88 (II) (2015) User Reviews

Not the kind of movie I expected.

[svartamoln · 4/10 · 9 January 2015]

Must confess I'm quite disappointed after watching this because it seemed to be a good movie and I thought it would be so but it wasn't, I got bored several times. If you watch this you will see many deaths, a lot of blood and a storyline that could be great. There are two things I really liked about this movie, the first one is the fact that at first the storyline gets really confusing, flashbacks here, flashbacks there, two girls on scene (two personalities), one single actress, you don't know which one is real and which one isn't so you want to know how this story will end because you really don't know what's happening and that kept me watching the movie until the end. The second thing I liked was of course the acting of Katharine Isabelle, I really don't know why this girl isn't in a Hollywood movie, she is sufficiently good to be part of a big project, she is even better than those well-paid actresses that their only talent is to be pretty, anyway she did a really good job making the storyline more realistic, but despite her good acting there's nothing she could have done to enhance this movie because the director and the writers are responsible for the poor results, in my opinion clearly.

Finally I can't recommend this movie, 4 stars is the best I can give and most of it was thanks to Katharine Isabelle.

Almost redeemed itself. Almost....

[rprince-832-6294 · 6/10 · 11 February 2015]

-88 (2015) movie review: -88, which is already on Netflix?, is an action thriller about a girl who's former mob-ish boss kills her fiancé, so she goes nuts and tries to kill him. Only problem is that after the incident, she develops a sort-of new, mild personality that does not remember anything; an event that happens after traumatic events occasionally.

-I feel like 88 had the proper amount of cheesy and lame elements in it for me to hate on it, but then it threw in just enough good elements for me to say 'Eh' about it. So here is an 'eh' review: -The story feels new, but every element of the way they did the story, from the Reservoir Dogs past-to-present cuts, to the quick flashback cuts from EVERY MOVIE EVER, so literally the same ending as Rage. Okay, not the same, but similar. In fact, this film is 2015's Rage.

-The pace is good, but the flashbacks are even out of order, making some of them feel unnecessary, and making the film feel a little too long. For an 88 minute film.

-The acting. So Katharine Isabelle did a fine job. She was believable, but not great. She really tried hard. Christopher Lloyd did a fine job. He was believable and good, but he did not really have to try, and it shows. Tim Doiron is pretty bad. And Michael Ironside showed up in it, hurting my opinion of the film even more with his generic acting.

-The characters are all generic and cliché. Like I said, this film offers little-to-nothing new.

-The music was weird and almost Tarantino weird. Almost.

-A few of the scenes I thought were good and well done, and others I thought were student-film quality. Like 'Oh my gosh. I can't believe they are not dead.' I will give mega props to the ending. Although I totally should have known how it would end, I thought the ending helped pull the film out of the 'eh' for me. Like Rage from 2014….

-88 is also Rated-R for language, a somewhat strong amount of underwear, and bad blood effects everywhere.

-Anyway, 88 had a few redeeming features like the actual story or the ending, but I don't think they quite make up for bad fights, lame characters (and actors), and cliché everythings. As good as the ending was, 88 is not really worth the time.

ambitious confused mess

[SnoopyStyle · 4/10 · 23 January 2022]

Gwen (Katharine Isabelle) suddenly notices that she's at a diner in a fugue state. She has flashes of memories and troubling signs. She finds a gun in her bag and accidentally shoots the waitress. She escapes from the cops and continues her crime spree.

This is a mess. The bigger question is if it's a fitting mess. The premise is that Gwen is confused but the movie ends up confusing me. This is definitely ambitious and I can applaud that. It's just not done well. I do like the actors. I expected Isabelle to do two completely differing characterization for before in her flashbacks and after the diner. That should be the better path.

Not even remotely worth your time

[thefolenangel · 3/10 · 8 January 2015]

Well you know how you hear about this story, about this girl, that will revive an old movie plot in modern times...well this is definitely what you won't like about it.

Constant flashbacks, make you fell like a moron for not understanding the storyline.

