Staage, Nicola Fedrigoni Location Consultants, Italy Crew: Francesca Nannini, Alessandro Falassi Construction Consultant, Italy Crew: Luca Venturi Singeco Location Coordinator, Italy Crew: Anna Offelli Assistant Location Managers, Italy Crew: Bruno Keller, Daniele Di Biasi Accountant, Italy Crew: Marco Mattei First Assistant Director, Italy Crew: Luca Lachin Second Assistant Director, Italy Crew: Franco Basaglia Second Second Assistant Director, Italy Crew: Pierantonio Micciarelli Crowd Second Assistant Director, Italy Crew: Tiziana Kinkela Crowd Marshall, Italy Crew: Matteo Bertocchi Action Vehicles Coordinator, Italy Crew: Matteo Cottardis Assistant (Action Vehicles), Italy Crew: Alfred "Fredi" Schmid SFX Technicians, Italy Crew: Gino Di Rossi, Franco Ragusa, Stefano Corridori Costume Assistant, Italy Crew: Lucilla Simbari Marine Coordinator, Italy Crew: Francesco Anfodillo Gaffer, Italy Crew: Patrizio Bramucci Production Managers, Panama Crew: Anel Moreno, Victor Barriga Coordinators, Panama Crew: Raisa De Alba, Victor Chen Action Vehicles Buyer, Panama Crew: Lucas Poveda Special Effects Buyer, Panama Crew: Heriberto Martinez Assistants (Special Effects), Panama Crew: Abraham Morales, Jose Gabriel Tapia Art Department Coordinator, Panama Crew: Merixell Lombada Stillking Films Representative: Bud Thiesen Production Manager, Chile Crew: Ely Fenner Coordinator, Chile Crew: Maria Paz Zedan First Assistant Director, Chile Crew: Rene Martin Second Assistant Director, Chile Crew: Max Morales Location Manager, Chile Crew: Ronald Siefer Assistant Location Manager, Chile Crew: Fernando Toledo Art Department Assistant, Chile Crew: Marcela Urivi Production Manager, Austria Crew: Leonhard Gmur Coordinator, Austria Crew: Sylvia Schaffler Location Managers, Austria Crew: Daniel Knapp, Arnold Bucher First Assistant Director, Austria Crew: Björn Grunler Second Assistant Director, Austria Crew: Stefan Zurcher Conductor, Tosca Production: Ulf Schirmer Set Designer, Tosca Production: Johannes Leiacker Costume Designer, Tosca Production: Jorge Jara Lighting Designer, Tosca Production: Davy Cunningham Choreography, Tosca Production: Rosita Steinhauser Video Design, Tosca Production: Evita Galandu, Ueli Nuesch, Thomas Wollenberger First Assistant Director, Tosca Production: Rebecca Scheiner Project Supervisor, Tosca Production: Stefan Rippl Premier Caterers Supervisor: Peter Titterrell Premier Caterers 2nd Unit Supervisor: Carole Bulmer Premier Caterers Chefs: Tony Judd, Diego Pages Premier Caterers Craft Service: Christine Perrett Premier Caterers Coordinator: Caroline Moore HD Dailies Colourists: Darren Rae, Jamie Payne, Lee Bennett Head of Production Dailies: Jon Gray Ascent 142 Head of Department: Patrick Malone Ascent 142 Producers: Erin McGookin, Rob Farris Ascent 142 Technical Supervisor: Laurent Treherne Ascent 142 Colourist: Rob Pizzey Ascent 142 On-Line Editors: Rob Gordon, Emily Greenwood, Jon Ellis Ascent 142 Bureau Manager: John Palmer Ascent 142 Digital Film Transfer: Michael Deming CO3 Los Angeles Producer: Des Carey CO3 Los Angeles Colourist: Stephen Nakamura CO3 Los Angeles Executive Producer: Stefan Sonnenfeld ASC CO3 Los Angeles Co-Producer: Missy Papageorge Nvizage Supervisor: Nic Hatch Nvizage Lead: Martin Chamney Nvizage Artists: Michelle Blok, Isabel Cody, Faraz Hameed Painting Practice Supervisor: Dan May Painting Practice Technical Breakdown: Seeta Lingam Painting Practice Senior: Jason Wen Painting Practice Character Artist: Emiliano Nanfaro Painting Practice Artists: John Hill, Krzysztov Nemiec Painting Practice 3D Modeller: Jim Gaffney DNEG Supervisors: Ged Wright, Alex Wuttke, Victor Wade DNEG CG Supervisor: Dan Kripac DNEG Senior Producer: Jennifer Silver DNEG Line Producer: Kim Phelan DNEG Coordinator: Karen Clarke DNEG Modeller: Jon Veal DNEG Texture Artist: Andy Middleton DNEG Animator: Aysha Madina DNEG Matte Painter: Diccon Alexander DNEG Editor: Peter Oliff DNEG Studio Head: Peter Hanson DNEG CG Effects Leads: Ciaran Devine, Michael Waltl, Timo-Pecco Nieminen, Michael Parker, Nick Petit DNEG Matchmove Supervisor: Joel Prager DNEG Event Capture Research & Development: Oliver James, Ted Waine MPC Producer: Victoria Mowlam MPC Executive Producers: Christian Roberton, Drew Jones MPC VFX Supervisor: Angela Barron MPC Supervisors: Mark Curtis, Kevin Hahn, Niall Flynn MPC Senior Coordinator: Philip Greenlow MPC Model/Texture Artist: Martin Hession MPC Matte Painter: Patrick Zentis MPC FX Artists: Nicola Danese, Claire Pegorier MPC Lighting Artists: Nic Birmingham MPC Matchmove Supervisor: Anthony Abejuro MPC Editorial Assistant: Chris Coupland MPC Roto Prep Supervisor: Christine Trojanello MPC Coordinator: Lorna Dumba MPC Lead: Benedict Gillingham-Sutton Framestore Supervisor: Jon Thum Framestore Environment Supervisor: Martin Macrae Framestore Producer: Tim Keene Framestore Coordinator: Jon Keene Framestore Lead Compositors: Mark Bakowski, Christian Kaestner, Anthony Smith Framestore Lighting TD's: JP Li, Ben Loch, Patrick Lowry, Chris King, Ben White Framestore FX TD: Joe Thornley Framestore Modeller: Myles Asseter Framestore Digital Matte Painters: Danny Geursten, David Swift Framestore Environment TD: Hiroaki Muramoto Framestore Texture Artist: Sweekim Lai Framestore Editorial: Turea Blyth Framestore Camera Trackers: Lee Dexter, Simon Carlile, Carl Jackson, Melvyn Polayah Framestore Avid Operator: Lars Vinther Machine Supervisors: John Lockwood, Steve Street Machine Producer: Standish Millennas Machine Senior Compositor: Keith Devlin Machine R&D Technology: Pete Medrow Machine 3D Artists: Felipe Canfora, Sandra Guarda Daniel Craig's Tailored Clothing: Tom Ford Filming Dates: 16 August 2007 - 8 May 2008 Cameras: Arricam LT, ST, Arriflex 235, 435 Advanced, D-21, Bell & Howell Eyemo & Sony CineAlta HDW-F900R (35mm Kodak Vision2 200T 5217/Vision3 500T 5219) Lenses: Arri Master Primes & Angenieux Optimo Zooms AR: 2.39:1 (3-Perf/4-Perf Super 35mm)(HDCAM SR & Digital 4K: Two Scenes) Budget: 200-230 Million USD