My wife and I attended a screening of Lisa Frankenstein (2024) this evening. The storyline follows a young lady whose mother was recently killed by an ax murderer. Her father remarries, and they move to a new home with her new mom and stepsister. A nearby haunted graveyard becomes her fascination, especially a young man's tombstone. One day, her prayer and lightening revive him, but he needs new body parts.
Directed by Zelda Williams in her major motion picture debut, the film stars Kathryn Newton (Ant-Man and the Wasp: Quantumania), Cole Sprouse (Riverdale), Liza Soberano (Trese), Carla Gugino (The Fall of the House of Usher), and Joe Chrest (Stranger Things).
The film is unfortunately uneven and has a solid beginning reminiscent of Edward Scissorhands, capturing an early Tim Burton feel with its 1989 setting. The attire, soundtrack, sets, and cinematography contribute to this atmosphere. The opening credits' animation and creative sets are praiseworthy, and the dialogue exudes cleverness with a perfect dark comedy feel. While horror elements and kills are hit or miss, the film showcases elite slow-motion blood splatter (making me wonder why more films don't leverage that special effect). However, certain scenes, like the awkward backing away and police interrogation, feel forced and out of place. The hunched-over walk scenes also detract from the overall tone. The ending, however, is a positive note.
In conclusion, Lisa Frankenstein has worthwhile elements but falls short of its potential. I would score this a 5/10 but recommend watching it once. This does have a target audience that will love it.
Directed by Zelda Williams in her major motion picture debut, the film stars Kathryn Newton (Ant-Man and the Wasp: Quantumania), Cole Sprouse (Riverdale), Liza Soberano (Trese), Carla Gugino (The Fall of the House of Usher), and Joe Chrest (Stranger Things).
The film is unfortunately uneven and has a solid beginning reminiscent of Edward Scissorhands, capturing an early Tim Burton feel with its 1989 setting. The attire, soundtrack, sets, and cinematography contribute to this atmosphere. The opening credits' animation and creative sets are praiseworthy, and the dialogue exudes cleverness with a perfect dark comedy feel. While horror elements and kills are hit or miss, the film showcases elite slow-motion blood splatter (making me wonder why more films don't leverage that special effect). However, certain scenes, like the awkward backing away and police interrogation, feel forced and out of place. The hunched-over walk scenes also detract from the overall tone. The ending, however, is a positive note.
In conclusion, Lisa Frankenstein has worthwhile elements but falls short of its potential. I would score this a 5/10 but recommend watching it once. This does have a target audience that will love it.