Cops are terrible shooters in this movie, it took them three tries to shoot a guy. They finally manage to do that when he was shooting in the police precinct.

A lot of clichés from the cinema world are in this movie.

This movie gets this high of a rating, just because the main character was played right. She was sexy, hot - when angry persona, and confused, scared when normal herself - still a cliché, but the actress did a good job.

Disjointed Cliché of Violence and Revenge and a Waste of Talent

[CelluloidDog · 3/10 · 3 February 2015]

Actual rating 3.3/10 mainly due to the ability of cast: Katherine Isabelle, Christopher Lloyd, Michael Ironsides and a special mention to director April Mullen.

First, the movie is a cliché of the Hollywood (Canadawood) B cinema of girl goes gun crazy for revenge. Exploitation films usually run it after a rape or family violence but in this case it's boyfriend revenge. At least so we think. So it draws comparison with the superior Kill Bill. But it lacks the style and coordination of Kill Bill. In many ways, it tries to be Memento, also another superior film, but it is far more disjointed with too many cuts, parallel time(?!) and flashbacks which only makes the film confusing and nonsensical.

It's also disjointed in its treatment of its own title 88. The first 20-30 minutes it does build on it. So there's some interest. And someone pointed out 88 has a significance with Christopher Nolan's Back to the Future. Which adds to the interest. But somewhere in the middle, the film is confused and forgets about its own title. So why 88? It actually means very little after a bit of number play in the first 20 minutes.

It's like if you ever meet someone or have a friend who's had a drug or mental issue. Someone who experiments on drugs. They never make sense. And the experiment goes bad. I'm not sure how other reviewers give it a higher rating (or how did it get a 4.5/10 here, which tells you, it definitely can't be a good film). But keep in mind, often lesser films on IMDb get high ratings due to the limited reviewers being probably connected to the film (e.g, friends, employees) or strong fans. After a few hundred reviews or with time and loss of enthusiasm, it often goes down in ratings. (So why do I review it? I like reviewing both good and bad films. No real reason in particular but if I have time and the film strikes me in a way, in this case, Isabelle, Nolan and how they can be in a poor film).

Our heroine Katherine Isabelle plays Gwen, Gwenny or Flamingo. That is, yes, she doesn't have a clear identity or fugue state as the movie opens. One thing is for the main character to have a fugue state but the whole film is a fugue state. A woman who kills several people accidentally or intentionally? Are we supposed to sympathize with our character? Trying to draw into the character and making the film imitate the character doesn't accomplish much. Imagine The Hobbit being a short film on a small screen because the main characters are dwarfs and hobbits. And the men in this movie either get killed, kill themselves or die trying to protect her. It seems she had a violent past int he end but she never showed on police records although her associates (e.g, Cyrus) did. I'm not sure why what's so special about her, that people try to protect her.

Basically the film is trash like the sets as someone inquired where was this film so badly shot? It's like trash like its trashy characters. I almost never say that for any film but it's a rare film, maybe a 1 in 40 or 50 films. Yes, that bad but not the worst. 90% of my films I rate are 4/10 and above on IMDb. Nothing special about directing (rather poor), screenplay, cinematography, all substandard.

Just hardly worth watching, except for the somewhat good, curious casting: Christopher Nolan emerges from his Back to the Future to play a aged hood, Michael Ironsides always plays the cliché cop (or villain), and Katharine Isabelle gives a very good performance. She was terrific in American Mary, which is an underrated film on IMDb at 6.3. I would give it more a 7.0/10 if you can stand the gore and appreciate the originality. 88 tries to emulate that originality of character but falls very short. Special mention to April Mullen who plays Lemmy, a far more interesting character than as the director of this movie. It's a short cameo role as the gun dealer Lemmy who has a bizarre but funny flip sign in her abode/store. Probably the best moment of the film.

Without the cast, it would be a 2 or 2.5/10 or bottom 1 out of every 200-300 films. Just really, really bad without the main characters. But you may want to tolerate this film if you have nothing else to do but see what Katherine Isabelle or Christopher Nolan can do. But I think they themselves would rather not see this film on their own resume. It is that forgettable and straight to netflix.