Budget AFI (2022): 258.9-297.8 Million USD Printed on: Kodak Vision 2383 & Vision Premier 2393 Main Titles & Visual Effects Designed & Produced by: MK12, The Ebeling Group, Double Negative, Moving Picture Company, Framestore & Machine Foley Recorded at: Shepperton Studios & Universal Sound ADR Recorded & Sound Mixed at: De Lane Lea & Real World Post Sound Editorial & Supervision by: Soundelux London AVIDS Supplied by: Pivotal Post Negative Cutting at: Cutting Edge Music Recorded at: Air Lyndhurst, London Catering by: Premier Caterers LTD Digital Intermediate Provided by: Ascent 142 Features & CO3 Los Angeles Previs by: Nvizage & Painting Practice Camera Equipment Provided by: Keslow Camera, Dalsa Digital Cinema & ARRI Media Aerial Cameras by: Spacecam Systems Soundtrack on: J. Records Shot on: Kodak Motion Picture Film Colour by: Deluxe Filmed at: Pinewood Studios, London, England Filmed on Location in: Italy, Mexico, Panama, Chile, Austria & England

Director: Sam Mendes Co-Producer / Financial Controller: Andrew Noakes Co-Producer: David Pope Script Supervisor: Jayne-Ann Tenggren Sound Recordist: Stuart Wilson Electrical Supervisor: John Higgins Second Unit First Assistant Director: Terry Madden Makeup Designer: Naomi Donne Hair Designer: Zöe Tahir Mr. Craig's Makeup: Donald Mowat Wardrobe Supervisor: Gordon Harmer Publicity & Marketing: Stephanie Wenborn Promotions: Keith Snelgrove Supervising Art Director: Chris Lowe Overall Set Decorator: Anna Pinnock Overall Prop Master: Jamie Wilkinson Construction Manager: Stephen Bohan Stills Photographer: François Duhamel Production Visual Effects Producer: Leslie Lerman Production Supervisor: Janine Modder Location Production Managers: Chris Brock, Angus More Gordon, Anthony Waye Second Unit Production Manager: Terry Bamber Post Production Supervisor: Michael Solinger Visual Effects And Miniature Supervisor: Steven Begg Associate Producer: Gregg Wilson Unit Production Manager / Executive Producer: Callum McDougall Unit Production Manager: Jeremy Johns First Assistant Director: Michael Lerman Casting Director: Debbie McWilliams Main Titles Designer: Daniel Kleinman Special Effects And Miniature Effects Supervisor / Splinter Second Unit Director: Chris Corbould Stunt Coordinator / Underwater Second Unit Director: Gary Powell Second Unit Director / Director of Photography: Alexander Witt ASC ACC Costume Designer: Jany Temime Film Editor: Stuart Baird ACE Film Editor / First Assistant Editor: Kate Baird Director of Photography / 'A' Camera Operator: Roger Deakins ASC BSC Director of Photography, Title Sequence: John Mathieson BSC Director of Photography, Visual Effects Plate Photography: Stefan Lange Production Designer: Dennis Gassner Composer / Music Conductor: Thomas Newman Composer, James Bond Theme: Monty Norman Performer / Writer, "Skyfall": Adele Writer / Producer, "Skyfall": Paul Epworth Writers: Neal Purvis, Robert Wade, John Logan Producers: Michael G. Wilson, Barbara Broccoli US Casting Consultant: Debra Zane CSA US Casting Assistant: Shayna Markowitz UK Casting Assistant: Lucy Hellier Assistant Stunt Coordinators: Mark Mottram, Lee Morrison, Peter White Fight Choreographer: Nikki Berwick Fight Trainer: Roger Yuan Head Stunt Rigger: Diz Sharpe Stunt Department Coordinator: Ami Verge Stunts: Ben Cooke, Andy Lister, Damien Walters, Scott Armstrong, Vi-Dan Tran 'A' Camera First Assistant: Andy Harris 'A' Camera Grip: Bruce Hamme 'A' Camera Key Grip: Gary Hymns Digital Imaging Technician: Joshua Gollish Re-Recording Mixers: Scott Millan, Greg P. Russell Supervising Sound Editors: Per Hallberg MPSE, Karen Baker Landers MPSE Music Editor: Bill Bernstein Video Playback: John Bowman Second Assistant Directors: Ben Dixon, Stewart Hamilton, Terence P. Madden Location Managers: James Grant, Russell Lodge, Martin Joy, Richard Hill, Matt Jones Unit Managers: Mally Chong, Duncan Broadfoot, Jon Roper, John West, Charlie Simpson Unit Manager, 2nd Unit: Fraser Fennell-Ball Assistant Location Managers: Lindsay Powell, Julia Tomlinson Location Coordinator: Kate Garbett Location Secretary: Emily Cordier Location Scouts: Philip Lobban, Elliot Meddings, Piers Dunn, Gordon McIntyre, Catherine Geray, Colm Nolan Location Assistants: Katrina Day, Jodie Gregory, Aliihsan Alkan, Matthew Craufurd, Ben Firminger, Charlie Hayes, Jonathan Hills Production Coordinators: Hannah Godwin, Paige Chaytor, Lulu Morgan, Stephanie Bamberg, Karl Caffrey, Denise Hanrahan Travel: Helen Caffrey Assistant Production Coordinators: Bertie Spiegelberg, Arabella Gilbert, Declan O'Brien 2nd Unit Script Supervisor: Susie Jones Additional Script Supervisor: Sharon Mansfield Additional First Assistant Director: Nick Heckstall-Smith Second Second Assistant Directors: Chloe Chesterton, Joey Coughlin, Andy Madden, Ray Kenny Crowd Second Assistant Director: Michael Michael Second Unit Second Assistant Director: William Dodds Third Assistant Directors: Clare Glass, Tom Edmondson Base Third Assistant Director: Eileen Yip Splinter/Miniature Unit Director of Photography: Peter Talbot 'B' Camera / Steadicam Operator: Peter Cavaciuti SOC ACO Second Unit "A" Camera Operators: Clive Jackson, Peter Field Second Unit "B" Camera / Steadicam Operators: Julian Morson ACO, Tony Jackson Splinter / Miniature Unit Camera Operator: Karl Morgan Second Unit "C" Camera Operator: Simon Finney ACO "B" Camera First Assistant: John Jordan Second Unit "A" Camera First Assistants: Jem Rayner, Rene Adefarasin, Jonathan Webb Second Unit "B Camera First Assistants: Dean Thompson Splinter / Miniature Unit Camera First Assistant: Simon Heck Second Unit "C" Camera First Assistants: David Cozens, Spencer Murray "A" Camera Second Assistant: Sacha Jones "B" Camera Second Assistant: Ryan Taggart Second Unit "A" Camera Second Assistant: Ben Plant Second Unit "B" Camera Second Assistants: Tobias Marshall, Phil Hardy, Dora Krolikowska Second Unit "C" Camera Second Assistants: Frankie Ferrari, Dean Morrish, Paul Wheeldon Central Loaders: Susan MacDonald, Sarah Armstrong "A" Camera Trainee: Cenay Said "B" Camera Trainee: Ashlea Downes Second Unit "A" Camera Trainee: Dan Gamble Second Unit "B" Camera Trainee: Alex Bender Additional Digital Imaging Technicians: Simon Jones, Nye Jones Second Unit Digital Imaging Technicians: Peter Marsden, Mustafa Tyebkhan DIT Trainee: Adam McGrady Second Unit DIT Trainee: Ali Youssef Data Technicians: William Snow, Dom Evans, Nicoletta Perdikos Specialist Rigging: Gavin Weatherall Ultimate Arm Crane Operator: George Peters Ultimate Arm Operator: Michael Nelson Ultimate Arm Technician: Paul Bashour Ultimate Arm Driver: Robert King Additional Video Playback. Martin "Sharky" Ward, Andrew Haddock Assistant Video Playback: Richard Shean, Jamie Starr, James Wade Video Assistants: William Gardner, Leya Ward Second Unit Sound Mixer: Timothy White Splinter Unit Sound Recordist: Paul Paragon Boom Operators: Grin Beaton Lloyd Dudley Sound Maintenance: Thomas Fennell Production Visual Effects Editor: Laura Jennings Second Assistant Editor: Myles Robey Third Assistant Editor: Mike Clark-Hill VFX First Assistant Editor: Ed Hall Editing Trainee: George Mitchell Editing Runner: Portia Barnett-Herrin Post Production Coordinator: Juan Carlos A. Vasquez Supervising ADR Editors: Chris Jargo, Simon Chase Supervising Foley Editor: Chris Jaeger Post Production Sound Chief Engineer: Mike Novitch Rattling Stick Main Titles Producer: Johnny Frankel End Titles Design: Pauline Hume, Ian Grech Music Consultant: Randall Poster Music Editor and Additional Source Music: Tony Lewis Music Recordist & Mixer: Simon Rhodes Assistant Engineer: Lewis Jones Technical Coordination: Ernest Lee, Lewis Morison Orchestrations: J.A.C. Redford Additional Orchestrations: Steven Bernstein, Peter Boyer, Carl Johnson Additional Arrangements and Programming: Simon Franglen Music Preparation: Jill Streater Orchestra Leader: Thomas Bowes Orchestra Contractor: Isobel Griffiths Assistant Orchestra Contractor: Charlotte Mathews Trumpet: Derek Watkins Music Coordinator: Meghan Currier Visual Effects Associate Producer: Chloe Grysole Visual Effects Coordinator: Samantha Townend Visual Effects Lead Data Wrangler / Compositor: Jack Hughes Visual Effects Data Wranglers: Giles Harding, Erran Lake, Alex Collings Visual Effects Compositor: Matt Tinsley Visual Effects Assistant: Izzy Field Visual Effects Lidar: Plowman Craven Art Directors: Paul Inglis, James Foster, Neal Callow, Dean Clegg, Jason Knox-Johnston, Marc Homes, Mark Harris Standby Art Director: Peter James VFX Art Director: Phil Sims Assistant Art Directors: Andrew Bennett, Mary Mackenzie Model Makers: Rob Jose, Liam Georgensen Storyboards: Jim Cornish, Jane Clark, Martin Asbury, John Davies Art Coordinator: Anna Skrein Publicity and Marketing Coordinator: David Coupland Unit Publicist: Heather Callow 2nd Unit Publicist: Linda Gamble 2nd Unit Stills: Jason Roland Publicity and Marketing Assistant: Jessica Simmonds Splinter / Miniature Unit Stills: Susie Allnutt Assistant Set Decorators: Fergus Clegg, Sophie Newman Set Decorating Assistant: Rachel Corbould Assistant Prop Master: John Fox Props Coordinator: Mia Summerville Military Advisor: Christopher Leccia Special Effects Floor Supervisors: Peter Notley, Iain Lowe, Paul Corbould Special Effects Workshop Supervisors: Kevin Herd, Paul Knowles, Tom Murtaugh, Roy Quinn Special Effects Wire Supervisor: Stephen Crawley Special Effects Coordinator / Buyer: Lynne Corbould Production Special Effects Technicians: Ian Corbould, Nick Finlayson, Jason Leinster, Paul Taylor, Richard Todd, John Van Der Pool, Lee Winter Senior FX Technician: Ian Corbould Special Effects Animatronic Designers: Richard Gregory, Paul Bentman, Alexander MacBride, Luke Murphy, Jason Reed, Andrew Simm, Phoebe Tait Special Effects Consulting Engineer: Alan Cavell Special Effects Modeller: Toby Marrow Production SFX Rigger: Mark Godleman Action Vehicles Supervisor: Darren Litten Action Vehicles Workshop Supervisor: Stephen Spink Action Vehicles Department Coordinator: Lorraine Edwards Production Special Effects Medic: Dave Adamthwaite Electrical Rigging Gaffer: Wayne Leach Electrical Additional Gaffer: Eddie Knight Additional Casting Director, Bosnia: Timka Grahic Additional Casting Director, China: Zoe Thompson Additional Casting Director, Germany: Annette Borgmann Additional Casting Director, Sweden: Tusse Lande Underwater Unit Director of Photography: Mike Valentine BSC Underwater Unit Coordinator: François Valentine Underwater Unit Diving Coordinator: Dave Shaw Underwater Unit Assistant Diving Coordinator: Phoebe Rudomino Underwater Unit Diving Supervisor: Tony French Marine Coordinator: Ian Creed Marine Supervisor: Michael Thorpe Blind LTD Supervisor: Andrew Booth Blind LTD Screen Graphics Designers: Ian Sargent, Shawn Yue, Joe White Blind LTD 3D Artist: Gabor Ekis Computer Digital Playback Supervisor: Chris McBride Computer Digital Playback Technician: Jon Hall Helicopter Pilots, Aerial Team: Marc Wolff, William Samuelson Aerial Unit Directors of Photography: John Marzano, Adam Dale Technicians, Aerial Team: Glyn Williams, David Arms Safety Advisors, Aerial Team: Steve North, Tom Clode, Phil Pickford Coordinators, Aerial Team: Andy Stephens, Lucia Foster-Found Aviation Consultants, Aerial Team: Mike Woodley, Ian McEwan Pilot, Flying-Cam: Jan Sperling Camera Operator, Flying-Cam: Emmanuel Previnaire Telemetry Operator, Flying-Cam: Remy Castiaux Camera Assistant, Flying-Cam: Thomas Wilski AgustaWestland Project Managers: Richard Folkes, Nigel Guppy Pilots, AgustaWestland: Andy Strachan, Don MacLane Production Supervisor, Turkish Crew: Ali Akdeniz Production Accountant, Turkish Crew: Ethan Ozugol Production Managers, Turkish Crew: Menderes Demir, Aksel Kamber Coordinator, Turkish Crew: Nevra Kocoglu First Assistant Director, Turkish Crew: Ahmet Uygen Second Assistant Directors, Turkish Crew: Melisa Kutray, Hasret Arpaci Third Assistant Directors, Turkish Crew: Burak Mujdeci, Tuci Zenginkinet Extras Casting Director, Turkish Crew: Pinar Celik "A" Camera Operator, Turkish Crew: Erkan Yilmaz "B" Camera Operator, Turkish Crew: Tolga Kultar Camera First Assistant, Turkish Crew: Hakan Tezer Camera Second Assistant, Turkish Crew: Tayman Tekin Digital Imaging, Turkish Crew: Muge Alper Camera Assistant, Turkish Crew: Joseph Yancey Grip, Turkish Crew: Hasan Ormanler Grip Assistants, Turkish Crew: Bayram Bal, Emre Selcik Gaffer, Turkish Crew: Ali Salim Yasar Boom Operator, Turkish Crew: Hasan Sayin Location Managers, Turkish Crew: Erhan Alpoundar, Umut Alkan Props Supervisor, Turkish Crew: Cagri Aydin Train Coordinator, Turkish Crew: Tolga Dundar Action Vehicles Assistant, Turkish Crew: Tolga Senturk Fathiye Unit Production Manager: Funda Odemis Fathiye Unit Coordinator: Tuba Gulmez Fathiye Unit First Assistant Director: Özge Toprak Fathiye Unit Second Assistant Director: Onur Bilgetay Fathiye Unit Third Assistant Director: Mahir Erdem Fathiye Unit Location Manager: Levent Oztekin Fathiye Unit Electrical Supervisor: Durmus Oztekin Fathiye Unit Marine Assistant: Cihan Cankaya Champion Star Executives: Bill Kong, Doris Tse Line Producer, Shanghai Crew: Chiu-Wah Lee Production Managers, Shanghai Crew: April Ye, Kim-Hung Fan Production Supervisors, Shanghai Crew: Feng-Lei Chen, Ivan Lam Coordinators, Shanghai Crew: Wing Or, Cindy Chan Assistant Production Managers, Shanghai Crew: Q. Leung, Tracy Yip Production Assistants, Shanghai Crew: Ling Miao, Max Yang Accountants, Shanghai Crew: Edmond Foon, Sheilla Tse First Assistant Director, Shanghai Crew: Sylvia Liu Second Assistant Director, Shanghai Crew: Dillon Xiang Transport & Action Vehicle Coordinator, Shanghai Crew: Martin Lau Stunt Coordinator, Shanghai Crew: Joe Chi Location Managers, Shanghai Crew: Fan-Hua Meng, Hai-Sheng Wang, Hong Zhao Premier Caterers Supervisor: Peter Titterrell Premier Caterers Chef: Tony Judd Premier Caterers Coordinator: Caroline Moore Catering Supervisor: Michael O'Farrell Chefs: Michael Cox, Richard Carmen Conservation Consultant: Simon Nobes Town Planning Consultant: Janet Long Near Set Dailies Technicians: Tom Mitchell, Jody Neckles EFilm Colourist: Marc Lulkin EFilm Operators: John Bush, Lindsey Morrow EFilm Dailies Project Manager: Alex Parrett Company 3 Colourists: Mitch Paulson ASC, Adam Glasman Company 3 On-Line Editor: Emily Greenwood Company 3 Head of Department: Patrick Malone Company 3 Producer: Rob Farris Company 3 Assistant Producer: Cheryl Goodbody Company 3 Assistants: Peter Collins, Aurora Shannon Company 3 Technical Supervisor: Laurent Treherne Company 3 Film Bureau: Fiorenza Bagnariol, Timothy P. Jones, Laura Pravone, Gordon Pratt Company 3 Data Manager: Dan Helme Company 3 Systems Administrator: Neil Harrison Executive Producer for Company 3: Stefan Sonnenfeld ASC DNEG Supervisor: Andrew Whitehurst DNEG Producer: Melinka Thompson-Godoy DNEG Executive Producer: Dominic Sidoli DNEG 3D Supervisor: Bruno Baron DNEG Senior 2D Supervisor: Steve J. Sanchez DNEG Line Producer: Paul Driver DNEG Coordinators: Genevieve Claire, Sara Khangaroot, Emma Moffat DNEG Editor: Samwise Lane DNEG CG Supervisors: David Basalla, Pascal Loef, Nick Pitt-Owen DNEG 2D Supervisors: Mike Brazelton, John Galloway, Jason Halverson DNEG Matchmove Supervisor: Ryan Seymour DNEG Digital Matte Painter: Nathan Hughes DNEG Animator: Andy McEvoy DNEG FX Lead: Pablo Gimenez DNEG 3D Leads: Chi Kwong Lo, Gal Rotter, Fabio Zangla DNEG Compositing Leads: Eva Matthes, Michael Ranalletta, Dan Snape, Jan Van De Laar, Helen Wood DNEG Roto/Prep Lead: Thomas Steiner DNEG Data Manager: Miles Drake DNEG Research and Development: Matthew Warner DNEG Tech Department: Daire Byrne MPC Supervisor: Arundi Asregadoo MPC Producer: Philip Greenlow MPC 2D Supervisor: Matthew Packham MPC CG Supervisor: Sheldon Stopsack MPC Line Producer: Gracie Edscer MPC Coordinators: Lara Lom, Claire McLaughlin, Holly Price MPC Digital Leads: Richard Baillie, Benjamin Bratt, Dan Copping, Brad Floyd, Dave Griffiths, Sameer Malik, Jerome Martinez, Mayek Rancel, Martin Riedel, Izzy Buco, Isabelle Rouselle, Peter Salter Cinesite Supervisor: Jon Neill Cinesite Producer: Carrie Rishel Cinesite CG Supervisors: Axel Axelson, Richard Bell Cinesite Compositing Supervisors: Zave Jackson, Helen Newby Cinesite Coordinator: Michelle Rose Cinesite Lead Animator: Tom O'Flaherty Cinesite Animators: Paul Lee, Dimitar Bakalov Cinesite CG Lighting Artists: Nikos Gatos, Mark Stepanek Cinesite Rigger: Rick Boyle Cinesite Lead FX TD: Jan Berner Cinesite Roto/Prep Artist: Oliver Hager Cinesite Photography: Paul Amiras, Aviv Yaron Cinesite Editor: Andrew Stevens PCC Supervisor: Paul Docherty PCC Producer: Diane Kingston PCC CG Artists: Robert Loudil, Tim Ollive, Roger Rosa PCC Digital Matte Artist: Jim Bowers PCC Senior Compositor: Paul Round PCC Editor: Simon Gretton Nvizible Producer: Kristopher Wright Nvizible Supervisor: Hugh MacDonald Nvizible CG Supervisor: Martin Chamney Nvizible Coordinator: Lisa Kelly Nvizible CG Lead: Stefan Gerstheimer Nvizible Animator: David Beyan Lola|VFX Supervisor: Edson Williams Lola|VFX CG Supervisors: Colin Strause, Greg Strause Lola|VFX Producer: Thomas Nittmann Lola|VFX Lighting TD: TJ Burke Lola|VFX Character TD: David Michaels Lola|VFX Lead Compositor: Loeng Wong-Savun Lola|VFX Senior Lighting TD: Yuji Yagasaki Bluebolt 2D Supervisor: Ed Hawkins Bluebolt Compositors: Jan Gilfoyle, Niki Papp, Simon Rowe, Fani Yassiadi Bluebolt Coordinator: Mark Webb Daniel Craig's Tailored Clothing: Tom Ford Cameras: Alexa M, Alexa Plus, Alexa Studio & Red Epic (2.8K ARRIRAW) Lenses: Arri Master Primes & Angenieux Optimo Zooms AR: 1.90:1 (IMAX Version), 2.39:1 (3-Perf Super 35mm)(5K Redcode RAW: Some Shots) Budget: 150-200 Million USD Budget AFI (2022): 182.1-242.8 Million USD Printed on: Kodak Vision 2383 Editing Equipment and Support by: Hireworks Main Titles Produced by: Rattling Stick Music Recorded & Mixed At: Abbey Road Studios & Sphere Studios, London Music Preparation by: Global Music Services Electrical Equipment Supplied by: Panalux Computer