I will be very honest, I wouldn't have said that about Children of Men four years ago. When I saw it for the very first time, I didn't like it very much, while I loved the cinematography, direction and soundtrack I found it rather dull and confusing. On rewatch some time ago, I was dumbfounded at how wrong I was initially, and since again it has very quickly become a favourite of mine.
I do agree that there is the occasional surfeit of plot exposition and that it is slow. However, the story with its wonderful concept left me transfixed throughout. As for it being slow, I got the impression it was meant to be slow to add to its haunting atmosphere. Also Children of Men is one of those movies I think that you need to see more than once to truly appreciate it.
The soundtrack is very well chosen and beautifully incorporated into the story. The two John Tavener songs were very beautiful and haunting, and brilliantly performed. Jarvis Cocker's Running the World was okay, while the Shostakovich was a real treat. Same with Ruby Tuesday. My favourite was Mahler's amazing Kindertotenleider, sublimely sung by the king of Leider(for me anyway) Dietrich Fischer-Dieskau.
The acting is very good. Clive Owen is really quite excellent in the lead, with a brooding and charismatic presence this is the best I have seen him act. Julianne Moore is lovely and very believable. Michael Caine is the real star of the cast though, his turn here is simply glorious.
The best assets of Children of Men are the visuals and direction. Children of Men is a triumph when it comes to visuals. The decision for the use of hand-held camera was a risk but it worked so well with the dark and affecting atmosphere. The scenery is also miraculous and the colours are wonderful. But for me, this is Alfonso Cuaron's movie, a very underrated film-maker Cuaron's direction is absolutely superb.
Overall, maybe not completely flawless but amazing. I also disagree with the naysayers that it is overrated, in my opinion it is the other way around. This film is very well made, has a great soundtrack, an interesting concept and story, exhilarating action sequences, fine acting and I seriously think Cuaron should have more credit for his direction here. Maybe not for everyone, but I loved it, something that I almost definitely wouldn't have said four years ago. 10/10 Bethany Cox
I do agree that there is the occasional surfeit of plot exposition and that it is slow. However, the story with its wonderful concept left me transfixed throughout. As for it being slow, I got the impression it was meant to be slow to add to its haunting atmosphere. Also Children of Men is one of those movies I think that you need to see more than once to truly appreciate it.
The soundtrack is very well chosen and beautifully incorporated into the story. The two John Tavener songs were very beautiful and haunting, and brilliantly performed. Jarvis Cocker's Running the World was okay, while the Shostakovich was a real treat. Same with Ruby Tuesday. My favourite was Mahler's amazing Kindertotenleider, sublimely sung by the king of Leider(for me anyway) Dietrich Fischer-Dieskau.
The acting is very good. Clive Owen is really quite excellent in the lead, with a brooding and charismatic presence this is the best I have seen him act. Julianne Moore is lovely and very believable. Michael Caine is the real star of the cast though, his turn here is simply glorious.
The best assets of Children of Men are the visuals and direction. Children of Men is a triumph when it comes to visuals. The decision for the use of hand-held camera was a risk but it worked so well with the dark and affecting atmosphere. The scenery is also miraculous and the colours are wonderful. But for me, this is Alfonso Cuaron's movie, a very underrated film-maker Cuaron's direction is absolutely superb.
Overall, maybe not completely flawless but amazing. I also disagree with the naysayers that it is overrated, in my opinion it is the other way around. This film is very well made, has a great soundtrack, an interesting concept and story, exhilarating action sequences, fine acting and I seriously think Cuaron should have more credit for his direction here. Maybe not for everyone, but I loved it, something that I almost definitely wouldn't have said four years ago. 10/10 Bethany Cox