Not exactly the followup film for Isabelle we were expecting... (sigh)

[A_Different_Drummer · 3/10 · 6 January 2015]

Short Review: This writer wrote a very positive review of American Mary (here on the IMDb) noting that it was not only a superbly produced and directed little indie, but that it finally gave Isabelle room to shine, and she was brilliant in it. The implication was that casting directors would take note and her next film would be a step up .... well, that did not exactly happen....

Longer Review: To understand this film you need to understand two things initially:

(a) The films made and distributed in the 1970s were a reaction by film-makers to industrial-quality and soul-less films produced in the 60s, possibly the last decade where the big studios from the 1930s still held sway. The films of the 70s -- now almost a "lost decade" to reviewers -- deliberately broke all the rules of editing, pacing, cinematography, continuity ... to be different, to make a point. As such, they succeeded, but they still were not especially good films, nor did audiences get much joy from them.

(b) what the Canadian and Austalian film industry have in common is that both are creatures of government fiscal policy, not responses to viewer demand. In other words, both were artificially created by bureaucrats. In the case of Canada, the industry lucked out when American producers, fed up with high costs and tough unions, saw a chance to reduce top-line costs by shooting in the North. While the Canadian industry is financially successful, and has spawned some excellent product, it still remains the easiest venue in which to produce knock-offs, bad sequels, and B-movies where the main goal is a successful financing and not necessarily a satisfied audience.

SO...

With these two concepts firmly in mind, I would opine that Isabelle's much-awaited followup to American Mary is, disappointingly, a weird and vacuous homage to the 70s style of film-making, featuring an incomprehensible plot, erratic direction and editing, and massive stretches with no dialog at all because -- frankly -- that saves even more top-line money for the production. That it was produced in Canada only serves to emphasize how this was at its core a financial exercise, not an artistic one. And to those reviewers who dare suggest that the presence of Christopher Lloyd and Michael Ironside somehow raises this to an A-class production, all I can say PA-LEEZE, the former is at a point in his career where any work is good work; and the latter has of late mainly become a voice actor for animation. (The fact that Ironside himself is Canadian and started his career by making Canadian films in the 70s only adds a new and un-needed sheen of irony to any discussion of "88").

A surprisingly good little thriller

[jtindahouse · 7/10 · 6 July 2015]

Two thing's come to mind with the movie '88'. Quentin Tarantino and 'Memento'. Director April Mullen has done her best to show us what it would have been like if Tarantino had made 'Memento', instead of Christopher Nolan. The result? Not all that bad. The film doesn't reach the intellectual capacities of 'Memento', but focuses more on the style. And while it doesn't come off in every scene, the overall result is pretty good.

The interweaving time lines are handled well. Thing's can get very confusing in these types of films but Mullen does a good job of keeping things easy enough to follow along with. Katharine Isabelle was excellent in the lead role, particularly in the flashback storyline. The rest of the cast were admittedly not great (Ironside and Lloyd were passable) but that is forgivable in a low-budget film like this. While the film never reaches anywhere near the potential a Tarantino or Nolan is capable of, it still isn't half bad. Worth giving a chance.

Hated it - just because I really did

[dredstimpson · 1/10 · 7 June 2015]

Hated it - just because I really did

Well, no, not really. The lead is quite believable, but I have to give it 1 star just to offset the incredible amount of people who think this is a 10. It's more like a 4-5 movie, straight-to-video I would imagine.

The only reason I am writing this is because I forced myself to finishing watching until 2 in the morning and it just wasn't that good.

Yay! Katharine Isabelle! - Nice job, crappy movie.

Action was decent, but laughable.

This may be a great movie for law enforcement. I'm not in law enforcement, and I don't own any firearms, but I'm fairly certain that if I did I wouldn't be in a fire-fight in any manner of how these individuals acted with a gun in their hand. Totally laughable!