Graphics Design and Animation by: Blind LTD Aerial Team Camera Helicopters by: Flying Pictures & GDH Aviation Turkey Close Range Aerial Photography by: Flying-Cam Turkish Production Services by: Anka Films Turkish Crew Air Ambulance Service by: Skyline Aviation Chinese Production Services by: Champion Star Pictures Limited UK Catering by: Premier Caterers LTD Turkish Catering by: Bunk Catering & Turkuaz Catering Cinemascan Digital Dailies Provided by: EFilm Digital Intermediate Provided by: Company 3 London Previz & Visual Effects by: MPC, Destroy All Monsters, Double Negative, Cinesite, Peerless Camera Company, Nvizible, Lola|VFX & Bluebolt Camera & Grip Equipment Supplied by: Panavision London & ARRI Media Prints Provided by: Deluxe Laboratories London Score Album on: Sony Classical Filmed at: Pinewood Studios & Longcross Studios, London, England Filmed on Location in: Turkey, China, Japan, Scotland & England Attribute: Filmed in Panavision

Director: Sam Mendes Co-Producer: Daniel Craig Co-Producers: Andrew Noakes, David Pope A Camera Operator: Lukasz Bielan SOC Sound Recordist: Stuart Wilson Electrical Supervisor: David Smith Second Unit Production Manager: Russell Lodge Second Unit First Assistant Director: Terry Madden Supervising Location Manager: Emma Pill Re-Recording Mixers: Scott Millan, Gregg Rundolf Supervising Sound Editors: Per Hallberg MPSE, Karen Baker Landers MPSE Associate Film Editor: John Lee Post Production Supervisor: Michael Solinger Make Up Designer: Naomi Donne Hair Designer: Zoe Tahir Mr. Craig's Make Up: Donald Mowat Wardrobe Supervisor: Kenny Crouch Publicity and Marketing: Stephanie Wenborn Promotions: Jenni McMurrie Supervising Art Director: Chris Lowe Set Decorator: Anna Pinnock Prop Master: Ben Wilkinson Construction Manager: Stephen Bohan Stills Photographer: Jonathan Olley Production Visual Effects Producer: Leslie Lerman Key Unit Production Manager: Angus More Gordon Unit Production Manager (UK): Janine Modder Location Production Managers: Nick Laws, Nick Fulton, Martin Joy, James Grant Production Visual Effects Supervisor: Steven Begg Associate Producers: Gregg Wilson, Jayne-Ann Tenggren Unit Production Manager/Executive Producer: Callum McDougall First Assistant Director: Michael Lerman Key Second Assistant Director: Ben Dixon Casting Director: Debbie McWilliams CSA Main Titles Designer: Daniel Kleinman Special Effects & Miniature Effects Supervisor: Chris Corbould Stunt Coordinator: Gary Powell Second Unit Director: Alexander Witt ASC ACC Costume Designer: Jany Temime Film Editor: Lee Smith ACE Director of Photography: Hoyte van Hoytema ASC NSC FNF Production Designer: Dennis Gassner Composer/Conductor: Thomas Newman Performer, "Writing's on the Wall": Sam Smith Screenplay & Story Writers: John Logan, Neal Purvis, Robert Wade Screenplay Writer: Jez Butterworth Producers: Michael G. Wilson, Barbara Broccoli ============== Cinematographer (The Edge Crew): Ronald Hersey US Casting Consultant: Debra Zane CSA Fight Arranger: Oliver Schneider Ass't Stunt Coordinators: Lee Morrison, Craig Silva Ass't Fight Arrangers: Yves Girard, Patrick Vo Training Coordinator: Nikki Berwick Stunt Department Coordinator: Ami Verge Production Supervisors: Hannah Godwin, Kate Garbett, Lulu Morgan Add'l 1st Ass't Directors: Dominic Fysh, George Walker 2nd Assistant Directors: Terence Madden, Joey Coughlin, Chloe Chesterson 3rd Assistant Director: Frazer Fennell-Ball 4th Assistant Director: Holly Gardner 5th Assistant Director: Eileen Yip 6th Assistant Director: Clare Glass 7th Assistant Director: Mark Cockren 8th Assistant Director: Robert Madden Production Executive (Mexico): Tony Broccoli 2nd Unit DoP: Jallo Faber 2nd Unit Add'l DoP: Alan Stewart BSC VFX/Miniature Unit DoP: Peter Talbot B-Camera/Steadicam Operator: Julian Morson ACO 2nd Unit A-Camera Operators: Clive Jackson, Gary Spratling, Peter Field Add'l Camera Operator: Carlos de Carvalho 1st Assistant A-Camera: Julian Bucknall 1st Assistant B-Camera: Leigh Gold 2nd Unit 1st Ass't A-Camera: Dean Thompson, Chris Summers 2nd Unit 1st Ass't B-Camera: Sean Connor Digital Imaging Technician: Peter Welch 2nd Unit 2nd Ass't C-Camera: Tom Wade 2nd Unit 2nd Ass't A-Camera: Bruno Witt Wire Camera Operator: Gavin Weatherall Stunt Driver (The Edge Crew): Robert Dean Bailey Edge Arm Operator: Jason Tubbs Edge Head Technician: Patrick Redmond Rigging Gaffer: Warren Evans 2nd Unit Gaffer: Eddie Knight Production VFX Editor: Billy Campbell 1st Assistant Editor: Emma McCleave Ass't Film Editor: Jeremy Richardson Apprentice Film Editor: Gemma Bourne Post-Production Coordinator: Juan Carlos Vasquez Art Directors: Ben Collins, Dean Clegg, Andrew Bennett, Mark Harris Standby Art Directors: Pete James, Oliver Van Der Vijver 3D Set Designer: Gregory Fangeaux Co-Set Decorator: Sophie Newman Ass't Prop Master: Matthew Cooke Music Editors: Bill Bernstein, Yann McCullough, Peter Clarke Score Recordist/Mixer: Simon Rhodes Creative Supervisor (Graphics): John Hill Motion Graphics Lead: Barry Corcoran Senior Concept Designer (Graphics): Simon Cassels CG Supervisor (Graphics): Andy McNamara Executive Producer (Graphics): Kristy May Currie Head of Operations (Graphics): Joce Capper Head of Production (Graphics): Jules Pye Digital Playback Supervisor: Chris McBride Development Consultant: Peter Ettedgui SFX Floor Supervisors: Peter Notley, Ian Lowe SFX Lead Workshop Supervisor: Kevin Herd SFX Workshop Supervisors: Daniel Homewood, Thomas Murtagh, Roy Quinn, John Van Der Pool SFX Wire Supervisor: Stephen Crawley Production SFX Coordinator/Buyer: Lynne Corbould Production SFX Technician: Tony Edwards SFX Consulting Engineer: Alan Cavell Production SFX Modeler: Toby Marrow Production SFX Assistant: Abigail Hindle SFX Administrative Assistant: Felicity Corbould Camera Helicopter Pilots (Aerial): Fred North, Craig Hosking Camera Helicopter Pilot/Aviation Consultant (Aerial): Marc Wolff Aerial Unit DoPs: Hans Bjerno ASC, John Marzano Aviation Consultant (Aerial): Mike Woodley Aerial Unit