A dark comedy in perfect frame. Serial killers ( three ), a beautiful house ( in fact, it can be the star of film ), irony in nice doses and educational end.
The first part remains the familiar experience for many of us. The first days of lockdown, the radical decision, the help for stranger .
The second reminds old fashion comedies, sure, the level being different.
And the last part is very...feminine, from the presence of vulnerable Lilith, admirable interpreted by Stephanie Wall to the last scene, reminding the feminine pragmatism in all its beauty.
The first part remains the familiar experience for many of us. The first days of lockdown, the radical decision, the help for stranger .
The second reminds old fashion comedies, sure, the level being different.
And the last part is very...feminine, from the presence of vulnerable Lilith, admirable interpreted by Stephanie Wall to the last scene, reminding the feminine pragmatism in all its beauty.