Story line was convoluted at best. Some flashbacks, dark scenes, it seemed like there were two or three timeless, but they were not effective in anyway except to account for lack of plot.

Speaking of a lack of plot, there were too many songs which were supposed to bridge over lulls in the plot. (Always a bad thing in any movie, music can enhance, songs are used in lieu of a plot). (It can be done, it's just very difficult)

So, after all that, I changed my mind 3/10, but still 1/10 to add balance to the rating.

oh, one more thing; I have no idea what Christopher Lloyd was saying most of the time (bad sound or he just mumbled a lot, I'm not sure).

I was surprised.............

[bill-37-3753 · 7/10 · 8 September 2015]

Every once in awhile you see a movie and get surprised at least I do. Nowadays anyone with half a brain can see a bad movie coming..... This movie had me thinking B - Grade movie. Names were not to familiar to me. Katherine Isabelle was awesome and surprised the heck out of me. Yes, it was a little bit to much to follow , here , there , this time , that time but I settled in.........on the performance of Katherine. I would say it is a must see over a lot of movies with higher billing and more famous stars. The 10 lines.........agh. Cool movie , surprisingly good actress carrying the entire movie with ease. Katherine Isabelle is stunning in more ways than one in this performance hope to see her do more.

Please do something original Hollywood.

[erik_ross · 2/10 · 16 January 2015]

I liked this movie better the first time I saw it when it was called Kill Bill. This is why I hate that the movie industry is going after illegal downloaders instead of tackling the real problem that is over priced repetitive garbage. There have maybe been 5 original movies in the last ten years, yet they charge $40 for a Bluray (I'm not even talking about those god awful reboots, Robocop, Total Recall, Karate Kid, Spiderman's (ad nauseam) etc.). Netflix has done a great job of proving that this garbage at a reasonable price is working, but "big Hollywood" wants to put the brakes on it because they aren't milking us for enough money from that system. Yet another great film based on another original premise, good for you.

Good movie & very strong performance from Katherine Isabelle

[miller_ray · 8/10 · 10 January 2015]

88 starts with our main character lost and confused in a diner, and through multiple story threads we find out how she got there and where she is going. That's all I want to say about the story, because the less you know the more I think you'll enjoy the movie.

I thought 88 had a very "Memento-ish" feel to it, in that by design the viewer is very disoriented and along the way you gather information along with the main character until the inevitable "aha" moment and climax. I thought the pacing was great, the actors did a terrific job, and while I have no idea what the budget was for 88 it felt like a major feature film.

Speaking of the actors, Katherine Isabelle OWNS this movie. I want to go back and re-watch, but if I'm not mistaken she is in essentially every scene in the movie. Plain and simple, 88 doesn't work if she doesn't nail her role(s), and she plays it to perfection.

Bottom line, 88 isn't The Godfather or Apocalypse Now, it's not going to win any Oscars or make billions of dollars. But if you're looking for an exciting movie with several WTF moments and a great performance from an under-appreciated star I strongly recommend it.

Fun, with a great female lead

[Finfrosk86 · 7/10 · 26 March 2015]

OK, so this is maybe a 6, but I saw it at Glasgow Frightfest, and that makes an impact in itself, maybe I'll downgrade it to a 6, but maybe it is a 7! Who knows? I should, right? Anyway!

Going to try not to spoil anything here, and I will be brief.

I liked Katharine Isabelle in this one. She is cool, weird and not to shabby-looking either. Hard to put this in one genre, it's rather violent, got some drama, some action, some humor, and a little mystery to it too. But I liked it. It was entertaining, and again Katharine Isabelle is the real star here. She is fun to watch. She may slightly overdo her "I'm-so-incredibly-cool"-thing a little at times, or it might just be me. And if it's not me, I think it's the director and/or screenwriters fault.

Anyhow, entertaining little flick.

Can we figure out what is going on here?

[James-kessog · 2/10 · 2 September 2017]

This is not pleasant viewing, nor is it particularly clear. After watching Their Finest the previous night which is a magnificent screenplay, this is like it was put together on cards and the author dropped them on the floor and never quite got them together. The violence is senseless and demeaning. I got the sense of the bewilderment by a great lead but the rest is dreadful. Avoid...., really, avoid!