Consultant (Mexico): Charlie Arneson Associate VFX Supervisor: Andrew Whitehurst VFX Production Managers: Samantha Townend, Ben Aghdemi Production VFX Coordinator: Simon Bennett-Leyh Production VFX Data Wranglers: Jack Hughes, Giles Harding, Wesley Froud, Ed Price VFX Lead Post-Visualization Artist: Matt Tinsley Production VFX Assistant: Matthew Ness ILM Senior Visual Effects Supervisor: Mark Bakowski ILM Visual Effects Supervisor: Chris Harvey ILM Associate Visual Effects Supervisor: Greg Kegel ILM Animation Supervisor: Michael Eames ILM Visual Effects Producers: Tim Keene, Claudia Lecaros ILM CG Supervisor: Laurent Hugueniot ILM Generalist Supervisor: Clement Gerard ILM Compositing Supervisors: Dan Snape, Matt Lane ILM Visual Effects Editor: Conor Byrne ILM FX Supervisor: Pete Kyme ILM CG Leads: Casey Yahnke, Edmund Kolloen, Enrik Pavdeja, Kate Lee, Jo Plaete ILM CG Animation Supervisor: Gang Trinh ILM CG FX Technical Director: Amit George Kuruvilla ILM CG Layout Lead: John Sissen ILM CG Generalist Lead: Kevin George ILM CG Digital Matte Lead: Stephen Ellis ILM Visual Effects Production Manager: Laurel Montgomery ILM Visual Effects Line Producer: Edward Randolph ILM Production Coordinators: Angelika Schierz, Sam Hodge, Samantha Dark, Shawn Smolensky, Timothy Trimmings, YiShan Koh ILM Production Assistants: Andrew Draper, Justine Watkins, Rebecca Jones ILM Additional Editor: Nicolas Anastassiou ILM Senior Head of Production: Randal Shore ILM General Manager & EVP: Lynwen Brennan ILM Head of Production: Sue Lyster DNEG VFX Supervisor: Jonathan Knight DNEG VFX Producer: Ken Dailey DNEG Compositing Supervisor: Daniel Rauchwerger DNEG Lead Sequence Lighter: Anthony Chadwick MPC Senior VFX Supervisor: Mark Curtis MPC VFX Supervisor: Jessica Norman MPC VFX Producer Laura Schultz MPC 2D Supervisor: Jan Dubberke MPC CG Supervisor: Bryan Litson MPC VFX Production Managers: Georgina Street, Nick Thompson Cinesite VFX Supervisor: Zave Jackson Peerless VFX Producer: Drew Jones Peerless VFX Supervisor: Paul Round Peerless VFX Line Producer: Robert Vassie Peerless VFX Editor: Simon Gretton Peerless Junior Compositor: Danit Klibansky Bluebolt VFX Supervisor: Stuart Bullen Bluebolt VFX Producer: Jan Guilfoyle Bluebolt VFX Coordinator: Panos Theodoropoulos Bluebolt Compositors: Finlay Duncan, Daniel Gardner Supervising Dialogue & ADR Editor: Chris Jargo Rattling Stick Main Titles Producer: Johnnie Frankel Framestore Main Title Sequence VFX Supervisor: William Bartlett End Titles Designers: Pauline Hume, Ian Grech Mexican Co-Producer (Mexico Crew): Stacy Perskie Kaniss Unit Production Manager (Mexico Crew): Rafael Cuervo Production Manager (Mexico Crew): Gildardo Martinez 1st Ass't Director (Mexico Crew): Javier Clave 2nd Ass't Directors (Mexico Crew): Stephanie Correa, Miguel Necoechea 3rd Ass't Directors (Mexico Crew): Eric Calatayud, Alejandro Aguado Stunt Coordinator (Mexico Crew): Gerardo Moreno C-Cam Op (Mexico Crew): Luis David Sansans AMC A-Cam Op (Mexico Crew): Marc Bellver B-Cam Ops (Mexico Crew): Felipe Perez-Burchard, Eduardo Flores Torres AMC, Kenji Katori Gaffer (Mexico Crew): Carlos Sanchez Art Director (Mexico Crew): Carlos Jacques Set Decorator (Mexico Crew): Daniela Rojas Ass't Set Decorator (Mexico Crew): Mariana Castaneda Prop Master (Mexico Crew): Patricia Cuevas SFX Supervisor (Mexico Crew): Alejandro Vasquez Action Vehicle Coordinators (Mexico Crew): Ricardo Gallarzo, Hector Salomon Music Arranger (Mexico Crew): Yamil Rezc Line Producer (Italy Crew): Roberto Malerba Italian Production Consultant (Italy Crew): Enzo Sisti Production Manager (Italy Crew): Erik Paoletti Aerial Unit Coordinator (Italy Crew): David Ambroni 1st Ass't Director (Italy Crew): Inti Carboni Add'l 1st Ass't Dir (Italy Crew): Alessia Silvetti 2nd Ass't Directors (Italy Crew): Nicola Marzano, Chiara Frosi, Alice Filippi, Luca John Rosati 3rd Ass't Director (Italy Crew): Jacopo Ardemagni Art Director (Italy Crew): Tamara Marini Set Decorator (Italy Crew): Anca Gabriela Rafan Prop Master (Italy Crew): Stefano Carbonaro Gaffer (Italy Crew): Stefano Marino Rigging Gaffer (Italy Crew): Pino Meloni Action Vehicle Coordinator (Italy Crew): Alex Wayaffe SFX Coordinator (Italy Crew): Franco Ragusa Stunt Coordinator (Italy Crew): Franco Salamon Austrian Line Producer (Austria Crew): Wolfgang Ramml Production Manager (Austria Crew): Jasmina Torbati Production Supervisor (Austria Crew): Ernst G. Vogl Production Coordinator (Austria Crew): Irene Kainz Aerial Unit Coordinator (Austria Crew): Marcel Tinzl 3rd Ass't Director (Austria Crew): Marie-Therese Hildenbrandt SFX Supervisor (Austria Crew): Matthias Brandhofer Snow Consultant (Austria Crew): Stefan Zurcher Ass't Consultants (Austria Crew): Ernst Michel, Flavio Schneider Moroccan Line Producer (Morocco Crew): Zak Alaoui Ass't Art Director (Morocco Crew): Sami Gaidi 1st Ass't Directors (Morocco Crew): Ahmed Hatimi, Tarik Ait Ben Ali 2nd Ass't Director (Morocco Crew): Yann Mari-Faget 3rd Ass't Director (Morocco Crew): Hamza Regragui Key Location Manager (Morocco Crew): Driss Gaidi Set Decorator (Morocco Crew): Abdenbi Izlaguen SFX Assistants (Morocco Crew): Brahim Ait, Abdella Ouali Picture Vehicles Coordinator (Morocco Crew): Mounir Badia DI Colorist: Greg Fisher CO3 Head of Operations: Clare McGrane CO3 Head of Production: Todd Kleparski DI Senior Producer: Kim Honeyman DI Ass't Producer: Kira Fitzpatrick DI Technical Supervisor: John Quartel DI Editors: Emily Greenwood, Stuart Nippard, Mike Austin DI Assistants: Lucie Barbier, Chris Francis DI Film Bureau: Fiorenza Bagnariol, Laura Pavone, Dan Perry, Robert Roach DI Data Wranglers: Dan Helme, Gavin McCarron DI Systems Administrator: Adam Davies DI Executive Producer: Stefan Sonnenfeld ASC Dailies Colorist: Darren Rae Additional Dailies Colorist: James Slattery Head of Production (Dailies): Jon Gray Dailies Producers: John Bush, Steve McGowan, Alex Parrett Dailies Operators: Jo Barker, Aaron Coot, John Maltby, Doychin Margoevski Filming Dates: 6 December 2014 - 5 July 2015 Cameras: Arriflex 235, 435 ES, Alexa 65, XT M, VistaVision, Panaflex XL2 & Red Epic Dragon (35mm Kodak Vision3 50D 5203/250D 5207/500T 5219 & 3.4K/6.5K ARRIRAW) Lenses: Panavision Primo AL & SL Primes, C-, E-Series Anamorphic Primes, Anamorphic Telephoto Zoom, Anamorphic Wide-Angle 2:1 Zoom, Primo 70 Primes, Arri Master Anamorphic Primes & Zeiss Master Primes AR: 2.39:1 (Anamorphic)(4-Perf Super 35mm: Mexico Sequence)(Panavision Super 70: Ending Bridge Scene)(6K Redcode RAW: Aerial Shots) Budget: 245-300 Million USD Score Recorded & Mixed at: Abbey Road Studios Main Visual Effects & Animation Provided by: Industrial Light & Magic, Moving Picture Company, Double Negative, Cinesite + Peerless Visual Effects Provided by: Bluebolt Main Title Sequence Designed by Framestore Digital Intermediate Provided by: Company 3 Shot on: Kodak Motion Picture Film Attribute: Filmed in Panavision

Director / Screenplay / Story Writer: Cary Joji Fukunaga Co-Producer: Daniel Craig Co-Producers: Andrew Noakes, David Pope A Camera / Steadicam Operator: Jason Ewart Production Sound Mixer: Simon Hayes AMPS CAS Electrical Supervisor: David Sinfield Publicity and Marketing: Stephanie Wenborn Promotions: Jenni McMurrie Stills Photographer: Nicola Dove Post Production Supervisor: Michael Solinger Re-Recording Mixers: Paul Massey, Mark Taylor Supervising Sound Editor: Oliver Tarney Overall Visual Effects Producer: Mara Bryan Overall Visual Effects Editor: Billy Campbell First Assistant Editors: Martin Corbett, Elise Anderson Hair & Makeup Designer: Daniel Phillips Personal Hair Stylist to Mr. Craig: Zoe Tahir Personal Make-Up to Mr. Craig: Polly Earn Costume Supervisor: Sarah Robinson Supervising Art Director: Chris Lowe Set Decorator: Veronique Melery Construction Manager: Stephen Bohan Prop Master: Ben Wilkinson Key Unit Production Manager: Katherine Tibbetts Supervising Location Manager: Ben Piltz Location Production Managers: Matt Jones, Martin Joy Second Unit First Assistant Director: Dominic Fysh Associate Producer: Gregg Wilson Production Visual Effects Supervisor: Charlie Noble Unit Production Manager: Chris Brock First Assistant Director: Jon Mallard Key Second Assistant Director: Matthew Sharp Casting Directors: Debbie McWilliams, Jemima McWilliams Main Titles Designer: Daniel Kleinman Special Effects & Action Vehicles Supervisor: Chris Corbould Supervising Stunt Coordinator: Oliver Schneider Stunt Coordinator: Lee Morrison Second Unit Director / Director of Photography: Alexander Witt ASC ACC Costume Designer: Suttirat Anne Larlarb: Film Editors: Tom Cross ACE, Elliot Graham ACE Director of Photography: Linus Sandgren ASC FSF Production Designer: Mark Tildesley Composer: Hans Zimmer Composer, Unused Music: Dan Romer Composer, Additional Music/Score Producer: Steve Mazzaro Performer / Writer, "No Time to Die": Billie Eilish Writer, "No Time to Die": Finneas O'Connell Executive Producer: Chris Brigham Screenplay / Story Writers: Neal Purvis, Robert Wade Screenplay Writers: Phoebe Waller-Bridge, Paul Haggis Producers: Michael G. Wilson, Barbara Broccoli Second Unit Stunt Coordinators: Yves Girard, Boris Martinez Assistant Stunt Coordinators: Pete White, James Edgell Stunt Department Manager: Matthew Star Sampson Stunt Department Coordinator: Leah Breckman Fight Coordinator: Patrick Vo Head Stunt Rigger: Grant Wiesinger Assistant Head Stunt Rigger: Marc Mailley Stunt Riggers: Voytek Modrzewski, Scott Hillier, Johnny Waligh, Charles Ramsay, Will Dent, Tolga Kenan, Ilko Iliey Bike Ramp Team: George Eccleston, John Bailey Stunt Grounds Work: Justin Barclay Stunt Health and Safety Advisor: Kameren Melford Stunt Department Assistant: Arif Macaco Fight Arranger: Gregory Loffredo Lead Bond Stunt Double: Jean-Charles Rousseau Production Supervisor: Samuel Sharpe Additional Production Supervisors: Samantha Arnold, Lulu Morgan Production Coordinator: Adele Steward Additional Production Coordinators: Kirsty Squibb, Monique Brown, Stefania Monetti Script Supervisor: Sylvia Parker Second Unit Script Supervisor: Susie Jones Assistant Script Supervisors: Jenny Wood, Marie Lacey Consultants, Script: Nick Cuse, Jenny Robins Partnerships Licensing Consultants, Finck Global: Niki Turner, Suzy Littlejohn, Samantha Blanchard Eon Head of Creative: Heather Callow Licensing: Michael Tavares Eon Publicist: Rosie Moutrie Splinter Unit Director of Photography: Jo Eken Torp FSF A Camera Operator: Chris Plevin B Camera Operators: Ossie McLean, Oliver Loncraine Second Unit A Camera Operators: Clive Jackson, Gary Spratling ACO Second Unit C Camera Operators: Tim Wooster, Peter Field Splinter Unit Camera First Assistant: Endre Torp IMAX Technicians: Stuart MacFarlane, Mike Hintermeister Panavision Technicians: Amanpreet Sahota, Raymond Fisher, Francesco Scopellti Second Unit Gaffer: Toby Tyler Rigging Gaffer: Toom O'Sullivan 2nd VFX Editor: Carlo Milillo Senior Art Director: Mark Harris Ass't Prop Master: Matthew Cooke Ass't Set Decorator (JAM & IT): Luc Grootaert Junior Ass't Set Decorator: Alice Phelps SFX Floor Supervisors: Ian Lowe, John Van Der Pool Production SFX & Action Vehicles Buyer & Coordinator: Lynne Corbould SFX Workshop Supervisors: John Arnitt, Michael Fox, Kevin Herd, Dan Homewood, Tom Murtaugh Action Vehicle Supervisor: Neil Layton Wire SFX Supervisor: Steve Crawley SFX Consulting Engineer: Alan Cavell Automation Senior SFX Technicians: Andrew Smith, Alex MacBride Production SFX Technician: Toby Marrow SFX Ass't Technician: Marc Headland Animatronic Model Designer: Lindsay Harris Production SFX Rigger: Jim Bubsy Picture Vehicle Coordinator: Gary Weekes Picture Vehicle Department Coordinator: Mandy Weekes Picture Vehicle Workshop Supervisor: Andy Ellis Water Safety Supervisor: James Mitchell-Clyde Picture Aircraft Coordinator: Steven Moth Aerial Unit DoP: John Marzano Aerial Unit Camera Operator: Phil Arntz Drone Unit DoP/A-Cam Op: Andrew Rowlands SOC Drone Unit B-Camera Operator: Steve Koster Drone Unit C-Camera Operator: Stephen Oh