Pointless

[ejaaz-80349 · 2/10 · 18 June 2021]

Pointless movie.... I don't get the point of this movie!!!

Rob Zombie, Squeaky Fromme, and the Mandela Effect

[bemyfriend-40184 · 5/10 · 16 November 2021]

I was very saddened by the review written by "nogodnomasters". He did not appreciate the opening song. To me, the opening song set the mood for the movie. "Come Be With Me Love", is a 2015 release, by Laura Cole, from Hamilton, Ontario. It is based on "I Fall To Pieces", by the late, great Patsy Cline. What a Mandela Effect it creates! And that is the intention of the film: to recreate a mental disconnect. The beginning of the film is GREAT!!! The starlet is in some retro diner, and a song is playing on an odd radio, with twin cassette decks. It isn't "I Fall To Pieces", but it sounds like it. In what world was there no Patsy Cline? The film is sort of like Rob Zombie doing The Mandela Effect, (another psychedelic type film). And in what red state, especially Tennessee, does the presence of a handgun create a panic among the women-folk? Most of them have their own handguns. I didn't like the character of Flamingo. She was like Lucille Ball, in some episode of I Love Lucy, where she is pretending to be tough. The starlet does look like Lynette Fromme, better known as "Squeaky" Fromme; the Manson Family member, who tried to shoot President Ford. Cyrus looks and sounds like Casey Stengel. The movie is filled with Boomer icons, all shaken together, and poured out in a confusing mess. The action is mostly some kind of flashback; which adds to the messy confusion. Finally, it loops to the beginning; after reconstructing the order of events. But still it makes no sense; because she is planning to kill Cyrus, who has already shot himself in a flashback. Seen on Tubi, the free streaming site; which now has live TV.

If Guy Ricthie directed Memento with a screenplay by Luc Besson

[mexicanscotsman · 10/10 · 24 March 2015]

If you like Guy Ritchie films and you're fan of Luc Besson, you'll enjoy this saucy little revenge filled rampage.

It's terrific fun to watch Katharine Isabelle's brilliant performance as both a clueless and terrified victim, and a cold blooded killer sociopath, as you follow her around on her violently hilarious adventures.

The film has very fresh and lively quality. Christopher Lloyd as a villain and Michael Ironside as a sheriff, with commendable direction by April Mullen, it feels like you're watching yourself being punched in the face with a candy-apple: it's all crunchy and sticky and shiny with squishy bits. And you can laugh at the playful delight and violent absurdity of just having watched yourself take a candy-apple to the face.

88 is a special treat.

FIVE CHEESEBURGERS AND MILK

[nogodnomasters · 8/10 · 26 August 2018]

88 is a smart original Canadian film, words I never thought I would never put in the same sentence. The opening of the film defines "Fugue State" which is a type of amnesia which creates a separate personality, normally triggered by a traumatic event. Gwen (Katharine Isabelle) has had such an event as her boyfriend has been killed in front of her. She turns into the cold heartless, no filter Flamingo. Flamingo is a killer while Gwen is not. She attempts to unravel what has happened and believes Cyrus (Christopher Lloyd) killed him.

Flamingo in her new personality doesn't recognize people Gwen knows and Gwen doesn't know people that Flamingo has met. The film is filled with flashbacks. The number "88" is used for everybody's address, but is a reference to the script as to how it loops back and creates a double infinity symbol for the two personality plot line. The time spent as each personality is evenly done. The soundtrack is 180 degrees different between the two personalities. And something I didn't figure out to late was there was a rather lame trigger song "Come Be With Me Love" that would jolt Gwen out of her tough girl Fugue State and back into herself.

However, this is not a film for everyone. The flashbacks are at times confusing. The soundtrack is original and could have been better. It swings from a grindhouse film to an indie drama at the drop of a hat.

Guide: F-bomb. No sex or nudity.

Flamingo

[gab-67599 · 8/10 · 4 July 2022]

I loved this movie for not being ordinary like the rest. Bloody revenge love story. I loved the lead and Ty, I wish he was in the whole movie but oh well. I do not think the story made sense though, and if Cyrus trusted her more than someone he's known for 20+ years. Then he should have known she was never going to say a word... Just crazy, the whole movie was unconventional and now a days would be rated higher than what it had in the past. I miss interesting movies like this with a beautiful lead! I would not mind watching this movie again.

loved it .

[salman_ahmed2 · 10/10 · 13 January 2015]

i don't know whether its Katherine acting or what but she saves the movie from falling off .the police was just way too dumb in the whole scenario being made look bad .other than that i liked the movie and you will love the end.the whole movie has got twists .some are good and some are way off . my favorite was of course the one in the end .****spoiler alert***** : in which Gwen gets the flashback that she was actually the killer of her lover .she did it by accident .also in the case of waitress getting shot in the beginning it was also by chance but you can blame Cyrus in the sense that he was the one who taught her how to use the gun but he shows his father figure at the end when he shoots himself in order to save Gwen from going to jail and takes all the blame . i like the message of the movie

Loved it - just because I really did

[rhondasmit · 10/10 · 10 February 2015]

I watched this movie on netflix and forgot that I could pause it... I loved every moment of it. So imagine my surprise when I find mostly hate and bad reviews here.

Sure it isn't for everyone... really, no movie is; but surely I am not the only one who thought this was a very engaging film?

I won't post any spoilers, I liked it too much for that. I really enjoyed the movie and will watch it again soon, and delight in picking up more nuances that I might have missed, as well as enjoying my partner's reaction to it. What's not to like? (That's a rhetorical query here, OK?)

It has a great lead, a good 'WTF is going on here' story, a believable resolution, I found the actors convincing, and the photography utterly watchable. Some of the shots were so beautiful in their composition that I will pause the movie there the second time around and just enjoy the image.

I have seen few movies lately that gave me such a complete package. Some movies seem to forget that it is about visual story telling, but this one didn't. The score added to the movie, without getting in the way, or taking me out of the moment, the dialog was just right. And even though I could see the ending coming, I didn't want to hasten it, but let it take its own time, just like reading slower when you draw near the end of a great book: You can't stop reading, but you try to enjoy every last word...

I even loved the final shot... it gave the viewer time to revisit the entire film, and left you with both the sense of anticipation and the knowledge of realization in perfect balance.

Brilliant gem from WANGO ( some slight spoilers)

[ruairisean · 10/10 · 10 January 2015]

I originally came to this film because of the lovely Ms Isabelle, the summary was a little off putting. However the film itself kept me with it the entire time, even with the different time-lines going on it had a solid flow. Isabelle was amazing as she tends to be, Tim Doiron as Ty was one of the highlights of the film, his character was just so endearing somehow. April Mullens character was genius, the maniacal nature of her performance added to the theme of the film and the setting, and provided a little levity in an intense scene. So, strong acting, believable characters. Great storyline, nicely done, kept me guessing all through it. If you like WANGO, April Mullen, Tim Doiron, Christopher Loyd, and the list goes on, watch this film and be glad Isabelle has joined forces with them and that the film will be as popular as the Soska Sisters American Mary. A real plus for Canadian film

Excellent film from a talented team

[dr2red · 10/10 · 20 June 2015]

I watched this film at the recent Niagara Falls Comic Con. I was instantly drawn into the strange world of Flamingo/Gwen. I don't want to give away the story but it was very engrossing and with enough twists and turns for a top notch ending. The beginning is not the beginning the end is not the end but the beginning. The acting was topnotch with Catherine Isabelle and Christopher Lloyd in a challenging roles. Beautifully filmed in the Niagara area of Ontario on a short film schedule. There is nothing unnecessary in this film. No filler no fluff. I have to commend the filmmakers and creative team for making and I hope they make many more films like this.