Co-Supervising Sound Editor: James Harrison Sound FX Designers: Michael Fentum, Bryan Bowen, Eilam Hoffman Music Supervisor: Randall Poster Supervising Music Editor: Chris Benstead Electric Guitar Musician: Johnny Marr Trumpet Musician: Arturo Sandoval 2nd VFX Producer: Anna V. James 2nd Unit VFX Supervisor: Richard Bain VFX Production Manager: Alex Belgeonne Senior VFX Coordinator: Lisa Wakeley Production VFX Data Wrangler: Steven Barham TPO VFX Supervisor: Matthew Tinsley DNEG VFX Supervisor: Joel Green DNEG VFX Producer: Paul Edwards DNEG Global Head of Production: Rohan Desai DNEG Senior Stereo Supervisor: Barry O'Brien DNEG Stereo Producer: Richard Edwards DNEG Senior Vice President (Stereo): Lindsay Kaiser DNEG Head of Production: Gaurav Jain Framestore VFX Supervisor: Jonathan Fawkner Framestore VFX Producer: James Turner Framestore Creative Supervisors (Main Titles): Stephen Goalby, Jules Janaud Framestore Head of 2D (Main Titles): Suzanne Jandu Framestore Main Titles Producer: Victoria Lovejoy ILM Senior VFX Supervisor: Jeff White ILM Lead VFX Supervisor: Mark Bakowski ILM VFX Supervisor: Gerard Diefenthal ILM Associate VFX Supervisor: Bruno Baron ILM Compositing Supervisors: Denis Scolan, Siskit Boonyodom ILM VFX Producer: Rob Shears ILM CG Supervisor: Steve Ellis ILM Production Managers: Kane Stewart, Eranke Weerasuriya ILM Lighting Technical Directors: Boyan Baynov, Leonardo Bianchi ILM Animation Supervisor: Gang Trinh ILM Lead Compositor: Wesley Roberts ILM VFX Production Manager: Donna Smith ILM VFX Line Producer: Guillaume Roche ILM VFX Production Coordinator: Lauren Nichol ILM Senior VFX Coordinator: Matteo Veglia Cinesite VFX Supervisor: Salvador Zalvidea Cinesite VFX Producer: Martina Silharova Cinesite VFX Editor: Chris Learmonth Cinesite VFX Production Manager: Peter Orliff Lola VFX Supervisor: Loeng Wong-Savun Lola VFX Compositing Supervisor: Edson Williams Lola VFX Executive Producer: Thomas Nittmann Lola VFX Accountant: Jamie Lefebvre Lola VFX Producers: Allison Glennon, Allison Paul Lola VFX Pipeline Engineers: Scott Jepson, Jason Gandhi Lola VFX Editor: John Polyson Lola VFX Matte Painters: Sun Lee, Rob Olsson Blind CG Supervisor: Andrew Booth Blind CG Producer: Helen Baker Blind Screen Graphics Designer: Miles Corless Territory Studio VFX Supervisor: Andrew Popplestone Territory Studio Graphics Supervisor: Clayton Welham Territory Studio Motion Graphics Artist: Sam Keehan Territory Studio Graphics Producer: Amy Smith Territory Studio Executive VFX Producer: Tom McLaughlin Rattling Stick Main Titles Producer: Johnnie Frankel End Titles Designer: Matt Curtis Line Producer (Norway): Per-Henry Borch Unit Production Manager (Norway): Tor Arne Øvrebø Gaffer (Norway): Thor Erik Løkken Supervising Location Manager (Norway): Jonas Fylling Christiansen Ice Consultant (Norway: Ice Work): Thomas Orderud Ass't Set Decorator (Norway): Hedda Virik SFX Supervisor (Norway): Pål Morten Hverven Line Producer (Jamaica): Natalie Thompson Art Director (Jamaica): Michelle 'Sim' Clarke Ass't Set Decorator (Jamaica): Donna Noble Floor 3rd Ass't Dir (Jamaica): Kurt Wright Gaffer (Jamaica): Earl Brown Props Master (Jamaica): Michele Braham Ass't Props Master (Jamaica): Dwight 'Courtney' Durant Ass't Picture Vehicle Coordinator (Jamaica): Jason Lawson SFX Supervisor (Jamaica):Dwight Ramsay SFX Technician (Jamaica): Byron Smith Production Manager (Scotland): Mally Chung Line Producer (Italy): Enzo Sisti Production Manager (Italy): Vito Colazzo Art Director (Italy): Tamara Marini Ass't Art Director (Italy): Romolo Pompa Co-1st Ass't Director (Italy): Gwyn Sannia 1st Ass't Director (Italy: West Coast): Leopoldo Pescatore 2nd Ass't Director (Italy): Alessandra Fortuna Supervising Location Manager (Italy): Robin Melville Props Master (Italy): Antonio Murer Picture Vehicle Coordinator (Italy): Mike O'Shea SFX Supervisor (Italy): Pasquale Catalano SFX Pyrotechnic Supervisor (Italy): Danilo Bollettini Stunt Coordinator (Italy): Franco Maria Salamon Ass't Stunt Coordinator (Italy): Giorgio Antonini Exec Producer (Faroe Islands): Jon Bjarni Gudmundsson Production Manager (Faroe Islands): Jon Hammer Supervising Digital Colorist: Matt Wallach Add'l Finishing Colorist: Chris Francis Senior Finishing Editor: Tom Sudgen Finishing Editors: Stuart Nippard, Nikoleta Lanakova, Shing Hong Chan, Mike Austin Finishing Producers: Leigh Myers, Hannah Perkins, Laura Metcalfe Finishing Coordinator: Francois Kamffer CO3 Production Coordinator: Cody Cardarelli Executive Finishing Producer: Stefan Sonnenfeld ASC Dailies Producer: Gemma Saunders CO3 Head of Imaging: Paul Doogan CO3 Head of Production: Todd Kleparski CO3 Account Executive: Jon Gray CO3 Head of Operations: Claire McGrane Vision3 Stereoscopic Supervisor: Chris Parks Vision3 Stereo Producer: Vanessa Anderson Vision3 Stereo Production Manager: Peter Amies Vision3 Stereographer: Angus Cameron Vision3 3D Editor: Steven Mates Vision3 3D Coordinators: Katie Mitchell, Anders Johannes Bendstrup Filming Dates: March 2019 (2nd Unit Filming), 28 April 2019 - 25 October 2019, December 2019 (Pick-Up Shots) Cameras: Arriflex 235, 435 ES, 765, IMAX MKIV, MSM 9802, Panaflex XL2 & System 65 Studio (35mm/65mm 50D 5203/250D 5207/500T 5219) Lenses: Panavision C-, E-, G-Series Anamorphic Primes, Sphero 65 Primes, Hasselblad Primes & Zeiss 765 Primes AR: 1.43:1 (IMAX Laser Version: Some Scenes), 1.90:1 (IMAX Digital Version: Some Scenes), 2.39:1 (Anamorphic) Budget: 250-301 Million USD EPK Provided by: The Workhouse Picture Company Social and Digital Media Capture by: Accelerated Intelligence Shot on: Kodak Motion Picture Film Score Recorded at: Air Lyndhurst Score Mixed at: Remote Control Productions In-House Visual Effects Provided by: TPO VFX Visual Effects, Graphics, Animation, Main Title Sequence & 3D Stereo Conversion Designed by: Industrial Light & Magic, Double Negative, Framestore, Cinesite, Lola VFX, Blind LTD + Vision3 Color, Finish & Dailies Provided by: Company 3 Attribute: Filmed in Panavision/IMAX