Really cool and entertaining crime thriller

[Woodyanders · 8/10 · 29 December 2020]

Young lass Gwen (a terrific performance by Katharine Isabelle) finds herself at a roadside diner with no idea of who she is or how she got there. Through a series of intricate flashbacks Gwen figures out the circumstances pertaining to how her boyfriend died and the assorted colorful criminal types involved in said death.

Director April Mullen keeps the tricky, but still coherent and compelling story zipping along at a brisk pace, brings a right-on hip'n'funky pulp sensibility to the enjoyably lurid proceedings, and stages the exciting action with rip-roaring gusto as well as delivers a handy helping of bloody violence topped off with a wickedly amusing sense of dark humor. Tim Doiron's crafty script provides a few neat twists and turns.

Isaballe plays two radically opposite personalities -- one confused, innocent, and vulnerable, the other cunning, worldly, and dangerous -- with tremendously impressive skill and aplomb; she receives sturdy support from Christopher Lloyd as sleazy crime boss Cyrus, Doiron as eager sidekick Ty, Kyle Schmid as ill-fated boyfriend Aster, Michael Ironside as the baffled Sheriff Knowles, Jesse McCartney as the smitten Winks, and Mullen as cheery illegal arms dealer Lemmy. A nifty little flick.

What's the problem with the rating system here?

[bellino-angelo2014 · 8/10 · 7 February 2023]

88 has quite a bad pedigree. Here on IMDB it has 4,8 and only 23 reviews with mostly negative scores. Yet last October I saw it and it excedded so much my expectations that I asked myself if I was watching the same movie they all seem to hate. Now I can go to the review.

Gwen (Katherine Isabelle) is a young woman that suffered a fugue state and shoots a waitress in a diner when she accidentallly finds a gun in her purse. After this accident Gwen goes in a motel and she is visited by Ty who insists that they previously planned to kill underworld boss Cyrus (Christopher Lloyd) because he was the responsible of the death of her boyfriend. Unfortunately when Gwen and Ty go to buy more weapons they are stopped by Sheriff Knowles (Michael Ironside) but he makes a deal: Gwen has to take Cyrus alive to him. Skip to some time later, Gwen meets Cyrus and blames him for all the deaths but he denies his responsibility and kills himself, and at the dinner Gwen enters in a daze.

So is 88 worth deserving of the bad score and reviews? Not really. It was a tense and convincing thriller with some nice twists and good performances by Isabelle, Ironside (in his natural element) and Lloyd (who is surprising here since he is mostly known for comedies). In some moments I was even anxious for seeing where everything went next, so how they dare to call this a bad movie?

My advice in the end is to watch this movie for yourselves without reading the reviews, then if you want say your own view about it here. I liked it, and if you are thriller fans you might like it as well. Another movie I really liked but here is hugely underrated.

Riveting, Stylish Thriller

[nedthaniel · 8/10 · 4 February 2024]

I am astounded this film has such a low score on imdb.

Being a fan of Katharine Isabelle's work in thriller and horror movies (American Mary, Ginger Snaps, Victims, The Green Sea) I finally found a copy of 88 and I was not disappointed.

This is a stylish and absorbing thriller. The production values are excellent from the sultry lighting to the cinematography to the frenetic editing which mirrors the protagonist's mental breakdown.

Because the main character, played by Katharine Isabelle, is suffering from amnesia and a psychotic break, we get to see her inhabit both an eerily cold but ferocious vigilante as well as a charmingly vulnerable woman thrust into a dark scenario she doesn't deserve; Katharine handles both sides of that persona splendidly. The movie starts in medias res and bounces around among different points in the story. Sometimes I find this type of narrative confusing, even draining, but here it added to the suspense of what precisely happened to set off this disastrous set of consequences.

Christopher Lloyd delivers as an antagonist and his chemistry with Katharine is gritty and believable.

The crescendo into the final revelation of the story, what actually happened, was a very fulfilling pay off to everything that came before, basically it stuck the landing, imho.

Highly recommended if you enjoy a good thriller, an intriguing mystery, visceral action and a compelling performance.